|
LASCELLES ABERCROMBIE: |
| PEREGRINUS |
|
JOSEPH ADDISON: |
| ODE |
|
CONRAD AIKEN: |
| 1915: THE TRENCHES |
|
| HERMAN MELVILLE |
|
LUCY AIKEN: |
| ON SEEING BLENHEIM CASTLE |
|
MARK AKENSIDE: |
| HYMN TO THE NAIADS |
|
| THE VIRTUOSO; IN IMITATION OF SPENCER'S STYLE AND STANZA |
|
THOMAS BAILEY ALDRICH: |
| AN UNTIMELY THOUGHT |
|
| BABY BELL |
|
| BEFORE THE RAIN |
|
| FREDERICKSBURG |
|
| IDENTITY |
|
| PALABRAS CARINOSAS (SPANISH AIR) |
|
| THE FLIGHT OF THE GODDESS |
|
| THE ROSE |
|
| THE SHIPMAN'S TALE |
|
| THE VOICE OF THE SEA |
|
| WHEN THE SULTAN GOES TO ISPAHAN |
|
WILLIAM ALLINGHAM: |
| IN SNOW |
|
| ROBIN REDBREAST |
|
| THE FAIRIES |
|
| THE WINDING BANKS OF ERNE; OR, THE EMIGRANT'S ADIEU TO HIS BIRTHPLACE |
|
JULIA ALVAREZ: |
| BILINGUAL SESTINA |
|
| DUSTING |
|
| HOMECOMING |
|
| HOW I LEARNED TO SWEEP |
|
| ON NOT SHOPLIFTING LOUISE BOGAN'S THE BLUE ESTUARIES |
|
YEHUDA AMICHAI: |
| A PITY. WE WERE SUCH A GOOD INVENTION |
|
| WE HAVE DONE OUR DUTY |
|
ARCHIE RANDOLPH AMMONS: |
| EASTER MORNING |
|
| GRAVELLY RUN |
|
| IMPORVISATION FOR ANGULAR MOMENTUM |
|
JON ANDERSON: |
| AFTERLIFE |
|
| AMERICAN LANDSCAPE WITH CLOUDS AND A ZOO |
|
| ATTENTION TO DETAIL |
|
| AVIATORS |
|
| CURIOUS GEORGE MEETS LOREN GOODMAN |
|
| DEATH'S ONLY SON |
|
| GREENING OF HARRY BRIGHT |
|
| HOMAGE TO ROBERT BRESSON |
|
| SECRET OF POETRY |
|
MAYA ANGELOU: |
| AILEY, BALDWIN, FLOYD, KILLENS, AND MAYFIELD |
|
| ALONE |
|
| CAGED BIRD |
|
| EQUALITY |
|
| INAUGURAL POEM: ON THE PULSE OF MORNING |
|
| LIFE DOESN'T FRIGHTEN ME |
|
| PHENOMENAL WOMAN |
|
| STILL I RISE |
|
ANONYMOUS: |
| "ADAM LAY I-BOWNDYN [OR, I-BOUNDEN, OR, Y-BOUNDEN]" |
|
| "GOOD MORNING, FATHER FRANCIS" |
|
| "SIR GAWAIN AND THE GREEN KNIGHT, SELS." |
|
| GOD MOVES ON THE WATER |
|
| SIR PATRICK SPENS |
|
| THE BOOK OF THE DEAD: HE WALKETH BY DAY |
|
| THE THREE RAVENS (1) |
|
| THE UNQUIET GRAVE (1) |
|
| THE UNQUIET GRAVE (3) |
|
PAUL ANTSCHEL: |
| A DEATH FUGUE |
|
| PSALM |
|
GUILLAUME APOLLINAIRE: |
| THE MIRABEAU BRIDGE |
|
HAMILTON FISH ARMSTRONG: |
| AFTER THE PLAY |
|
MATTHEW ARNOLD: |
| DOVER BEACH |
|
| THE SCHOLAR GIPSY |
|
JOHN ASHBERY: |
| CHINESE WHISPERS |
|
| DAFFY DUCK IN HOLLYWOOD |
|
| DOUBLE DREAM OF SPRING |
|
| FARM IMPLEMENTS AND RUTABAGAS IN A LANDSCAPE |
|
| FLOW CHART |
|
| FOR JOHN CLARE |
|
| GLAZUNOVIANA |
|
| LITANY, SELS. |
|
| OTHER TRADITION |
|
| PARADOXES AND OXYMORONS |
|
| PICTURE OF LITTLE J.A. IN A PROSPECT OF FLOWERS |
|
| SELF-PORTRAIT IN A CONVEX MIRROR |
|
| SOME TREES |
|
| SOONEST MENDED |
|
| SUNRISE IN SUBURBIA |
|
| SYRINGA |
|
| SYSTEM |
|
| TENNIS COURT OATH |
|
| THE BUNGALOWS |
|
| THE INSTRUCTION MANUAL |
|
| THE PAINTER |
|
| THE TENNIS COURT OATH |
|
| WORSENING SITUATION |
|
THOMAS ASHE: |
| A VISION OF CHILDREN |
|
MARGARET ATWOOD: |
| BACKDROP ADDRESSES COWBOY |
|
| CITY PLANNERS |
|
| HABITATION |
|
| HELEN OF TROY DOES COUNTER DANCING |
|
| IN THE SECULAR NIGHT |
|
| MOMENT |
|
| SIREN SONG |
|
| SPELLING |
|
| THIS IS A PHOTOGRAPH OF ME |
|
| VARIATION ON THE WORD SLEEP |
|
| YOU BEGIN |
|
WYSTAN HUGH AUDEN: |
| AFTER READING A CHILD'S GUIDE TO MODERN PHYSICS |
|
| AT THE GRAVE OF HENRY JAMES |
|
| ATLANTIS |
|
| BALLAD |
|
| BRUSSELS IN WINTER |
|
| CASINO |
|
| CONSIDER |
|
| EDWARD LEAR |
|
| EPITAPH ON A TYRANT |
|
| FIRST THINGS FIRST |
|
| HERMAN MELVILLE |
|
| IN MEMORY OF SIGMUND FREUD |
|
| IN MEMORY OF W.B. YEATS |
|
| IN PRAISE OF LIMESTONE |
|
| LAW LIKE LOVE |
|
| LULLABY |
|
| MUNDUS ET INFANS |
|
| MUSEE DES BEAUX ARTS |
|
| ON THE CIRCUIT |
|
| REFUGEE BLUES |
|
| SEPTEMBER 1. 1939 |
|
| SONG |
|
| SONG FOR ST. CECILIA'S DAY |
|
| SPAIN - 1937 |
|
| TEN SONGS: 4 |
|
| THE CUTTY WREN |
|
| THE LESSON |
|
| THE SHIELD OF ACHILLES |
|
| THE UNKNOWN CITIZEN |
|
| THE WANDERER |
|
| THEIR LONELY BETTERS |
|
| THIS LUNAR BEAUTY |
|
| TWELVE SONGS: 12 |
|
| TWELVE SONGS: 9. FUNERAL BLUES |
|
