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Classic and Contemporary Poetry: Explained | |||
Frederick Louis MacNeice's poem "Morning Sun" captures the vibrant energy and dynamic interplay of light, color, and sound in an urban environment, contrasted sharply with the inevitable decline of that vitality as the day progresses. The poem presents a snapshot of a city in the morning, where the rising sun transforms the mundane into something radiant and alive, only for that vibrancy to fade as the day wanes. The poem opens with a vivid image of "Shuttles of trains going north, going south, drawing threads of blue," which evokes the idea of the city as a complex web of movement and connection. The "shining of the lines of trams like swords" further emphasizes the sharp, precise energy of the morning, as the city comes to life under the sun's influence. The "thousands of posters asserting a monopoly of the good, the beautiful, the true" suggest a bustling cityscape filled with advertisements and messages, all vying for attention in the vocative, addressing the crowds directly with their imperatives. The morning sun plays a central role in this scene, its light described as "yellow sun comes white off the wet streets but bright," transforming the city with its brilliance. The sun's rays "filleted" and "streaked" through the "purple mist" create a kaleidoscope of colors that interact with the environment, kissing and "reticulating" everything with light. The sun is depicted as a force that animates the city, "scooped-up and cupped in the open fronts of shops" and "bouncing on the traffic which never stops." This imagery suggests that the morning sun infuses the city with life, making even the inanimate seem active and vibrant. As the poem progresses, MacNeice continues to explore the interplay between light and the urban landscape. The "street fountain blown across the square" creates a "Rainbow-trellises" effect in the air, further enhancing the scene's vibrancy. The sunlight "blazons / The red butcher’s and scrolls of fish on marble slabs," turning everyday sights into something almost heraldic, grand, and celebratory. The noise of the city is also part of this energetic tableau, with "whistled bars of music" mingling with "horns of cars," creating a symphony of urban life that is described as "touché, touché," like the thrusts and parries of fencers—a metaphor for the sharpness and precision of the morning's interactions. However, the poem takes a darker turn as the sun begins to fade. "But when the sun goes out, the streets go cold," signaling a shift from the warmth and vitality of the morning to a colder, more lifeless reality. The once colorful "hanging meat / And tiers of fish" now appear "colourless and merely dead," emphasizing the stark contrast between the sunlit morning and the dreary aftermath. The city, which was once full of life, now seems oppressive, with "the hoots of cars neurotically repeat[ing]" and the "tiptoed feet / Of women hurry[ing] and falter[ing]." The faces of these women are described as "dead," highlighting the dehumanizing effect of the city's relentless pace without the sun’s invigorating presence. The poem concludes with a haunting image: "And I see in the air but not belonging there / The blown grey powder of the fountain grey as the ash / That forming on a cigarette covers the red." This final image encapsulates the transition from life to death, from vibrancy to decay. The fountain's water, once full of color and light, is now reduced to grey powder, a symbol of the lifelessness that takes over as the sun sets. The comparison to cigarette ash, which "covers the red," further emphasizes the extinguishing of life and energy, leaving only a residue of what once was. "Morning Sun" is a powerful meditation on the transient nature of life and the cyclical patterns of vitality and decay in the urban environment. MacNeice captures the essence of a city brought to life by the morning sun, only to descend into a colder, more lifeless state as the day progresses. Through his vivid imagery and rhythmic language, the poem reflects on the impermanence of beauty and energy, reminding us of the inevitable decline that follows even the most vibrant moments of life.
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