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Classic and Contemporary Poetry: Explained | |||
Denise Levertov's "He-Who-Came-Forth" is a powerful exploration of motherhood, growth, and the complex relationship between a mother and her child. Through vivid and raw imagery, Levertov captures the intimate and often tumultuous process of nurturing a life that eventually stands apart, independent and unique. The poem opens with the reflective phrase, "Somehow nineteen years ago," immediately situating the reader in a personal narrative that spans nearly two decades. The phrase "clumsily passionate" conveys the imperfect yet intense nature of the act that led to conception, highlighting the human element of the experience. This raw and unpolished portrayal sets the tone for the poem's exploration of the messy, beautiful reality of creating and nurturing life. "I drew into me the seed of a man- / and bore it, cast it out—" uses a biological yet almost mythic language to describe conception and childbirth. The use of "seed of a man" emphasizes the initial potential and the intimate act of creation, while "bore it, cast it out" starkly contrasts the nurturing aspect of pregnancy with the act of childbirth, which is depicted almost as an expulsion. This duality underscores the complexities of motherhood, blending creation and release, nurturing and letting go. The next lines, "man-seed that grew and became a person / whose subtle mind and quick heart," transition from the physical act of birth to the development of the child. Levertov highlights the growth of the child into a person with distinct intellectual and emotional qualities. The words "subtle mind" and "quick heart" suggest a nuanced and vibrant individual, emphasizing the successful development of the child's inner qualities. Levertov then delves into the more difficult aspects of motherhood: "though I beat him, hurt him, while I fed him, loved him." This brutally honest admission reflects the complexities and contradictions inherent in parenting. The juxtaposition of nurturing actions ("fed him, loved him") with harmful ones ("beat him, hurt him") captures the often painful and imperfect reality of raising a child. It speaks to the struggles and mistakes that are part of the journey, highlighting the emotional depth and the dual nature of a mother's role. The poem concludes with the realization that this person, once nurtured within the mother's body, now "stand[s] beyond me, out in the world beyond my skin / beautiful and strange as if / I had given birth to a tree." This imagery beautifully encapsulates the transformation and independence of the child. The comparison to a tree, something that is rooted yet stands alone and grows in its own unique way, emphasizes both the continuity and the distinctiveness of the child. The adjectives "beautiful and strange" capture the awe and wonder a mother feels towards the grown child, recognizing their individuality and the mysterious aspects of their development that are beyond the mother's control or understanding. Levertov's use of vivid and unflinching language, coupled with her honest portrayal of the joys and pains of motherhood, creates a powerful and moving narrative. The free verse structure allows for a natural and personal flow, mirroring the organic and often unpredictable nature of parenting. In conclusion, "He-Who-Came-Forth" by Denise Levertov is a poignant reflection on the journey of motherhood, from conception to the eventual independence of the child. Through stark and evocative imagery, Levertov captures the complexities of nurturing life, the inevitable mistakes, and the profound realization of the child's unique and beautiful individuality. The poem invites readers to reflect on the intricate and often contradictory emotions involved in raising and ultimately letting go of a child.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...AN EMBROIDERY by DENISE LEVERTOV ILLUSTRIOUS ANCESTORS by DENISE LEVERTOV ESTRANGEMENT by GEORGIA DOUGLAS JOHNSON WHERE? by GEORGIA DOUGLAS JOHNSON THE SCHOLAR GIPSY by MATTHEW ARNOLD THE SHEPHERD, FR. SONGS OF INNOCENCE by WILLIAM BLAKE ASOLANDO: SUMMUM BONUM by ROBERT BROWNING TO A GARDEN -- ON LEAVING IT by WILLIAM BARNES VIA CRUCIS by MAXWELL STRUTHERS BURT BALLAD TO THE TUNE OF 'TO PARLIAMENT THE QUEEN IS GONE' by PATRICK CAREY |
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