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Classic and Contemporary Poetry: Explained | |||
Muriel Rukeyser's poem "Otherworld. Landing at Liverpool" vividly captures the intricate emotions and transformative experience of a journey from adolescence into adulthood, through the medium of a sea voyage. The poem opens with a description that immediately situates the reader in a liminal space, between the earth and the sea, both slipping under and offering new horizons. The language used by Rukeyser is rich and evocative, conveying a sense of movement and transition that is central to the poem's theme. "This is the dream-journey, knowing the earth slips under, / not knowing how the sea offers to ships / another sliding line." The opening lines suggest a departure from the familiar, the solid earth, into the unknown and fluid nature of the sea. The "dream-journey" alludes to a surreal, almost mythical voyage that transcends physical travel, hinting at a deeper, internal journey. Rukeyser uses vivid imagery to paint the scene: "Color and love of land, the water-barrier spills / sleep on the gulls’ waves, a sketch of ocean / like children’s crayon-drawings, the long North / Sea fanged by icebergs, green and clanging hills." The contrast between the serene, almost innocent imagery of children’s drawings and the harsh, formidable landscape of the North Sea with its "fanged" icebergs creates a tension that reflects the dual nature of the journey—both beautiful and dangerous. "This was the journey. Out of adolescence. / Past Anticosti, Labrador, past Belle Isle, / end of America." These lines mark the passage of time and space, moving from the familiar shores of America to the distant, exotic locations that symbolize the end of one phase and the beginning of another. The naming of specific locations serves to ground the poem in a real, geographical context while also representing stages in the speaker’s personal growth. The poem's structure, with its long, flowing lines and lack of a fixed rhyme scheme, mirrors the fluidity of the sea and the continuous, uncharted nature of the journey. The form itself becomes a metaphor for the experience of transition, where boundaries are blurred and the destination is constantly ahead, yet never quite within reach: "Always ahead, new air. Falling behind / wide Firth, the lights of Greenock bank the Clyde." The speaker's reflections on the journey culminate in a sense of arrival, both physical and emotional: "Coming among the living where we rise, / coming among the dead in whom we wade / kneedeep and undermined; through seas to the great island, / promising continents, the riding shores arrive." The use of the present participle "coming" conveys a continuous process of arrival and adaptation, suggesting that the journey is not just about reaching a destination but about the ongoing process of becoming. The final lines of the poem bring a sense of resolution and contentment: "I blessed my luck my landing could be loved. / Blessing my end-luck in this room again / steadily, for the first time steady. Watch / light, lying still, too awkward deep in joy." The repetition of "blessing" emphasizes the speaker's gratitude and the profound impact of the journey. The "awkward deep in joy" captures the complex, perhaps unexpected, emotions that accompany the end of a long voyage, where the excitement of arrival mingles with a sense of fulfillment and peace. Rukeyser’s "Otherworld. Landing at Liverpool" is a masterful exploration of transition and transformation, using the metaphor of a sea voyage to delve into the themes of growth, discovery, and the profound changes that come with leaving the familiar and embracing the unknown. The poem's rich imagery, fluid structure, and reflective tone combine to create a powerful and evocative depiction of a journey that is both deeply personal and universally resonant.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...HOW WE DID IT by MURIEL RUKEYSER THE BOOK OF THE DEAD: ALLOY by MURIEL RUKEYSER ON READING -- . by THOMAS BAILEY ALDRICH ON GOOD FRIDAY, THE DAY OF OUR SAVIOUR'S PASSION by PHILIP AYRES QUATORZAINS: 10. TO POESY by THOMAS LOVELL BEDDOES ON THE DEATH OF MR. GARRICK by JANE BOWDLER EPITAPH ON MR. TURNER OF ST. MARY-HALL by WILLIAM BROWNE (1591-1643) |
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