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Classic and Contemporary Poetry: Explained

BREATHING LANDSCAPE, by             Poet Analysis     Poet's Biography

Muriel Rukeyser’s "Breathing Landscape" is a contemplative meditation on stillness, human presence, and the unseen but persistent forces of nature. Through her use of delicate imagery and reflective language, Rukeyser captures a moment suspended in time, where the external landscape mirrors the internal states of mind and being.

The poem begins with an evocative image of stillness and potential: "Lying in the sun / and lying here so still / an egg might slowly hatch in this still hand." The repetition of "lying" emphasizes a profound sense of calm and immobility, suggesting that in this state of quietude, even the most subtle processes of life, such as an egg hatching, might unfold. This image sets the tone for a poem that is deeply rooted in the appreciation of slow, almost imperceptible change.

As the poem continues, the speaker observes the world around them: "The people pass / abruptly they nod: they smile / trailed in the air, silence follows their faces." This observation underscores the fleeting nature of human interactions, marked by brief nods and smiles that leave behind a trail of silence. The imagery here conveys a sense of detachment and ephemerality, as if human presence is just a temporary disturbance in the larger, more permanent landscape.

Rukeyser’s attention then shifts to the natural world, which she describes with a sense of timelessness and constancy: "I know, lying / how the hills are fixed / and the day-moon runs at the head of the fixed hills." The fixed hills and the day-moon moving at their head suggest a natural order that is unchanging and reliable, contrasting with the fleeting human figures. This juxtaposition highlights the enduring nature of the landscape in contrast to the transitory human presence.

The poem’s focus narrows to a single moment of motion: "Nothing crossed the field / all day but a bird / skirting the tall grass in briefest transit." The bird’s brief flight across the field is the only interruption in an otherwise static scene, emphasizing the rarity and significance of movement within this stillness. The use of "briefest transit" underscores the fleeting nature of life and movement in an otherwise undisturbed environment.

Rukeyser also reflects on human isolation and the difficulty of true connection: "Their stern ideas / are a long work to each / and even armored we hardly touch each other." This line suggests that people are often consumed by their own thoughts and defenses, making genuine connection rare and difficult. The metaphor of being "armored" implies that individuals protect themselves emotionally, which further isolates them from one another.

The poem concludes with a return to the theme of stillness and the unseen forces of nature: "The wind leans, / the air placed formally / about these faces and thoughts in formal dance." The wind and air are described as participating in a "formal dance," suggesting a choreographed and delicate interaction with the human presence. This formal placement of air and wind around thoughts and faces underscores the careful balance and subtlety of the natural world’s interaction with human life.

The final lines, "Silence hangs in the air. / Nothing speaks but the sound / of certain rivers continuing underground," bring the poem to a contemplative close. The silence that hangs in the air is profound, and the only sound is that of underground rivers, which continue their course unseen and unheard. This image of hidden, persistent movement beneath the surface serves as a metaphor for the deeper, often unnoticed currents of life and existence that continue despite the apparent stillness on the surface.

"Breathing Landscape" by Muriel Rukeyser is a powerful reflection on stillness, the passage of time, and the enduring yet often unnoticed forces of nature and human existence. Through her careful attention to imagery and nuanced language, Rukeyser invites readers to contemplate the delicate balance between movement and stillness, presence and absence, and the seen and unseen aspects of the world around us.


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