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Classic and Contemporary Poetry: Explained | |||
Lenrie Peters' poem "Homecoming" is a poignant meditation on the passage of time, the inevitability of change, and the deep sense of dislocation and loss that can accompany the return to a once-familiar place. Through vivid imagery and a reflective tone, Peters explores the complex emotions that arise when one revisits a homeland that has undergone significant transformation, leaving the returnee feeling estranged from the very place they once called home. The poem opens with a powerful assertion: "The present reigned supreme / Like the shallow floods over the gutters." This simile immediately establishes a sense of the present overwhelming the past, much like floodwaters that obscure and erase what lies beneath them. The imagery of "shallow floods" suggests that the changes in the present may not be deep or meaningful, yet they are pervasive, covering everything that once was. This sense of the present overpowering the past sets the stage for the speaker's reflections on the changes they encounter upon returning home. As the speaker continues, they describe the "raw paths where we had been" and "the house with the shutters." These references to the physical spaces of the past evoke a sense of nostalgia, yet the use of the word "raw" hints at the unrefined, perhaps painful, nature of these memories. The house, once a place of familiarity and comfort, now seems distant and closed off, symbolized by the shutters that suggest both protection and separation. The speaker then expresses a feeling of alienation: "Too strange the sudden change / Of the times we buried when we left." The word "strange" captures the disorientation the speaker feels upon encountering a world that has moved on without them. The "times we buried" refers to the past, which the speaker and their peers had left behind, perhaps with the intention of preserving those memories. However, the rapid and unexpected changes in the present have disrupted this preservation, leaving the speaker struggling to reconcile their memories with the current reality. The poem reflects on the speaker's roots, now described as "sapless"—drained of vitality and life. These roots have been replaced by "luxuriant weeds" that have grown in their place, symbolizing the new generation or new developments that have taken over where the speaker and their peers once thrived. The imagery of "leading the Virgins to the water's edge" evokes a sense of ritual and tradition, a time when the speaker was actively engaged in the life and customs of their community. However, this past has been supplanted by the unchecked growth of "luxuriant weeds," suggesting that the old ways have been forgotten or overshadowed by the new. As the speaker approaches the edge of the town, they encounter a house "without a shadow," lived in by "new skeletons." This haunting image suggests a place that has been drained of its former life and vitality, inhabited only by the remnants of what once was. The "house without a shadow" implies a loss of substance and meaning, a structure that exists but no longer carries the weight of memory or history. The "new skeletons" represent the present inhabitants, who are disconnected from the speaker's past and perhaps from the life that once animated the town. The poem's concluding lines capture the deep sense of loss and disillusionment that accompanies the speaker's homecoming: "That is all that is left / To greet us on the home coming / After we have paced the world / And longed for returning." The speaker's return is met not with warmth or familiarity, but with a stark and unsettling emptiness. The anticipation and longing that sustained the speaker during their time away are met with the harsh reality that the place they once knew no longer exists in the same way. The repetition of "all that is left" emphasizes the minimal and diminished state of what remains, underscoring the gap between expectation and reality. "Homecoming" by Lenrie Peters is a deeply evocative poem that explores the bittersweet experience of returning to a homeland that has changed beyond recognition. Through its rich imagery and reflective tone, the poem captures the sense of displacement and loss that can accompany such a return, as well as the difficulty of reconciling the past with the present. Peters' exploration of these themes resonates with anyone who has experienced the pain of returning to a place that no longer feels like home, offering a poignant meditation on the passage of time and the inevitability of change.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...FIRST BOOK OF AIRS: SONG 11 by THOMAS CAMPION THE OLD VIOLIN by MAURICE FRANCIS EGAN CONCORD HYMN; SUNG AT COMPLETION OF CONCORD MONUMENT, 1836 by RALPH WALDO EMERSON NEVER TOO LATE: THE PALMER'S ODE by ROBERT GREENE THE CROPPY BOY: (A BALLAD OF '98) by WILLIAM B. MCBURNEY SHAMEFUL DEATH by WILLIAM MORRIS (1834-1896) IN MEMORIAM A.H.H.: 101 by ALFRED TENNYSON |
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