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Classic and Contemporary Poetry: Explained | |||
Randall Jarrell's "Venetian Blind" captures the existential plight of a man awakening to a new day and grappling with his place in the world. The poem uses the metaphor of a venetian blind to explore themes of perception, identity, and the passage of time. The poem begins with an evocative description of the morning light filtered through a venetian blind: "It is the first day of the world / Man wakes into: the bars of the blind / And their key-signature, a leaf." This imagery suggests a fresh start, a new beginning, with the bars of light symbolizing the structured yet fragmented way in which the man perceives his surroundings. The line "Stream darkly to two warmths; / One trembles, becomes his face" implies a duality in the man's experience—he is both warmed by the sunlight and shadowed by the bars of the blind, which casts a pattern on his face. This duality represents the tension between light and darkness, clarity and obscurity, that characterizes his internal state. As the man transitions from the light into a "shadowed place," he encounters a sense of disorientation: "There is a chatter, a blur of wings— / But where is the edge of things?" The indistinct sounds and movements around him underscore his uncertainty about the boundaries of his reality and his place within it. The poem delves deeper into the man's psyche as he struggles to reconcile his dreams with his waking state: "His dreams / Have changed into this day, this dream; / He thinks, 'But where am I?'" This line blurs the line between dreams and reality, emphasizing his confusion and search for meaning. A voice calls out to him to "Remember," yet he remains lost: "His great limbs are curled / Through sunlight, about space. / What is that, remember?" This plea to remember suggests a longing for a sense of continuity and identity, but the man's fragmented perception prevents him from finding solid ground. The poem takes a philosophical turn as the man contemplates his existence: "He thinks that he is younger / Than anything has ever been. / He thinks that he is the world." This moment of solipsism reflects a profound isolation and a distorted sense of self-importance. Yet, his soul and body contradict him, calling out as a bird would: "And he remembers. / He is lost in himself forever." The presence of an angel, "made from the sunlight," introduces a tone of ironic compassion: "Says in mocking tenderness: / 'Poor stateless one, wert thou the world?'" This angelic figure highlights the man's hubris and his existential displacement, reinforcing his feeling of being unmoored. The dialogue between his soul, body, and the world culminates in a powerful critique of his own actions and identity: "His soul and his body / Say, 'What hast thou made of us, thy servants? / We are sick. We are dull. We are old.' / 'Who is this man? We know him not,' says the world." These lines express a deep sense of disillusionment and self-alienation, as the man realizes he has become unrecognizable even to himself. Despite this realization, the man's questioning persists: "But where am I? But where am I?" The repeated refrain captures his relentless search for meaning and place, echoing the poem's central theme of existential inquiry. "Venetian Blind" is a profound meditation on the human condition, exploring the complexities of perception, identity, and the search for self-understanding. Jarrell's vivid imagery and philosophical depth create a resonant portrait of a man caught between the clarity of light and the obscurity of shadows, ultimately lost in the labyrinth of his own consciousness.
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