| WHO'S WHO |
|
JOSEPH AUSLANDER: |
| STEEL |
|
ALFRED AUSTIN: |
| AGATHA |
|
| THE DEATH OF HUSS |
|
| THE LAST REDOUBT |
|
KOFI AWOONOR: |
| THE FIRST CIRCLE |
|
| THE SEA EATS THE LAND AT HOME |
|
PHILIP AYRES: |
| APOLLO AND DAPHNE |
|
| BEING RETIRED, COMPLAINS AGAINST THE COURT |
|
| EMBLEMS OF LOVE: 1. THE MARVELLOUS SEED OF LOVE |
|
| INVITES HIS NYMPH TO HIS COTTAGE |
|
| INVITES POETS AND HISTORIANS TO WRITE IN CYNTHIA'S PRAISE |
|
| LESBIA'S COMPLAINT AGAINST THYRISIS HIS INCONSTANCY; A SONNET |
|
| ON A FAIR BEGGAR |
|
| ON A FOUNTAIN AND ITS ARCHITECT |
|
| TO HIS INGENIOUS FRIEND, MR. N. TATE |
|
| TO JOHN DRYDEN, ESQ.; POET LAUREATE AND HISTOGRAPHER ROYAL |
|
| TO SLEEP, WHEN SICK OF A FEVER |
|
ROBERT AYTON: |
| TO HIS FORSAKEN MISTRESS |
|
| WOMAN'S INCONSTANCY |
|
WILLIAM EDMONSTOUNE AYTOUN: |
| A LAMENT FOR PERCY BYSSHE SHELLEY |
|
| FIRMILIAN; A TRAGEDY |
|
| THE BROKEN PITCHER |
|
| THE BURIAL-MARCH OF THE DUNDEE |
|
| THE EXECUTION OF MONTROSE |
|
| THE HEART OF THE BRUCE |
|
| THE ISLAND OF THE SCOTS |
|
PHILIP JAMES BAILEY: |
| THE MYSTIC |
|
JOANNA BAILLIE: |
| A CHILD TO HIS SICK GRANDFATHER |
|
| A MOTHER TO HER WAKING INFANT |
|
| CHRISTOPHER COLUMBUS |
|
| POVERTY PARTS GUDE COMPANIE |
|
| SONG: WOO'D AND MARRIED AND A' |
|
| THE KITTEN |
|
DAVID BAKER: |
| HEAVENLY |
|
| INFERTILITY |
|
| LAMB'S CANYON, FALL: WASATCH FOREST |
|
| MELANCHOLY MAN |
|
| MIDWEST: ODE; IN MEMORIAM WILLIAM MATTHEWS |
|
| NEIGHBORS IN OCTOBER |
|
| PATRIOTICS |
|
| THANKSGIVING IN TIME OF AIDS |
|
| THE TRUTH ABOUT SMALL TOWNS |
|
AMIRI BARAKA: |
| AN AGONY. AS NOW |
|
| BABYLON REVISITED |
|
| BLACK ART |
|
| IN MEMORY OF RADIO |
|
| LEROY |
|
| NUMBERS, LETTERS |
|
| POLITICAL POEM |
|
| PREFACE TO A TWENTY VOLUME SUICIDE NOTE |
|
| SOS |
|
| THE INVENTION OF COMICS |
|
| THREE MODES OF HISTORY AND CULTURE |
|
ANNA LETITIA BARBAULD: |
| A SCHOOL ECLOGUE |
|
| A SUMMER EVENING'S MEDITATION |
|
| CHARACTERS: ELIZABETH RIGBY |
|
| CONSTANTINOPLE |
|
| THE RIGHTS OF WOMAN |
|
| TO THE POOR |
|
| TO WISDOM |
|
RICHARD HARRIS BARHAM: |
| HON. MR. SUCKLETHUMBKIN'S STORY: THE EXECUTION; A SPORTING ANECDOTE |
|
| INGOLDSBY LEGENDS, SELS. |
|
| MRS. BOTHERBY'S STORY: THE LEECH OF FOLKESTONE |
|
| SPECTRE OF TAPPINGTON |
|
| THE GHOST |
|
| THE HOUSE-WARMING; A LEGEND OF BLEEDING-HEART YARD |
|
| THE JACKDAW OF RHEIMS |
|
| THE LAY OF ST. CUTHBERT; OR THE DEVIL'S DINNER-PARTY |
|
| THE LORD OF THOULOUSE; A LEGEND OF LANGUEDOC |
|
| THE NURSE'S STORY: THE HAND OF GLORY |
|
| THE SMUGGLER'S LEAP; A LEGEND OF THANET |
|
| THE TRUANTS |
|
JANE BARKER: |
| FIDELIA ARGUING WITH HER SELF ON THE DIFFICULTY FINDING TRUE RELIGION |
|
JOEL BARLOW: |
| ADVICE TO A RAVEN IN RUSSIA |
|
| THE HASTY PUDDING |
|
JAMES BEATTIE: |
| ELEGY |
|
| RETIREMENT: AN ODE |
|
| THE HERMIT |
|
| THE JUDGMENT OF PARIS |
|
| THE TRIUMPH OF MELANCHOLY |
|
JAMES HAY BEATTIE: |
| EPITAPH ON DIOPHANTUS |
|
HILAIRE BELLOC: |
| GODOLPHIN HORNE, WHO WAS CURSED WITH THE SIN OF PRIDE, AND BECAME A BOOT-BLACK |
|
GOTTFRIED BENN: |
| MORGUE: 1. LITTLE ASTER |
|
| MORGUE: 2. LOVELY CHILDHOOD |
|
JOHN BERRYMAN: |
| ADDRESS TO THE LORD |
|
| ALCOHOLIC |
|
| DREAM SONGS, SELS. |
|
| DREAM SONGS: 76. HENRY'S CONFESSION |
|
| FARE WELL |
|
| THE CAGE |
|
| THE DISPOSSESSED |
|
JOHN BETJEMAN: |
| A SUBALTERN'S LOVE-SONG |
|
| IN WESTMINSTER ABBEY |
|
| JUBILEE HYMN |
|
| THE ARREST OF OSCAR WILDE AT THE CADOGAN HOTEL |
|
| THE LICORICE FIELDS AT PONTEFRACT |
|
LOUISA SARAH BEVINGTON: |
| BOUGHT WITH A PRICE |
|
| THE END OF THE WORLD |
|
| THE UNPARDONABLE SIN |
|
MIRON BIALOSZEWSKI: |
| HOW EASY TO LOSE FAITH |
|
ELIZABETH BISHOP: |
| ANAPHORA |
|
| AT THE FISHHOUSES |
|
| FILLING STATION |
|
| FIRST DEATH IN NOVA SCOTIA |
|
| FLORIDA |
|
| HOUSE GUEST |
|
| IN THE WAITING ROOM |
|
| INSOMNIA |
|
| INVITATION TO MISS MARIANNE MOORE |
|
| IT IS MARVELLOUS |
|
| JERONIMO'S HOUSE |
|
