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IN THE MORNING, by             Poet Analysis     Poet's Biography

Kenneth Koch's poem "In the Morning" is a vivid, almost surreal narrative that explores themes of transition, the passage of time, and the interplay between mundane reality and imaginative perception. The poem's imagery and seemingly disjointed structure invite readers to immerse themselves in a dreamlike sequence of events and reflections.

The poem begins with a stark and striking image: "In the morning the only thing moving was the garbage on the water." This opening line sets a tone of stillness and decay, suggesting a world in which the only movement comes from refuse drifting aimlessly. This image is contrasted sharply with the more dynamic scene described in the afternoon, where "the fellaheen stormed their tents," indicating a sudden burst of activity and perhaps a sense of upheaval or change.

The subsequent lines shift to a more personal and leisurely scene: "We bought cold cream and lay in the sun." This image evokes a sense of tranquility and self-indulgence, a moment of respite amidst the larger, more chaotic world. The mention of "birches against the risotto" and "older torches scaling the flagons of the night" introduces a surreal, almost whimsical quality to the poem, blending natural and culinary elements in a way that defies conventional logic.

Koch's use of language throughout the poem is both playful and evocative. The line "Ah, well, it's a young tree's privilege to climb" personifies the trees, imbuing them with a sense of vitality and aspiration. This personification contrasts with the "older torches," which are depicted as engaging in a more laborious and perhaps futile effort to scale the "flagons of the night."

The poem's narrative then shifts to social interactions and the experience of attending parties, described as opportunities to connect with "new, dear, or old and trusted friend[s]." This section captures the fluid and transient nature of social relationships, highlighting the mixture of familiarity and novelty that characterizes such gatherings. The protagonist's interaction with clothing—"He felt the new collars and the catalogues / Of old dresses"—suggests a preoccupation with appearances and the passage of time, as old and new fashion items coexist in his imagination.

Koch introduces historical and cultural references in a seemingly random manner, mentioning "Baron Haussmann, Claude Debussy, and Sherwood Anderson" as well as "George Bernard Shaw, the Empress of Roumania, Immanuel Kant." These references add layers of meaning and complexity to the poem, juxtaposing the mundane with the illustrious and the intellectual with the everyday.

The poem's surreal quality is further emphasized by the depiction of rats falling "one by one, from the Pontiff's apartment," an event that is noted to have "no political significance" but instead relates to the cleaning of the building. This odd and somewhat grotesque image blends seamlessly into the narrative, reinforcing the dreamlike atmosphere and the fluid boundaries between reality and imagination.

As the poem progresses, the protagonist's sense of place and purpose becomes increasingly ambiguous. The description of moving "into the apartments of day" that "fold and enwrap us" conveys a sense of being absorbed by the passage of time and the routine of daily life. The steam rising from the edges of these apartments and the presence of pink clouds of dust add to the poem's surreal and ephemeral quality.

The closing lines of the poem reflect a sense of disorientation and introspection. The protagonist "feels the collar-it's a little cold" and notes that "there isn't anything there except what's real," suggesting a moment of clarity or grounding amidst the surreal imagery. The sudden rise of the elevator, along with the mention of historical figures and the protagonist's interaction with ruins, encapsulates the poem's central themes of transition, the passage of time, and the interplay between reality and imagination.

In "In the Morning," Kenneth Koch masterfully weaves together disparate images and themes to create a richly textured and thought-provoking narrative. The poem's blend of the mundane and the surreal invites readers to reflect on the fluid boundaries between different realms of experience, highlighting the complexity and richness of human perception. Through its vivid imagery and playful language, the poem captures the essence of transition and the ever-shifting nature of reality.


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