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Classic and Contemporary Poetry: Explained | |||
Robert Frost's "Storm Fear" presents a vivid depiction of a winter storm's oppressive power and the human response to nature's formidable forces. Through evocative imagery and a palpable sense of isolation and vulnerability, Frost explores themes of fear, survival, and the struggle against external threats. The poem opens with the line "When the wind works against us in the dark," immediately setting a tone of conflict and adversity. The wind, personified as working "against us," becomes an antagonist, challenging the safety and comfort of the speaker and his family. The use of "in the dark" enhances the feeling of vulnerability, as darkness often symbolizes the unknown and unseen dangers. The imagery of the storm is intensified in the second line, "And pelts with snow / The lowest chamber window on the east." The verb "pelts" conveys the force and relentlessness of the storm, while the specific mention of "the lowest chamber window" suggests a sense of intrusion and the storm's pervasive reach. The east-facing window may symbolize the dawn or hope being assaulted by the storm, implying a disruption of normalcy and security. Frost continues to build the storm's menacing presence with the line, "And whispers with a sort of stifled bark, / The beast, / 'Come out! Come out!'" The storm is given an animalistic quality, likened to a "beast" with a "stifled bark." This personification creates a sense of animosity and predatory intent, as if the storm is a living entity urging the occupants to abandon their shelter. The repetition of "Come out! Come out!" mimics the storm's persistent and insistent nature, adding to the tension. Despite the storm's aggressive demands, the speaker states, "It costs no inward struggle not to go, / Ah, no!" This declaration suggests a firm resolve to stay indoors and resist the storm's call. However, the following lines reveal the underlying fears and doubts that plague the speaker. The counting of "our strength, / Two and a child," emphasizes the small and fragile unit of the family, highlighting their vulnerability. As the fire dies down and the cold creeps in, the sense of isolation deepens. The image of "drifts... piled, / Dooryard and road ungraded," depicts the physical barriers created by the storm, cutting off the family from the outside world. The comforting presence of the barn, once a symbol of security and sustenance, now seems "far away," underscoring the feeling of being besieged and alone. The poem culminates in the speaker's expression of doubt: "And my heart owns a doubt / Whether 'tis in us to arise with day / And save ourselves unaided." This admission of uncertainty and fear of inadequacy in the face of the storm's power is poignant. The use of "own" implies a reluctant acceptance of this doubt, acknowledging the limits of human strength and resilience. Structurally, "Storm Fear" is composed of a single stanza with a varied rhyme scheme, which reflects the chaotic and unpredictable nature of the storm. The irregular meter and line lengths contribute to the sense of instability and tension. Frost's use of enjambment allows the poem to flow in a way that mirrors the relentless, unbroken force of the storm, creating a seamless yet tumultuous reading experience. Through "Storm Fear," Frost masterfully conveys the primal fear and awe inspired by nature's uncontrollable power. The poem captures the fragile balance between human strength and vulnerability, portraying a poignant struggle for survival against the indifferent and often hostile forces of the natural world. The imagery and personification of the storm, combined with the introspective doubts of the speaker, create a powerful and relatable exploration of human resilience and the instinct to protect one's family amidst overwhelming adversity.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...STORM AT HOPTIME by EDMUND CHARLES BLUNDEN THERE IS A SOLEMN WIND TONIGHT by KATHERINE MANSFIELD DEWEY AND DANCER by JOSEPHINE MILES MICHAEL IS AFRAID OF THE STORM by GWENDOLYN BROOKS BREACHING THE ROCK by MADELINE DEFREES THE CLOUDS ABOVE THE OCEAN by STEPHEN DOBYNS OF POLITICS, & ART by NORMAN DUBIE |
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