| LARGE BAD PICTURE |
|
| LATE AIR |
|
| LESSON 10 |
|
| LETTER TO N.Y. |
|
| LINES WRITTEN IN THE FANNIE FARMER COOKBOOK |
|
| LITTLE EXERCISE |
|
| LULLABY FOR THE CAT |
|
| MANNERS |
|
| ONE ART |
|
| OVER 2,000 ILLUSTRATIONS AND A COMPLETE CONCORDANCE |
|
| PINK DOG (RIO DE JANEIRO) |
|
| POEM |
|
| QUESTIONS OF TRAVEL |
|
| ROOSTERS |
|
| SANDPIPER |
|
| SEASCAPE |
|
| SESTINA |
|
| SLEEPING ON THE CEILING |
|
| SONGS FOR A COLORED SINGER |
|
| SQUATTER'S CHILDREN |
|
| THE ARMADILLO; FOR ROBERT LOWELL |
|
| THE BIGHT |
|
| THE BURGLAR OF BABYLON |
|
| THE MAN-MOTH |
|
| THE MOOSE |
|
| THE PRODIGAL |
|
| THE RIVERMAN |
|
| UNDER THE WINDOW: OURO PRETO |
|
| VARICK STREET |
|
| VISITS TO ST. ELIZABETHS |
|
JOHN STUART BLACKIE: |
| NELSON AND WELLINGTON |
|
ROBERT BLAIR: |
| THE GRAVE |
|
WILLIAM BLAKE: |
| A CRADLE SONG |
|
| A CRADLE SONG, FR. SONGS OF INNOCENCE |
|
| A POISON TREE, FR. SONGS OF EXPERIENCE |
|
| AN ANCIENT PROVERB |
|
| AUGURIES OF INNOCENCE |
|
| FOUR ZOAS |
|
| HOLY THURSDAY, FR. SONGS OF EXPERIENCE |
|
| HOLY THURSDAY, FR. SONGS OF INNOCENCE |
|
| JERUSALEM; THE EMANATION OF THE GIANT ALBION: CHAPTER 1 |
|
| LONDON, FR. SONGS OF EXPERIENCE |
|
| MOCK ON, MOCK ON! VOLTAIRE, ROUSSEAU |
|
| THE ANGEL, FR. SONGS OF EXPERIENCE |
|
| THE BOOK OF THEL |
|
| THE CHIMNEY SWEEPER, FR. SONGS OF EXPERIENCE |
|
| THE CHIMNEY SWEEPER, FR. SONGS OF INNOCENCE |
|
| THE CLOD AND THE PEBBLE, FR. SONGS OF EXPERIENCE |
|
| THE DIVINE IMAGE, FR. SONGS OF INNOCENCE |
|
| THE FIRST BOOK OF URIZEN |
|
| THE FLY, FR. SONGS OF EXPERIENCE |
|
| THE GARDEN OF LOVE, FR. SONGS OF EXPERIENCE |
|
| THE HUMAN ABSTRACT, FR. SONGS OF EXPERIENCE |
|
| THE LAMB, FR. SONGS OF INNOCENCE |
|
| THE LITTLE BLACK BOY, FR. SONGS OF INNOCENCE |
|
| THE LITTLE BOY FOUND, FR. SONGS OF INNOCENCE |
|
| THE LITTLE BOY LOST, FR. SONGS OF INNOCENCE |
|
| THE MARRIAGE OF HEAVEN AND HELL |
|
| THE MENTAL TRAVELLER |
|
| THE SICK ROSE, FR. SONGS OF EXPERIENCE |
|
| THE SUNFLOWER, FR. SONGS OF EXPERIENCE |
|
| THE TIGER, FR. SONGS OF EXPERIENCE |
|
| THE VOICE OF THE ANCIENT BARD, FR. SONGS OF EXPERIENCE |
|
| TO AUTUMN |
|
| TO THE EVENING STAR |
|
RANDY BLASING: |
| RETRIEVER |
|
MATHILDE BLIND: |
| BIRDS OF PASSAGE: PRELUDE |
|
| MYSTERY OF MYSTERIES |
|
| THE HEATHER ON FIRE |
|
| THE PROPHECY OF ST. ORAN |
|
WILFRID SCAWEN BLUNT: |
| IN VINCULIS; SONNETS WRITTEN IN AN IRISH PRISON: THE COURT OF PENANCE |
|
| LE ROI EST MORT. VIVE LE ROI! |
|
| THE LOVE SONNETS OF PROTEUS: 112. GIBRALTAR |
|
| THE LOVE SONNETS OF PROTEUS: 113, TO ONE WITH HIS SONNETS |
|
LOUISE BOGAN: |
| EVENING IN THE SANITARIUM |
|
| JUAN'S SONG |
|
| LEAVE-TAKING |
|
| MEDUSA |
|
| PYROTECHNICS |
|
| ROMAN FOUNTAIN |
|
| SONG FOR THE LAST ACT |
|
| THE ALCHEMIST |
|
| THE DRAGONFLY |
|
| THE DREAM |
|
| WOMEN |
|
ARNA BONTEMPS: |
| A BLACK MAN TALKS OF REAPING |
|
| NOCTURNE AT BETHESDA |
|
| SOUTHERN MANSION |
|
PHILIP BOOTH: |
| A NUMBER OF WAYS OF LOOKING AT IT |
|
| AFTER THE EXHIBITION |
|
| DATA |
|
| FIRST LESSON |
|
| FOG-TALK |
|
| GATHERING GREENS |
|
| NIGHTSONG |
|
| ORIGINAL SEQUENCE |
|
| POST-EQUINOX SPECTRA |
|
| SEA-CHANGE; JOHN MARIN (1870-1953) |
|
JORGE LUIS BORGES: |
| HERMAN MELVILLE |
|
VINCENT BOURNE: |
| THE TEARS OF A PAINTER |
|
| THE THRACIAN |
|
WILLIAM LISLE BOWLES: |
| DISCOVERY OF MADEIRA |
|
| GRAVE OF HOWARD |
|
| ON THE FUNERAL OF CHARLES I; AT NIGHT, IN ST. GEORGE'S CHAPEL, WINDSOR |
|
| REMEMBRANCE |
|
| SONNET: 8. TO THE RIVER ITCHIN, NEAR WINTON |
|
ELIZABETH BOYD: |
| ON THE DEATH OF AN INFANT OF FIVE DAYS OLD |
|
ANNE BRADSTREET: |
| THE AUTHOR TO HER BOOK |
|
| TO MY DEAR AND LOVING HUSBAND |
|
WILLIAM STANLEY BRAITHWAITE: |
| THE DEPARTURE OF PIERROTT |
|
ROBERT BRIDGES (1858-1941): |
| A TOAST TO OUR NATIVE LAND |
|
| AT THE FARRAGUT STATUE |
|
| FATHER TO MOTHER |
|
| FOR A NOVEL OF HALL CAINE'S |
|
| HOTHOUSE VIOLET SPEAKS |
|
| JAMES MCCOSH |
|
