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LIBERTINE, by             Poet Analysis     Poet's Biography

Frederick Louis MacNeice's poem "Libertine" presents a somber reflection on the life of a man who once lived as a carefree hedonist but has now reached a point of disillusionment and weariness. Through the recurring refrain, "O leave me easy, leave me alone," the poem captures the protagonist's transition from a life of indulgence to one marked by fatigue, regret, and a desire for solitude.

The poem begins by evoking a sense of nostalgia for "the old days" when the protagonist engaged in casual affairs, symbolized by "married women’s stockings / Twisted round his bedpost." This image of stockings, a relic of his past conquests, underscores his former identity as a "gay / Dog," a man who reveled in his sexual exploits and the thrill of forbidden pleasures. However, this once-celebrated lifestyle has taken its toll on him, as evidenced by the line "now his liver has begun to groan," suggesting the physical and perhaps emotional consequences of his excesses.

The refrain, "O leave me easy, leave me alone," first introduced in this stanza, becomes a plea for peace and rest, contrasting sharply with his previous desires for excitement and company. This shift in tone sets the stage for the poem's exploration of the protagonist's journey from youthful indulgence to a more cynical and weary middle age.

In the next stanza, MacNeice describes the protagonist's progression from a "voluptuary in his ’teens" to a "cynic in his twenties." During his younger years, he pursued women with reckless abandon, "running through women like a child through growing hay," in search of a "lost toy"—a metaphor for something deeper or more meaningful that eluded him. This "lost toy" represents not just a missing piece of his own identity, but also an attempt to atone for "his own guilt and the cosmic disarray." Yet, this search is ultimately fruitless, and the refrain returns as a lament for the emptiness that has accompanied his pursuits: "O leave me easy, leave me alone."

The third stanza emphasizes the ephemeral nature of his relationships. The protagonist remembers not the women themselves, but "the props"—the objects and settings associated with his encounters, such as "a scent-spray / Beside the bed" or "a milk-white telephone." These details highlight the superficiality of his experiences, where the physical and material aspects are remembered, but the emotional connections are absent. The phrase "through the triple ninon the acrid trickle of day" evokes the cold light of morning, a time when the illusions of the night fade and reality sets in, leaving him once again craving solitude.

As the poem progresses, MacNeice depicts the protagonist’s memories of the women in his life as fleeting and distant: "Long fingers over the gunwale, hair in a hair-net, / Furs in January, cartwheel hats in May." These images, though vivid, are detached and impersonal, representing the transient and ultimately unsatisfying nature of his relationships. The refrain, "O leave me easy, leave me alone," is repeated once more, reinforcing his desire to withdraw from the world and its entanglements.

In the final stanza, the protagonist is portrayed as a man who, now in middle age, finds his "erotic programme / Torn in two." The excitement and allure of his earlier conquests have faded, leaving him disillusioned and weary. Even if, by some chance, he were offered "his own / Fulfilment in a woman," he would still prefer to be left alone. The refrain here becomes not just a plea for solitude, but a resignation to the fact that true fulfillment remains out of reach, and perhaps no longer even desired.

"Libertine" is a poignant exploration of the trajectory of a life lived in pursuit of pleasure and the inevitable disillusionment that follows. Through its vivid imagery and recurring refrain, the poem captures the emotional and existential weariness of a man who has spent his youth chasing fleeting pleasures, only to find himself alone and longing for peace in middle age. MacNeice's use of repetition and contrast between the protagonist’s past and present creates a powerful sense of melancholy and resignation, highlighting the emptiness that often lies beneath a life of hedonism.


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