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AT A DEATHBED IN THE YEAR TWO THOUSAND, by             Poet Analysis     Poet's Biography

Adrienne Rich's poem "At a Deathbed in the Year Two Thousand" is a powerful call to embrace joy, wit, and laughter in the face of death and despair. The speaker, an old man at the brink of death, rejects traditional expressions of mourning and instead advocates for a celebration of life’s remaining moments. Through poignant language and evocative imagery, Rich explores themes of resilience, the passage of time, and the transformative power of laughter.

The poem opens with a direct command: "I bid you cast out pity. / No more of that: let be / Impotent grief and mourning." This sets the tone for the speaker's rejection of conventional mourning rituals. The use of "impotent" underscores the futility of grief, suggesting that it neither alleviates suffering nor honors the life that has been lived.

The speaker urges a break from the "deathwatch of earth," a phrase that evokes a sense of being trapped by the inevitability of death and the sorrow it brings. Instead, he calls for "gay faces only" and demands a focus on pride and wit. This shift from sorrow to joy is emphasized by the plea for "Men who remember laughter, / Brave jesters to befit / An age that would destroy / Its last outpost of joy." The reference to jesters and laughter highlights the importance of humor and light-heartedness, even in dire times.

Rejecting traditional condolence and wailing, the speaker insists on laughter as a means of coping with the end of life: "An old man bids you laugh; / This text I leave the young: / Your rage and loud despair / But shake a crumbling stair." The metaphor of a "crumbling stair" suggests that anger and despair are destructive and unstable, while laughter provides a more solid foundation for navigating life's final stages.

The speaker reflects on the wisdom gained with age: "Laughter is what men learn / At seventy years or more, / Weary of being stern / Or violent as before." These lines convey the idea that with age comes a shift in perspective, where the severity and aggression of youth give way to the understanding that laughter is a valuable, if not essential, response to life's challenges. The poem suggests that laughter is not just a coping mechanism but a source of light in the "darkening rift" of old age and impending death.

In the concluding lines, the speaker invokes classical references to underscore his message: "Where little time is with us, / Let us enact again / Not Oedipus but The Clouds. / Summon the players in. / Be proud on a sorry earth: / Bring on the men of mirth." By contrasting "Oedipus," a tragedy, with "The Clouds," a comedy by Aristophanes, the speaker calls for a celebration of life through humor and joy rather than tragedy and sorrow. This final appeal for "men of mirth" emphasizes the need for resilience and the power of laughter to uplift even in the bleakest of times.

"At a Deathbed in the Year Two Thousand" by Adrienne Rich is a compelling meditation on the importance of laughter and joy in the face of death. Through the voice of an aged, dying speaker, Rich advocates for a rejection of despair and an embrace of humor as a means of affirming life. The poem invites readers to reconsider traditional responses to mortality and to find strength and solace in the enduring power of laughter.


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