ROBERT SEYMOUR BRIDGES: |
| ABSENCE |
|
| AFTER THE GALE |
|
| CHRISTMAS EVE, 1917 |
|
| DEJECTION |
|
| DEMOCRITUS |
|
| DER TAG: NELSON AND BEATTY |
|
| ELEGY ON A LADY, WHOM GRIEF FOR THE DEATH OF HER BETHROTHED KILLED |
|
| EMILY BRONTE |
|
| EROS |
|
| HELL AND HATE |
|
| I LOVE ALL BEAUTEOUS THINGS |
|
| IN DER FREMDE |
|
| JOHANNES MILTON, SENEX |
|
| LONDON SNOW |
|
| LORD KITCHENER |
|
| LOW BAROMETER |
|
| NARCISSUS |
|
| NOEL: CHRISTMAS EVE, 1913 |
|
| OCTOBER |
|
| ON A DEAD CHILD |
|
| SORROW AND JOY |
|
| THE CHIVALRY OF THE SEA |
|
| TO FRANCIS JAMMES |
|
| WINTER NIGHTFALL |
|
JOSEPH BRODSKY: |
| ALMOST AN ELEGY |
|
| CAPE COD LULLABY |
|
| LOVE SONG |
|
| TO URANIA |
|
EMILY JANE BRONTE: |
| NO COWARD SOUL IS MINE |
|
| REMEMBRANCE |
|
| THE NIGHT IS DARKENING ROUND ME |
|
RUPERT BROOKE: |
| 1914: 5. THE SOLDIER |
|
GWENDOLYN BROOKS: |
| A BRONZEVILLE MOTHER LOITERS IN MISSISSIPPI |
|
| JANE ADDAMS |
|
| MALCOLM X |
|
| THE BEAN EATERS |
|
| THE CHILDREN OF THE POOR |
|
| THE MOTHER |
|
| WE REAL COOL; THE POOL PLAYERS. SEVEN AT THE GOLDEN SHOVEL |
|
ABBIE FARWELL BROWN: |
| CIPHERS |
|
| DEVIL'S GOLD (A HAMPTON LEGEND) |
|
| FROST |
|
| JOHN TOWNSEND TROWBRIDGE |
|
| PEACE WITH A SWORD |
|
KATE LOUISE BROWN: |
| PUSSY WILLOW |
|
| THE LITTLE PLANT |
|
STERLING ALLEN BROWN: |
| OLD LEM |
|
| SOUTHERN ROAD |
|
| STRONG MEN |
|
WILLIAM BROWNE (1591-1643): |
| ON THE RIGHT HONOURABLE CHARLES, LORD HERBERT |
|
ELIZABETH BARRETT BROWNING: |
| A MUSICAL INSTRUMENT |
|
| AURORA LEIGH: BOOK 1 |
|
| CASA GUIDI WINDOWS |
|
| CHRISTMAS GIFTS |
|
| CONSOLATION |
|
| DE PROFUNDIS |
|
| MOTHER AND POET; TURIN, AFTER THE NEWS FROM GAETA, 1861 |
|
| PAIN IN PLEASURE |
|
| SONNET TO GEORGE SAND: 1. A RECOGNITION |
|
| SONNET TO GEORGE SAND: 2. A DESIRE |
|
| SONNETS FROM THE PORTUGUESE: 14 |
|
| SONNETS FROM THE PORTUGUESE: 21 |
|
| SONNETS FROM THE PORTUGUESE: 22 |
|
| SONNETS FROM THE PORTUGUESE: 27 |
|
| SONNETS FROM THE PORTUGUESE: 43 |
|
| THE BEST [THING IN THE WORLD] |
|
| THE CRY OF THE CHILDREN |
|
| THE CRY OF THE HUMAN |
|
| THE DEAD PAN |
|
| THE RUNAWAY SLAVE AT PILGRIM'S POINT |
|
| THE SLEEP |
|
ROBERT BROWNING: |
| HOME-THOUGHTS, FROM ABROAD |
|
| HOME-THOUGHTS, FROM THE SEA |
|
| MY LAST DUCHESS; FERRRA |
|
| THE PIED PIPER OF HAMELIN |
|
| TWO IN THE CAMPAGNA |
|
WILLIAM CULLEN BRYANT: |
| A FOREST HYMN |
|
| A HYMN OF THE SEA |
|
| A LEGEND OF THE DELAWARES |
|
| ANTIQUITY OF FREEDOM |
|
| CENTENNIAL HYMN |
|
| MONUMENT MOUNTAIN |
|
| ODE FOR THE BURIAL OF ABRAHAM LINCOLN |
|
| RETRIBUTION |
|
| ROBERT OF LINCOLN |
|
| THANATOPSIS |
|
| THE AGES |
|
| THE BATTLE-FIELD |
|
| THE DEATH OF SCHILLER |
|
| THE DEATH OF SLAVERY |
|
| THE DEATH OF THE FLOWERS |
|
| THE EVENING WIND |
|
| THE HUNTER OF THE PRAIRIES |
|
| THE INDIAN GIRL'S LAMENT |
|
| THE MASACRE AT SCIO |
|
| THE PAST |
|
| THE PLANTING OF THE APPLE TREE |
|
| THE PRAIRIES |
|
| THE RIVULET |
|
| THE SONG OF THE SOWER |
|
| THE STORY OF SEVENTY-SIX |
|
| THE YELLOW VIOLET |
|
| TO A WATERFOWL |
|
| TO COLE, THE PAINTER, DEPARTING FOR EUROPE |
|
| TO THE FRINGED GENTIAN |
|
| WAITING BY THE GATE |
|
| WILLIAM TELL |
|
CHARLES BUKOWSKI: |
| ALONE WITH EVERYBODY |
|
| BLUEBIRD |
|
| CRUNCH |
|
| DINOSAURIA, WE |
|
| LOVE IS A DOG FROM HELL |
|
| NIRVANA |
|
| ROLL THE DICE |
|
| SECRET OF MY ENDURANCE |
|
| SO YOU WANT TO BE A WRITER? |
|
| THE GENIUS OF THE CROWD |
|
| THE LAUGHING HEART |
|
| THE SUICIDE KID |
|
EDWARD GEORGE EARLE LYTTON BULWER-LYTTON: |
| LAST DAYS OF QUEEN ELIZABETH |
|
EDWARD ROBERT BULWER-LYTTON: |
| LAST WORDS |
|
| THE WANDERER: 1. IN ITALY: A CHAIN TO WEAR |
|
| URIEL |
|
| WEALTH |
|
ROBERT BURNS: |
| A RED, RED ROSE |
|
| AULD LANG SYNE |
|
| HOLY WILLIE'S PRAYER |
|
| JOHN ANDERSON |
|
| ROBERT BRUCE'S ADDRESS TO HIS ARMY BEFORE BANNOCKBURN |
|
| TAM O' SHANTER |
|
| TO A MOUSE, ON TURNING HER UP IN HER NEST WITH THE PLOUGH |
|
