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COLERIDGE, by             Poet Analysis     Poet's Biography

In the poem "Coleridge," Robert Lowell reflects on the life and character of the poet Samuel Taylor Coleridge, using vivid imagery and introspective analysis to explore themes of addiction, paralysis, and the contrast between inner potential and outward reality. The poem captures Coleridge's complex personality and the struggles that defined his life, particularly his battle with addiction and the limitations it imposed on his creative and personal aspirations.

The opening line, "Coleridge stands, he flamed for the one friend," introduces the idea of Coleridge's passionate intensity, which was often directed towards his relationships and intellectual pursuits. The phrase "flamed for the one friend" suggests a deep, perhaps consuming dedication, which may refer to Coleridge's close friendship with William Wordsworth or his intense intellectual and emotional connections in general.

Lowell then shifts to a vivid description of a rainy scene in New York City: "This shower is warm, I almost breathe-in the rain horseclopping from fire escape to skylight down to a dungeon courtyard." This imagery brings a sensory immediacy to the poem, juxtaposing the lively, almost life-giving atmosphere of the rain with the somber, confined setting of a "dungeon courtyard." The contrast between the freshness of April and the bleakness of the urban environment suggests a tension between renewal and confinement, mirroring Coleridge's own struggles.

The line "In April, New York has a smell and taste of life. For whom... what?" introduces a note of existential questioning, highlighting a sense of aimlessness or lack of direction. This question could reflect Lowell's contemplation of Coleridge's life or his own thoughts on the purpose and impact of artistic and personal endeavors.

Lowell delves into Coleridge's addictions, particularly his reliance on laudanum and brandy: "Coleridge's laudanum and brandy, his alderman's stroll to positive negation." This line encapsulates the poet's use of substances as a means of escape or coping, leading to a state of "positive negation"—a paradoxical phrase suggesting a withdrawal from life even as it involves deliberate action. The "alderman's stroll" evokes a sense of respectability or normalcy, contrasting with the destructive nature of his addictions.

The poem continues with a description of Coleridge's "passive courage" as "paralysis," an observation that captures the debilitating effect of his dependencies. Despite his intellectual and creative brilliance, Coleridge is depicted as being immobilized by his habits and fears, "standing him upright like tenpins for the strike." This metaphor suggests vulnerability and the inevitability of collapse, as if Coleridge's precarious stance is just waiting to be knocked down.

Lowell describes Coleridge as "only kept standing by a hundred scared habits," emphasizing the idea that routine and fear, rather than strength or resolve, sustained him. The poet is likened to "a large soft-textured plant with pith within, power without strength," a powerful image that conveys Coleridge's gentle, sensitive nature coupled with a lack of fortitude or resilience. This description underscores the tragic irony of Coleridge's life: a man of immense intellectual power, yet lacking the inner strength to fully harness and sustain it.

The concluding phrase, "an involuntary imposter," encapsulates the central tragedy of Coleridge's existence. Despite his genuine talents and contributions to literature, Coleridge is portrayed as feeling like an imposter, perhaps due to his struggles with addiction and his failure to live up to his own potential and ideals.

"Coleridge" by Robert Lowell is a poignant exploration of the inner turmoil and external realities faced by the Romantic poet. Through vivid imagery and introspective narrative, Lowell captures the complexities of Coleridge's character, highlighting the stark contrast between his intellectual brilliance and his personal failings. The poem serves as both a tribute and a lament, reflecting on the ways in which Coleridge's life was shaped and constrained by his own weaknesses and the harsh realities of the human condition.


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