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Classic and Contemporary Poetry: Explained | |||
Carol Frost’s poem "Scorn" intricately explores the dynamics of a long-term relationship marked by both deep affection and profound tension. Through vivid and often stark imagery, the poem delves into themes of intimacy, conflict, and the complex interplay of love and disdain within a shared life. The poem opens with a striking image: “She thought of no wilder delicacy than the starling eggs she fed him for breakfast.” This line immediately sets a tone of both tenderness and peculiarity, suggesting an unconventional yet intimate act of care. The comparison of starling eggs to a "wilder delicacy" underscores the uniqueness of their relationship and the effort she puts into pleasing him. Despite these gestures of care, the relationship is fraught with complexity: “and if he sat and ate like a farmhand and she hated him sometimes, she knew it didn't matter.” This duality of love and hatred reflects the inherent contradictions within their bond. The mundanity of him eating "like a farmhand" contrasts sharply with her sometimes intense feelings of hatred, highlighting the mundane routines that coexist with deeper, more turbulent emotions. The poem touches on the nature of their arguments, describing the “din of argument” where harsh words are spoken but eventually "soothed and patted away.” This cyclical process of conflict and reconciliation illustrates the resilience of their relationship. The repetition of these conflicts, and their subsequent resolutions, suggests a pattern that has become almost ritualistic over time. Reflecting on their younger years, the poem reveals how the “towering fierceness of their differences” frightened her, even as she longed for “physical release.” The intensity of their differences, juxtaposed with the physical desire, captures the passionate but volatile nature of their early relationship. The imagery of “curses” and hands “pointing, stabbing the air” evokes scenes of vehement disputes, raising questions about how they managed to avoid physical harm. Their survival through these turbulent times is noted with a sense of wonder: “How had they not been wounded? And wounded they’d convalesced in the same rooms and bed.” This resilience and ability to heal together speaks to a deep, underlying connection that sustains them despite the conflicts. The shared spaces of their recovery, “the same rooms and bed,” symbolize the intimacy and interdependence that define their relationship. The poem reaches a poignant conclusion with the realization that they have come to understand each other profoundly without the need for explicit communication: “When at last they knew everything without confiding—fears, stinks, boiling hearts.” This deep mutual understanding, encompassing even the most unspoken and unsavory aspects of their lives, leads them to a place where they can "both love and scorn each other." This paradoxical coexistence of love and scorn underscores the complexity and depth of their bond. The final image of them eating from each other’s hands encapsulates the essence of their relationship: an act of both vulnerability and trust. It symbolizes a mutual dependence and a tender acknowledgment of their shared history, despite the ongoing presence of conflict and scorn. "Scorn" is a nuanced and deeply human exploration of a relationship that navigates the delicate balance between love and disdain. Frost's vivid imagery and honest portrayal of emotional conflict invite readers to reflect on the complexities of their own relationships, recognizing the ways in which intimacy and tension can coexist and even strengthen over time. The poem captures the raw, unvarnished reality of long-term companionship, where love is both a sustaining force and a source of contention.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...OUR AMERICAN HUSBANDS WERE BORN by MATTHEA HARVEY A BLESSING FOR A WEDDING by JANE HIRSHFIELD A SUITE FOR MARRIAGE by DAVID IGNATOW ADVICE TO HER SON ON MARRIAGE by MARY BARBER THE RABBI'S SON-IN-LAW by SABINE BARING-GOULD KISSING AGAIN by DORIANNE LAUX A TIME PAST by DENISE LEVERTOV SONGS FOR TWO SEASONS: 1. AFTER GRAVE ILLNESS by CAROL FROST |
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