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FETES GALANTES: A CLYMENE, by             Poet Analysis     Poet's Biography


"Fetes Galantes: A Clymene" by Paul Verlaine is a poetic voyage through the senses, an evocation of a love so intense it transcends ordinary descriptions. The poem navigates through visual, auditory, and olfactory perceptions to convey an enigmatic love, uniting the elements in a sensorial blend that makes the love as elusive as it is omnipresent. What begins as an attempt to articulate love's essence transforms into a celebration of its ineffability.

Verlaine begins with "Mystical strains unheard, / A song without a word," immediately suggesting something inexplicable yet deeply felt. The use of oxymorons like "strains unheard" and "song without a word" portrays love as a paradox, something that escapes comprehension yet leaves an indelible mark on the soul. The description is not just of the beloved, Clymène, but of love itself-mystical, transcendent, ineffable.

Clymène's eyes are described as "pale as the skies," introducing a celestial metaphor that elevates her to an almost divine status. The sky, after all, is immense, a canvas upon which any number of narratives could be projected. Her voice is "remote / As the far clouds that float," further emphasizing her ethereal, almost unreachable, quality. These descriptions serve to indicate that she is not just a person but a personification-perhaps of love, beauty, or some even more mysterious concept.

The sensory elements continue to pile up: the "stately scent / Of thy swan's whiteness" blends olfactory and visual sensations, suggesting a synesthetic experience. Verlaine combines Clymène's physical beauty with the imagery of a swan-a symbol often associated with love and purity. The metaphor also introduces a mythological undertone, as the swan was sacred to Aphrodite, the goddess of love. The scent of "thy perfume" merges with the "white lily's bloom," another symbol historically associated with purity and majesty.

The denouement of the poem captures the core of its thematic pursuit. Clymène's love is equated with "the music breathed above / By angels halo-crowned," suggesting a divine, heavenly love. Verlaine writes, "Hath, in my subtle heart, / With some mysterious art / Transposed thy harmony," indicating that this love has been internalized, becoming part of the speaker's very essence. The closing line, "So let it be," evokes both surrender and acceptance, acknowledging love's mysterious, ineffable nature.

"Fetes Galantes: A Clymene" offers not just a sentimental portrayal of love but a complex interweaving of sensory experiences that make it almost mystical. Verlaine crafts a complex tapestry of love that is felt through sight, sound, and scent-a love that is as incomprehensible as it is all-encompassing. Rather than solving the mystery, the poem cherishes it, offering a kind of worshipful surrender to love's impenetrable, beautiful enigma.


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