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WHITE OWL FLIES INTO AND OUT OF THE FIELD, by             Poet Analysis     Poet's Biography

Mary Oliver’s poem "White Owl Flies Into and Out of the Field" is a powerful meditation on the intersection of life, death, and the sublime beauty found in nature. The poem begins with the striking image of a white owl descending from the sky, described with celestial and spiritual imagery: "like an angel, / or a buddha with wings." This simile elevates the owl’s flight to a divine act, suggesting a moment of transcendence as it moves through the "freezing sky / with its depths of light."

The owl's descent is both beautiful and precise, capturing the harsh reality of nature’s predatory instincts. It strikes the snow with force, leaving behind an imprint that details the scene of its hunt: "the tips of its wings— / five feet apart—and the grabbing / thrust of its feet." This moment of contact with the snow is both violent and graceful, embodying the duality of life and death. The description of the owl's prey, which has left an "indentation of what had been running / through the white valleys / of the snow," underscores the inevitability and naturalness of death within the cycle of life.

As the owl rises and returns to the "frozen marshes," it takes on the image of a "little lighthouse, / in the blue shadows." This metaphor suggests guidance and illumination, qualities often associated with wisdom and knowledge. The owl’s presence in the marshes, lurking like a lighthouse, implies a watchful, almost protective role within its environment, even as it participates in the cycle of predation.

The poem then shifts to a profound contemplation of death, challenging common perceptions of it as darkness. The speaker reflects: "maybe death / isn’t darkness, after all, / but so much light / wrapping itself around us— as soft as feathers—." This imagery redefines death as an enveloping, comforting presence, likened to the softness of feathers. The notion of being wrapped in light suggests a gentle transition, rather than a harsh end.

Oliver’s exploration of death continues with the idea of being "instantly weary / of looking, and looking," leading to a natural closing of the eyes in amazement. This weariness and subsequent surrender to the light can be interpreted as an acceptance of death, a peaceful letting go into the unknown. The speaker envisions this transition as being carried "through the translucence of mica," a mineral known for its clarity and reflective properties, symbolizing a passage to a purer, more enlightened state.

The final lines of the poem evoke a vivid and intense vision of the afterlife: "to the river / that is without the least dapple or shadow— / that is nothing but light—scalding, aortal light— / in which we are washed and washed / out of our bones." The river of light, free from shadows and dapples, represents an absolute purity and illumination. The repetition of "washed" emphasizes a cleansing process, suggesting a stripping away of earthly concerns and a return to a fundamental essence. The description of the light as "scalding, aortal" combines a sense of both intense purification and life-giving energy, drawing a parallel to the vital role of the aorta in the circulatory system.

Through her masterful use of imagery and contemplative tone, Mary Oliver transforms the simple observation of a white owl into a profound reflection on life, death, and the beauty inherent in both. The poem invites readers to reconsider their perceptions of death, proposing it as a transition into a state of pure, enveloping light rather than an end shrouded in darkness. Oliver’s ability to find profound meaning in natural events encourages a deeper appreciation for the interconnectedness of life and the cycles of nature.

In "White Owl Flies Into and Out of the Field," Oliver combines the physical grace of the owl with a spiritual meditation on death, crafting a narrative that is both grounded in natural observation and elevated by philosophical inquiry. The poem’s exploration of light and darkness, presence and absence, life and death, offers a contemplative and ultimately hopeful perspective on the human experience.


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