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Classic and Contemporary Poetry: Explained

CHRISTMAS, by                 Poet's Biography


In "Christmas," Theophile Gautier captures the profound paradoxes inherent in the nativity story-a tale of divinity cradled in human fragility. The poem opens with a stark contrast: "The heavens are black, the earth is white." Here, the poet immediately frames the birth of Jesus as an event that reconciles cosmic opposites. The black heavens represent the eternal, the divine, and the unfathomable mysteries of existence, while the white earth stands for the terrestrial, the temporal, and the realm of human life. It's against this cosmic backdrop that Jesus, both divine and human, is born, thus warranting the "wild joy-bells" to ring out to the skies.

The poem shifts from these grand dualities to a moment of intimate domesticity, focusing on Mary-the "Virgin bright"-who bends over Jesus with "enraptured eyes." The details that follow are humbling in their simplicity and vivid in their concreteness. The infant's cradle is far from regal; there are no "slumberous curtain streams," only "the spider's airy thread" hanging from "the stable's dusty beams." These details serve to emphasize the humility and vulnerability of the Christ child, who is not born into material luxury but into the raw elements of earthly life.

Gautier continues to highlight the tender human aspects of the nativity scene. He describes the newborn Jesus as "Thrills with the cold in every limb," an image that brings home the vulnerable humanity of the divine. Even the animals, "the ox and ass," in a beautiful image of cross-species communion, "kneel down and warmly breathe on Him," offering their own simple gifts of warmth and companionship.

Just as Gautier allows us to absorb this quiet, earthbound moment, he suddenly shifts our gaze upward. The heavens open "dazzling as the morn," and bands of angels clothed in white-echoing the earlier description of the earth-announce to the shepherds that "Christ is born." The poem closes on this celestial note, suggesting that the nativity is an event of universal importance, a point of intersection between the divine and the human, the cosmic and the earthly.

In this brief but resonant poem, Gautier brings together opposing realms-the humble and the heavenly, the vulnerable and the eternal-to celebrate a singular event that harmonizes these contradictions. Through this act of poetic alchemy, Gautier not only retells the nativity story but also invites us to reflect on the deep mysteries and simple beauties of human existence, reminding us that divinity can be found in the most unassuming places. And so, in a modest stable, amidst a humble family and even humbler animals, under a sky that is at once black and dazzling, the world changes forever.


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