|
Classic and Contemporary Poetry: Explained | |||
"Pan in Wall Street" is a poem by Edmund Clarence Stedman, an American poet, critic, and editor who lived from 1833 to 1908. The poem is a satirical commentary on the commercialism of American society, in which the ancient Greek god Pan is transplanted to the bustling streets of New York City. The poem reflects a broader interest in the social and cultural changes of the late 19th century, and the impact of capitalism and industrialization on American life. Context: "Pan in Wall Street" was likely written in the late 19th century, during a period of rapid industrial growth and urbanization in the United States. The poem reflects a growing concern with the impact of capitalism and commercialism on American society, and the ways in which traditional values and beliefs were being eroded by modern economic forces. The poem is part of a larger tradition of social commentary and satire, which sought to critique the excesses and inequalities of the emerging capitalist order. Content: "Pan in Wall Street" is a poem in which the ancient Greek god Pan is transported to the busy streets of New York City, where he observes the frenzied activity of commerce and trade. The poem satirizes the excesses and absurdities of capitalist culture, suggesting that the pursuit of wealth and material gain has displaced more traditional values and ideals. The poem explores themes of alienation, dislocation, and social change, and suggests that the forces of modernization and industrialization have disrupted the natural rhythms of human life. Form: "Pan in Wall Street" is written in free verse, with a conversational tone that reflects the speaker's ironic detachment. The poem is divided into several stanzas, each containing a different aspect of the speaker's critique of capitalist culture. Poetic Elements: "Pan in Wall Street" makes use of several poetic techniques and devices, including metaphor, imagery, and irony. The use of metaphor, such as the comparison of Wall Street to a "Babel of voices," adds to the poem's emotional impact, while the imagery of the crowded streets and frenzied activity emphasizes the chaos and dislocation of modern urban life. The poem's irony, such as the description of Pan as a "modern deity," adds to its satirical impact and highlights the absurdity of the capitalist culture it critiques. Summary: "Pan in Wall Street" is a notable example of social satire, and a significant contribution to Edmund Clarence Stedman's body of work. The poem's critique of capitalist culture and its exploration of the themes of alienation, dislocation, and social change are enduring themes that continue to resonate with readers today. The poem's use of metaphor, imagery, and irony adds to its poetic and emotional impact, while also conveying the speaker's ironic detachment and social critique. Overall, "Pan in Wall Street" is a noteworthy example of Stedman's poetic skill and his engagement with the social and cultural changes of the late 19th century. Copyright (c) 2024 PoetryExplorer | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THE WALL STREET PIT, MAY, 1901 by EDWIN MARKHAM THE SKYSCRAPERS OF THE FINANCIAL DISTRICT DANCE WITH GASMAN by MARGE PIERCY WALL STREET by RICHARD EUGENE BURTON THE CURB-BROKERS by FLORENCE WILKINSON EVANS WASHINGTON IN WALL STREET by ARTHUR GUITERMAN LOEW'S BRIDGE: A BROADWAY IDYL by MARY TUCKER LAMBERT A FAUN IN WALL STREET by JOHN MYERS O'HARA WALL STREET WAIL by ENID CRAWFORD PIERCE CRASH; OCTOBER, 1987, WALL STREET by JONATHAN HOLDEN SKYSCRAPERS OF THE FINANCIAL DISTRICT DANCE WITH GASMAN by MARGE PIERCY |
|