GEORGE GORDON BYRON: |
| SHE WALKS IN BEAUTY |
|
JOAO CABRAL DE MELO NETO: |
| ADEMIR DA GUIA |
|
| EMPTINESS OF MAN |
|
| ENCOUNTER WITH A POET |
|
THOMAS CAMPBELL: |
| GERTRUDE OF WYOMING; OR, THE PENNSYLVANIAN COTTAGE: 1 |
|
| GERTRUDE OF WYOMING; OR, THE PENNSYLVANIAN COTTAGE: 2 |
|
| GERTRUDE OF WYOMING; OR, THE PENNSYLVANIAN COTTAGE: 3 |
|
THOMAS CAMPION: |
| A BOOK OF AIRS: SONG 10. THE DYING FALL |
|
| A BOOK OF AIRS: SONG 21 |
|
| A BOOK OF AIRS: SONG 3. AMARYLLIS |
|
| A BOOK OF AIRS: SONG 32 |
|
| A BOOK OF AIRS: SONG 5 |
|
| A BOOK OF AIRS: SONG 6. CORRINA |
|
| CHANCE AND CHANGE |
|
| DIVINE AND MORAL SONGS: 21. LAMENT FOR PRINCE HENRY |
|
| FOURTH BOOK OF AIRS: SONG 24 |
|
| FOURTH BOOK OF AIRS: SONG 4 |
|
| FOURTH BOOK OF AIRS: SONG 7. CHERRY RIPE |
|
| OBSERVATIONS IN THE ART OF ENGLISH POESY: 28 |
|
| THIRD BOOK OF AIRS: SONG 12 |
|
THOMAS CAREW: |
| TO MY INCONSTANT MISTRESS |
|
BLISS CARMAN: |
| A CAPTAIN OF THE PRESS-GANG |
|
| A VAGABOND SONG |
|
| LOW TIDE ON GRAND-PRE |
|
JOYCE SIMS CARRINGTON: |
| OLD SLAVE WOMAN |
|
HAYDEN CARRUTH: |
| THE COWS AT NIGHT |
|
ANNE CARSON: |
| AUTOBIOGRAPHY OF RED: 1. JUSTICE |
|
| THE GLASS ESSAY |
|
| TV MEN: AKHMATOVA (TREATMENT FOR A SCRIPT) |
|
| TV MEN: LAZARUS |
|
| TV MEN: TOLSTOY: 1. CHAMBRE |
|
ELIZABETH CARTER: |
| ODE TO WISDOM |
|
WILLIAM CARTWRIGHT: |
| FALSEHOOD |
|
ALICE CARY: |
| PICTURES OF MEMORY |
|
| THE NOBLE LIFE |
|
PHOEBE CARY: |
| NEARER HOME |
|
| THE LEAK IN THE DIKE; A STORY OF HOLLAND |
|
CONSTANTINE P. CAVAFY: |
| CITY |
|
| GOD ABANDONS ANTONY |
|
| ITHAKA |
|
| THERMOPYLAE |
|
| WAITING FOR THE BARBARIANS |
|
MADISON JULIUS CAWEIN: |
| AT THE END OF THE ROAD |
|
THOMAS CHATTERTON: |
| AELLA: MINSTREL'S MARRIAGE-SONG |
|
| THE [EXCELLENT] BALLADE OF CHARITIE |
|
GEOFFREY CHAUCER: |
| THE CANTERBURY TALES: THE GENERAL PROLOGUE |
|
MARY LEE CHUDLEIGH: |
| TO THE LADIES |
|
CHARLES CHURCHILL: |
| GOTHAM |
|
| NIGHT; AN EPISTLE TO ROBERT LLOYD |
|
| THE APOLOGY; ADDRESSED TO THE CRITICAL REVIEWERS |
|
| THE PROPHECY OF FAMINE; A SCOTS PASTORAL INSCRIBED TO JOHN WILKES |
|
| THE ROSCIAD |
|
JOHN CIARDI: |
| A BOX COMES HOME |
|
| CENSORSHIP |
|
| EAST SIXTY-SEVENTH STREET |
|
| MOST LIKE AN ARCH THIS MARRIAGE |
|
AMY CLAMPITT: |
| BEACH GLASS |
|
| BURNING CHILD |
|
| CORMORANT IN ITS ELEMENT |
|
| HERMIT THRUSH |
|
| KINGFISHER |
|
| SUN UNDERFOOT AMONG THE SUNDEWS |
|
| SYRINX |
|
| THE ODESSA STEPS |
|
JOHN CLARE: |
| SONNET |
|
SARAH NORCLIFFE CLEGHORN: |
| A SAINT'S HOURS |
|
| AIR OF COOLNESS PLAYS UPON HIS FACE' |
|
| BALLAD OF GENE DEBS |
|
| OLDENBURYS OF SUNDERLAND |
|
| ST. CLARE HEARS ST. FRANCIS |
|
JOHN CLEVELAND: |
| A YOUNG MAN TO AN OLD WOMAN COURTING HIM |
|
| AN ELEGY UPON THE ARCHBISHOP OF CANTERBURY |
|
| ELEGY UPON KING CHARLES THE FIRST, MURDERED PUBLICLY BY HIS SUBJECTS |
|
| NEWS FROM NEWCASTLE; UPON THE COAL-PITS ABOUT NEWCASTLE-UPON-TYNE |
|
| ON THE MEMORY OF MR. EDWARD KING, DROWNED IN THE IRISH SEAS |
|
| RUPERTISMUS |
|
| THE AUTHOR'S MOCK SONG TO MARK ANTONY |
|
| THE REBEL SCOT |
|
| UPON A MISER THAT MADE A GREAT FEAST; THE NEXT DAY HE DIED FOR GRIEF |
|
ARTHUR HUGH CLOUGH: |
| SAY NOT |
|
| THE LATEST DECALOGUE |
|
FLORENCE EARLE COATES: |
| DREYFUS |
|
| HELEN KELLER WITH A ROSE |
|
ANITA SCOTT COLEMAN: |
| AMERICAN NEGRA |
|
| COLORIST |
|
| PORTRAITURE |
|
WANDA COLEMAN: |
| A STONEHOLD |
|
| ABOUT GOD & THINGS |
|
| AMERICAN SONNET (1) |
|
| AMERICAN SONNET (10) |
|
| AMERICAN SONNET (35) |
|
| AMERICAN SONNET (91) |
|
| HEAVY DAUGHTER BLUES |
|
| WANDA WHY AREN'T YOU DEAD |
|
MARY ELIZABETH COLERIDGE: |
| A CLEVER WOMAN |
|
| THE OTHER SIDE OF A MIRROR |
|
| THE WITCH |
|
SAMUEL TAYLOR COLERIDGE: |
| DEJECTION: AN ODE |
|
| FROST AT MIDNIGHT |
|
| JULIA |
|
| KUBLA KHAN |
|
| THE RIME OF THE ANCIENT MARINER |
|
WILLIAM COLLINS (1721-1759): |
| ODE TO EVENING |
|
| ODE TO SIMPLICITY |
|
| ODE WRITTEN IN [THE BEGINNING OF THE YEAR] 1746 |
