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Classic and Contemporary Poetry: Explained | |||
"Lundu," by Jay Wright, is a poignant meditation on the interconnectedness of labor, nature, and personal identity, woven together through the imagery of moonlight, sugar cane, and cyclical time. The poem draws its emotional resonance from the speaker?s introspective reflections, capturing a struggle for meaning amid the relentless demands of physical work and the overarching presence of natural forces. The opening line, "Moonlight, if I sleep on this bank / and lay my head against your kiss," introduces an intimate relationship between the speaker and the natural world. The moonlight, personified as a tender, almost protective force, sets the tone for the speaker?s search for solace and understanding. By situating themselves on the "bank," the speaker acknowledges their position at the boundary between stability (land) and flux (the river), a metaphor for the precarious balance in their life. The river?s sound, described as something recognizable, suggests a grounding element in the midst of life?s uncertainty—a reminder of continuity and permanence. The poem shifts to the speaker?s labor: "Timeless me, all day I raise / my knife against the sugar cane, / sugar brute who takes my days for pay." Here, the sugar cane embodies both sustenance and oppression, a "brute" that demands the speaker?s energy and time in exchange for survival. The physical act of cutting cane becomes a metaphor for the toll of relentless labor, which reduces the speaker?s days to a transactional existence. The repetition of "sun glow" in the subsequent lines—"Sun glow in spring is crystal clean. / Sun glow north, sun glow south, / sun glow summer, sun glow fall"—emphasizes the cyclical, unchanging nature of this toil, mirroring the inescapable passage of time. The "fall of sweetness" weighing on the speaker signifies the bittersweet reality of their labor, which yields both sustenance and exhaustion. The invocation of "Aribú of the sweetest god" adds a spiritual dimension to the poem, blending the material and the divine. The speaker addresses Aribú, a figure associated with sweetness and abundance, as both a source of hope and a reminder of mortality. The rhetorical questions—"will this or what winter / be the longest sleep?" and "will this or what fall / be the desolation of our mother?"—reflect a deep existential unease. Winter and fall, seasons traditionally associated with endings, symbolize the fragility of life and the potential loss of vitality in the speaker?s world. By juxtaposing these questions with the act of serenading "his green fingers" and "the return of even light / to her wrinkled face," Wright captures the tension between despair and resilience. The poem’s conclusion returns to the intimacy of the moonlight: "Moonlight, now I lie on the crown / of my own desire." The "crown" suggests both the apex of longing and the burden of self-awareness. The imagery of being "hutched / in the fall of the god, / the fall of the cane, / the fall of my own night" evokes a sense of enclosure, as if the speaker is confined by their own aspirations, the cycles of nature, and the inevitability of decline. The repetition of "fall" underscores the weight of this descent, tying the speaker?s individual experience to larger, universal patterns of life and death. "Lundu" is imbued with a rhythmic, almost musical quality, reflecting the African-Brazilian dance form after which it is named. This rhythm mirrors the cyclical patterns of labor, nature, and desire that dominate the speaker?s life. Wright?s use of repetition and parallel structures enhances the meditative tone, allowing the reader to feel the persistent ebb and flow of the speaker’s thoughts. At its core, the poem is a lament for the human condition, caught between the sweetness of life’s offerings and the inevitability of their decline. The speaker’s relationship with the moonlight, the sugar cane, and Aribú underscores their longing for balance—between work and rest, loss and renewal, despair and hope. Through its rich imagery and lyrical depth, "Lundu" invites readers to contemplate their own place within the rhythms of nature and the demands of existence, offering a profound meditation on the interplay of labor, spirituality, and the passage of time.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...SHYNESS OF THE MUSE IN AN ALMOND ORCHARD by MARK JARMAN KICKING THE LEAVES by DONALD HALL THE FARMER'S BOY: WINTER by ROBERT BLOOMFIELD THE FARMER'S BOY: SPRING by ROBERT BLOOMFIELD THE FARMER'S BOY: SUMMER by ROBERT BLOOMFIELD |
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