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Classic and Contemporary Poetry: Explained

CHOOSING A MAST, by                 Poet's Biography

In "Choosing a Mast," Ignatius Royston Dunnachie Campbell crafts a richly textured and imaginative exploration of the relationship between the natural world and human endeavor. The poem centers on the speaker’s selection of a mast—a piece of timber hewn from a tree—which is anthropomorphized as a living spirit, imbued with mythological significance. Through lyrical and elegant language, Campbell merges themes of nature, craftsmanship, myth, and adventure, using the mast as a symbol of transformation and the dynamic forces of life and the sea.

The poem opens with the speaker describing the mast as though it were a sentient being, claiming that "she was once an oread of the slopes, / Graceful and tall upon the rocky highlands." Here, Campbell invokes classical mythology, likening the tree to an oread, a mountain nymph who embodies the spirit of the rocky highlands where she grew. This personification elevates the tree beyond a simple piece of wood, infusing it with life, grace, and a mythic past. The description of the tree as "slender...as vertical as noon" suggests both physical elegance and a connection to the celestial, further reinforcing its mythological stature. The oread's "low voice," which was once as lovely as the silence of a mountain spring, is now transformed into "the thunder of the sail"—a symbol of the tree's new life as part of a ship.

Campbell uses lush, evocative imagery to highlight the speaker’s careful selection of the tree, which he chooses not merely for its physical qualities but for its history and symbolic resonance. "I chose her for her fragrance, when the spring / With sweetest resins swelled her fourteenth ring," the speaker says, signaling an intimate relationship with nature. The tree’s age and fragrance are as important as its strength, and Campbell emphasizes the speaker’s deep appreciation for its natural beauty and vitality. The poet’s attention to detail—"her hard-knotted grain," "grazed by the chisel, shaven by the plane"—suggests the artistry involved in transforming the raw timber into something functional and beautiful. The craftsmanship is not only physical but also metaphorical, as the speaker shapes the mast with the same care and reverence that a poet might shape a poem.

The poem moves fluidly between the natural world and the human one, drawing parallels between the life of the tree and the mast’s role on the ship. Campbell speaks of the tree’s "eagerness of flight," describing how it once stood "tiptoe on the rocky height / Lifted by her own perfume to the sun." The image of the tree standing on tiptoe, as if reaching for the heavens, imbues it with an almost spiritual longing, as though it yearns for the freedom that will only come once it is transformed into a mast. This longing is further emphasized by the image of the tree’s "eagle spirit" that would have taken flight if not "charmed...to the spot" by the fragrance of the earth. The tension between rootedness and flight, between the tree’s natural state and its future role as a mast, permeates the poem and gives it a dynamic energy.

As the poem progresses, Campbell intertwines the tree’s life with that of the ship, positioning the mast as a bridge between land and sea, between past and present. The speaker notes that the tree was chosen not only for its strength but for its "songs"—its ability to sing "through a long noon’s repose of wave and wing." This idea of song, repeated throughout the poem, symbolizes both the literal sound of the wind through the branches and the metaphorical music of the tree’s life and legacy. In its new form as a mast, the tree will continue to sing, but now through "the thunder of the sail" as it cuts through the ocean.

The final stanzas of the poem depict the mast as part of a grand adventure, soaring "with the blue north wind" and "fly[ing] through rainbows with the rising sun." Campbell’s language here is full of motion and excitement, capturing the thrill of sailing and the boundless possibilities of the sea. The mast, now "the archer of the gale," propels the ship forward like "the feathered arrow of the foam." This vivid metaphor ties together the themes of craftsmanship, adventure, and transformation, as the tree, once rooted to the earth, becomes a vital force driving the ship across the sea.

Ultimately, "Choosing a Mast" is a celebration of the intricate connections between nature, myth, and human creativity. Campbell elevates the simple act of choosing a mast into a profound meditation on transformation, as the tree is not merely cut down and repurposed but reborn as a vital part of a new journey. Through the mast, the spirit of the oread lives on, not as a passive object but as an active participant in the voyage, singing through the wind and carrying the ship toward distant horizons. Campbell’s rich, layered language and mythological allusions give the poem a timeless quality, reminding the reader of the enduring power of nature and the ways in which it continues to shape and inspire human life.


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