|
| THE PASSIONS: AN ODE FOR MUSIC |
|
BILLY COLLINS: |
| BOOKS |
|
| CONSOLATION |
|
| FORGETFULNESS |
|
| NOSTALGIA |
|
| ON TURNING TEN |
|
| PICNIC, LIGHTNING |
|
| THE LANYARD |
|
HENRY CONSTABLE: |
| DAMELUS' SONG TO HIS DIAPHENIA |
|
| LOVE'S FRANCISCAN |
|
| SONNET |
|
| TO GOD THE FATHER |
|
| TO SAINT CATHERINE |
|
| TO SIR PHILIP SIDNEY'S SOUL |
|
INA DONNA COOLBRITH: |
| WHEN THE GRASS SHALL COVER ME |
|
RICHARD CORBET: |
| DISTRACTED PURITAN |
|
| ON MR. FRANCIS BEAUMONT (THEN NEWLY DEAD) |
|
GREGORY NUNZIO CORSO: |
| MARRIAGE |
|
ABRAHAM COWLEY: |
| ON THE DEATH OF MRS. KATHERINE PHILIPS |
|
| THE COMPLAINT |
|
| THE PROPHET |
|
WILLIAM COWPER: |
| BOADICEA; AN ODE |
|
| OLNEY HYMNS: 1. WALKING WITH GOD |
|
| OLNEY HYMNS: 15. PRAISE FOR THE FOUNTAIN OPENED |
|
| OLNEY HYMNS: 35. LIGHT SHINING OUT OF DARKNESS |
|
| OLNEY HYMNS: 47. RETIREMENT |
|
| ON THE DEATH OF MRS. (NOW LADY) THROCKMORTON'S BULLFINCH |
|
| ON THE LOSS OF THE ROYAL GEORGE |
|
| ON THE RECEIPT OF MY MOTHER'S PICTURE [OUT OF NORFOLK] |
|
| THE CASTAWAY |
|
| THE DIVERTING HISTORY OF JOHN GILPIN |
|
| THE DOG AND THE WATER LILY; NO FABLE |
|
| THE JUDGMENT OF THE POETS |
|
| THE MODERN PATRIOT |
|
| THE NEEDLESS ALARM; A TALE |
|
| THE NIGHTINGALE AND THE GLOW-WORM |
|
| THE POPLAR FIELD |
|
| THE RETIRED CAT |
|
| THE SHRUBBERY, WRITTEN IN A TIME OF AFFLICTION |
|
| THE TASK: BOOK 1. THE SOFA |
|
| THE TASK: BOOK 2. THE TIME-PIECE |
|
| THE TASK: BOOK 3. THE GARDEN |
|
| THE TASK: BOOK 4. THE WINTER EVENING |
|
| THE TASK: BOOK 5. THE WINTER MORNING WALK |
|
| THE TASK: BOOK 6. THE WINTER WALK AT NOON |
|
| TO MARY |
|
| VERSES SUPPOSED TO BE WRITTEN BY ALEXANDER SELKIRK |
|
GEORGE CRABBE: |
| SIR EUSTACE GREY |
|
| TALE: 10. THE LOVER'S JOURNEY |
|
| THE PARISH REGISTER: 1. BAPTISMS |
|
| THE PARISH REGISTER: 2. MARRIAGES |
|
| THE PARISH REGISTER: 3. BURIALS |
|
| THE VILLAGE |
|
HAROLD HART CRANE: |
| THE BRIDGE: PROEM. TO BROOKLYN BRIDGE |
|
| THE BROKEN TOWER |
|
| TO EMILY DICKINSON |
|
RICHARD CRASHAW: |
| A HYMN [TO THE NAME AND] IN HONOR OF SAINT TERESA |
|
| IN THE HOLY NATIVITY [OF OUR LORD GOD]; AS SUNG BY SHEPHERDS |
|
| ON GEORGE HERBERT'S BOOK, THE TEMPLE, SENT TO A GENTLEWOMAN |
|
| TEMPERANCE, OR THE CHEAP PHYSICIAN |
|
| THE FLAMING HEART |
|
| WISHES TO HIS SUPPOSED MISTRESS |
|
ROBERT CREELEY: |
| A FORM OF WOMEN |
|
| A WICKER BASKET |
|
| AFTER LORCA |
|
| ALL THAT IS LOVELY IN MEN |
|
| AMERICA |
|
| BIRDS |
|
| FOR LOVE |
|
| I KNOW A MAN |
|
| NATHANIEL HAWTHORNE |
|
| OH NO |
|
| PLACES |
|
| THE CHARM |
|
| THE FLOWER |
|
| THE LANGUAGE |
|
| THE RAIN |
|
| THE WARNING |
|
| WHEN I HEARD THE LEARN'D ASTRONOMER...' |
|
COUNTEE CULLEN: |
| A BROWN GIRL DEAD |
|
| ADVICE TO YOUTH |
|
| AT THE WAILING WALL IN JERUSALEM |
|
| FROM THE DARK TOWER |
|
| HERITAGE |
|
| INCIDENT |
|
| LOSS OF LOVE |
|
| SATURDAY'S CHILD |
|
| SHROUD OF COLOR |
|
| SIMON THE CYRENIAN SPEAKS |
|
| TABLEAU |
|
| TO CERTAIN CRITICS |
|
| YET DO I MARVEL |
|
EDWARD ESTLIN CUMMINGS: |
| &: SEVEN POEMS: 3 |
|
| &: SEVEN POEMS: 7 |
|
| 50 POEMS: 34 |
|
| 95 POEMS: 10 |
|
| 95 POEMS: 92 |
|
| ANYONE LIVED IN A PRETTY HOW TOWN |
|
| BUFFALO BILL'S / DEFUNCT |
|
| CHANSON INNOCENTE: 1, FR. TULIPS |
|
| FIVE: 5 |
|
| FOUR: 7 |
|
| NO THANKS: 16 |
|
| NO THANKS: 58 |
|
| O SWEET SPONTANEOUS |
|
| ONE: 19 |
|
| PORTRAITS: 10 |
|
| SONNET - REALITIES: 1 |
|
| TWO: 3 |
|
| W (VIVA): 52 |
|
| XAIPE: 65 |
|
| XAIPE: 67 |
|
RICHARD HENRY DANA (1787-1879): |
| THE LITTLE BEACH BIRD |
|
SAMUEL DANIEL: |
| A PASTORAL OF TASSO |
|
| AN ODE |
|
| EPISTLE TO HENRY WRIOTHESLEY, EARL OF SOUTHAMPTON |
|
| MUSOPHILUS |
|
| THE COMPLAINT OF ROSAMOND |
|
| TO DELIA: 33 |
|
| TO DELIA: 42 |
|
| TO DELIA: 45 |
|
| TO DELIA: 6 |
|
| TO DELIA: 9 |
|
| TO HIS READER |
|
| ULYSSES AND THE SIREN |
|
WILLIAM DAVENANT: |
| GONDIBERT; AN HEROIC POEM: BOOK 3, CANTO 7; TO MR. COTTON |
|
| PRAISE AND PRAYER |
|
DONALD DAVIE: |
| HOMAGE TO GEORGE WHITEFIELD (1714-1770) |
|
WILLIAM HENRY DAVIES: |
| LEISURE |
|
FRANK MARSHALL DAVIS: |
| SNAPSHOTS OF THE COTTON SOUTH |
|
CECIL DAY LEWIS: |
| EMILY BRONTE |
|
| O DREAMS, O DESTINATIONS |
|
| STATUETTE: LATE MINOAN |
|
| THE NEWBORN |
|
| THE UNEXPLODED BOMB |
|
| WALKING AWAY |
|
| WHERE ARE THE WAR POETS |
|
WALTER JOHN DE LA MARE: |
| THE LISTENERS |
|
MRS. H. A. DEMING: |
| A CURIOUS LIFE POEM |
|
JOHN DENHAM: |
| COOPER'S HILL |
|
| ON MR. ABRAHAM COWLEY'S DEATH AND BURIAL AMONGST THE...POETS |
|
| SOMNUS |
|
TOI DERRICOTTE: |
| AERIAL PHOTOGRAPH BEFORE THE ATOMIC BOMB |
|
| AFRICAN/AMERICAN IN PARIS |
|
| AFTER A READING AT A BLACK COLLEGE |
|
| ALLEN GINSBERG |
|
| ELEGY FOR MY HUSBAND |
|
| MINKS |
|
| ON THE TURNING UP OF UNIDENTIFIED BLACK FEMALE CORPSES |
|
DIANE DI PRIMA: |
| LOBA: 1 |
|
| MONTEZUMA |
|
| NOTES TOWARD A POEM OF REVOLUTION |
|
| RANT |
|
| REVOLUTIONARY LETTER: 1 |
|
| REVOLUTIONARY LETTER: 13 |
|
| REVOLUTIONARY LETTER: 16 |
|
| REVOLUTIONARY LETTER: 19 |
|
| REVOLUTIONARY LETTER: 51 |
|
| THE PRACTICE OF MAGICAL EVOCATION |
|
JAMES DICKEY: |
| ADULTERY |
|
| FOR THE DEATH OF VINCE LOMBARDI |
|
| FOR THE LAST WOLVERINE |
|
| HUNTING CIVIL WAR RELICS AT NIMBLEWILL CREEK |
|
| PURSUIT FROM UNDER |
|
| THE DUSK OF HORSES |
|
| THE HEAVEN OF ANIMALS |
|
| THE HOSPITAL WINDOW |
|
| THE PERFORMANCE |
|
| THE SHEEP CHILD |
|
EMILY DICKINSON: |
| HE SHOWED ME HEIGHTS I NEVER SAW |
|
| A BOOK |
|
| A CAP OF LEAD ACROSS THE SKY |
|
| A CHARM INVESTS A FACE |
|
| A COUNTRY BURIAL |
|
| A DEATH-BLOW IS A LIFE-BLOW TO SOME |
|
| A DEED KNOCKS FIRST AT THOUGHT |
|
| A DEW SUFFICED ITSELF |
|
| A DIALOGUE |
|
| A LITTLE OVER [OR, EAST OF] JORDAN |
|
| A ROUTE OF EVANESCENCE |
|
| AFTER GREAT PAIN A FORMAL FEELING COMES |
|
| AS IMPERCEPTIBLY AS GRIEF |
|
| DYING |
|
| EXCLUSION |
|
| GHOSTS |
|
| HOPE (1) |
|
| I CANNOT LIVE WITH YOU |
|
| I FELT A FUNERAL IN MY BRAIN |
|
| I LIKE A LOOK OF AGONY |
|
| I NEVER LOST AS MUCH BUT TWICE |
|
| I RECKON - WHEN I COUNT AT ALL |
|
| I WOULD NOT PAINT - A PICTURE |
|
| IN THE GARDEN (1) |
|
| MUCH MADNESS IS DIVINEST SENSE |
|
| POST-MORTEM |
|
| SAFE IN THEIR ALABASTER CHAMBERS |
|
| SPLIT THE LARK AND YOU'LL FIND THE MUSIC |
|
| SUCCESS |
|
| SURGEONS MUST BE VERY CAREFUL |
|
| TELL ALL THE TRUTH BUT TELL IT SLANT |
|
| THE BIBLE IS AN ANTIQUE VOLUME |
|
| THE CHARIOT |
|
| THE SNAKE |
|
| THERE'S A CERTAIN SLANT OF LIGHT |
|
| THEY SHUT ME UP IN PROSE |
|
| THIS IS MY LETTER TO THE WORLD |
|
| TO FIGHT ALOUD IS VERY BRAVE |
|
| TO HEAR AN ORIOLE SING |
|
| WILD NIGHTS! WILD NIGHTS! |
|
GEORGE H. DILLON: |
| ENCHANTMENT |
|
HENRY AUSTIN DOBSON: |
| TO EDMUND GOSSE, WITH VINCENT BOURNE'S POETICAL WORKS |
|
CHARLES LUTWIDGE DODGSON: |
| JABBERWOCKY |
|
JOHN DONNE: |
| A VALEDICTION: FORBIDDING MOURNING |
|
| GOOD FRIDAY, 1613. RIDING WESTWARD |
|
| HOLY SONNET: 1 |
|
| HOLY SONNET: 10 |
|
| HOLY SONNET: 14 |
|
| HOLY SONNET: 5 |
|
| HOLY SONNET: 7 |
|
| SONG |
|
| THE ANNIVERSARY [ANNIVERSARIE] |
|
| THE CANONIZATION |
|
| THE ECSTASY [EXTASIE] |
|
| THE EXPIRATION |
|
| THE FLEA |
|
| THE FUNERAL |
|
| THE GOOD-MORROW |
|
| THE SUN RISING |
|
| WOMAN'S CONSTANCY |
|
HILDA DOOLITTLE: |
| ANTIPATER OF SIDON |
|
| EURYDICE |
|
| GARDEN: 1 |
|
| GARDEN: 2 |
|
| HELEN |
|
| HERMES OF THE WAYS |
|
| LEDA |
|
| ORCHARD |
|
| OREAD |
|
| ORION DEAD |
|
| SEA ROSE |
|
| THE POOL |
|
EDWARD DORN: |
| A PERIOD PORTRAIT OF SYMPATHY |
|
| BOUNTY TIME |
|
| FROM GLOUCESTER OUT |
|
| GERONIMO |
|
| NANA & VICTORIO |
|
| RECOLLECTIONS OF ADVICE TO WHITEGUYS |
|
MARK DOTY: |
| BROADWAY |
|
| CHARLIE HOWARD'S DESCENT |
|
| FOG |
|
| GOLDEN RETRIEVALS |
|
| HOMO WILL NOT INHERIT |
|
| HORSES AFTER A HURRICANE |
|
| INDEPENDENCE DAY |
|
| NO |
|
| THE DEATH OF ANTINOUS |
|
KEITH CASTELLAINE DOUGLAS: |
| CAIRO JAG |
|
| DESERT FLOWERS |
|
| HOW TO KILL |
|
| REMEMBER ME |
|
| VERGISSMEINNICHT |
|
RITA DOVE: |
| DAYSTAR |
|
| PARSLEY |
|
| ROSA |
|
| SOMEONE'S BLOOD |
|
| SONNET IN PRIMARY COLORS |
|
| TAKING IN WASH |
|
| THE BISTRO STYX |
|
| THE SPRING CRICKET CONSIDERS THE QUESTION OF NEGRITUDE |
|
ERNEST CHRISTOPHER DOWSON: |
| BRIEF LIFE |
|
| DREGS |
|
| NON SUM QUALIS ERAM BONAE SUB REGNO CYNARAE |
|
| THE GARDEN OF SHADOW |
|
MICHAEL DRAYTON: |
| A SKELTONIAD |
|
| AGINCOURT |
|
| AN AMOURET ANACREONTICK |
|
| AN ODE WRITTEN IN THE PEAK |
|
| CANZONET: TO HIS COY LOVE |
|
| IDEA: 1. LOVE'S LUNACY |
|
| IDEA: 63 |
|
| TO MASTER GEORGE SANDYS TREASURER FOR THE ENGLISH COLONY IN VIRGINIA |
|
| TO THE NOBLE LADY, THE LADY I.S. OF WORLDLY CROSSES |
|
| TO THE VIRGINIAN VOYAGE [1611] |
|
| TO WILLIAM JEFFREYS, CHAPLAINE TO THE LORD AMBASSADOUR IN SPAINE |
|
| UPON THE THREE SONNES OF THE LORD SHEFFIELD, DROWNED IN HUMBER |
|
JOHN DRINKWATER: |
| 1914-1918: THE DEAD SPEAK |
|
| A SABBATH DAY; IN FIVE WATCHES |
|
| APPROACHING ELSINORE |
|
| DEFIANCE |
|
| ELIZABETH ANN |
|
| HISTORY |
|
| PRELUDE |
|
| THE VAGABOND |
|
| TO ALICE MEYNELL |
|
| WRITTEN IN WINTERBORNE CAME CHURCH |
|
WILLIAM DRUMMOND OF HAWTHORNDEN: |
| A NYMPH'S SONG; OF THE TRUE HAPPINESS |
|
| INVOCATION [TO LOVE] |
|
WILLIAM HENRY DRUMMOND: |
| A CANADIAN VOYAGEUR'S ACCOUNT OF THE NILE EXPEDITION |
|
| DREAMS |
|
JOHN DRYDEN: |
| A SONG |
|
| A SONG FOR ST. CECILIA'S DAY |
|
| ABSALOM AND ACHITOPHEL |
|
| ALEXANDER'S FEAST; OR, THE POWER OF MUSIC |
|
| ANNUS MIRABILIS: THE YEAR OF WONDERS, 1666 |
|
| ANNUS MIRABILIS: VERSES TO HER HIGHNESS THE DUCHESS ON THE MEMORABLE |
|
| ASTRAEA REDUX: A POEM ON THE HAPPY RESTORATION AND RETURN OF HIS |
|
| EPISTLE TO THE WHIGS |
|
| MACFLECKNOE; OR, A SATIRE UPON THE TRUE-BLUE-PROTESTANT POET |
|
| THE HIND AND THE PANTHER: PART 1 |
|
| THE SPANISH FRIAR, OR THE DOUBLE DISCOVERY: PROLOGUE |
|
| TO HIS SACRED MAJESTY; A PANEGYRIC ON HIS CORNONATION |
|
| TO MY DEAR FRIEND, MR. CONGREVE, ON HIS COMEDY, 'THE DOUBLE-DEALER' |
|
| TO THE MEMORY OF MR. OLDHAM |
|
| TO THE PIOUS MEMORY OF THE YOUNG LADY MRS. ANNE KILLIGREW |
|
NORMAN DUBIE: |
| A DREAM OF THREE SISTERS |
|
| ANCESTRAL |
|
| AUBADE OF THE SINGER AND SABOTEUR, MARIE TRISTE |
|
| ELIZABETH'S WAR WITH THE CHRISTMAS BEAR: 1601 |
|
| ELSINORE IN THE LATE ANCIENT AUTUMN |
|
| POPHAM OF THE NEW SONG: 5; FOR R.P. BLACKMUR |
|
| THE BOXCARS OF MARS |
|
| THE CITY OF THE OLESHA FRUIT |
|
| THE DESERT DEPORTATION OF 1915 |
|
| THE FRIARY AT BLOSSOM, PROLOGUE & INSTRUCTIONS |
|
| THE PARALLAX MONOGRAPH FOR RODIN |
|
| THE PENNACESSE LEPER COLONY FOR WOMEN, CAPE COD: 1922 |
|
CAROL ANN DUFFY: |
| ANNE HATHAWAY |
|
| STEPHEN LAWRENCE |
|
| TRANSLATING THE ENGLISH, 1989 |
|
| WARMING HER PEARLS |
|
CHARLES GAVAN DUFFY: |
| THE IRISH RAPPAREES; A PEASANT BALLAD OF 1691 |
|
PAUL LAURENCE DUNBAR: |
| WE WEAR THE MASK |
|
EDWARD DYER: |
| CONTENTMENT |
|
| CYNTHIA |
|
JOHN DYER: |
| BEDFORD LEVEL |
|
| ENGLISH WEATHER |
|
| GRONGAR HILL |
|
| THE COUNTRY WALK |
|
KATHERINE DYER: |
| EPITAPH ON THE MONUMENT OF SIR WILLIAM DYER |
|
CLIFFORD DYMENT: |
| MAN AND BEAST |
|
RICHARD GHORMLEY EBERHART: |
| ARTILLERY AND AERIAL BOMBARDMENTS |
|
| CENTENNIAL FOR WHITMAN |
|
| FOR A LAMB |
|
| ODE TO THE CHINESE PAPER SNAKE |
|
| ON A SQUIRREL CROSSING THE ROAD IN AUTUMN, IN NEW ENGLAND |
|
| SAINTE ANNE DE BEAUPRE |
|
| SEA-HAWK |
|
| STONE WORDS FOR ROBERT LOWELL |
|
| THE FURY OF AERIAL BOMBARDMENT |
|
| THE GROUNDHOG |
|
SARAH FYGE EGERTON: |
| THE EMULATION |
|
THOMAS STEARNS ELIOT: |
| FOUR QUARTETS: BURNT NORTON |
|
| FOUR QUARTETS: LITTLE GIDDING (1-5 COMPLETE) |
|
| GERONTION |
|
| JOURNEY OF THE MAGI |
|
| LA FIGLIA CHE PIANGE |
|
| MACAVITY: THE MYSTERY CAT |
|
| MR. APOLLINAX |
|
| PORTRAIT OF A LADY |
|
| PRELUDES: 1-4 (COMPLETE) |
|
| RHAPSODY ON A WINDY NIGHT |
|
| SWEENEY AMONG THE NIGHTINGALES |
|
| SWEENEY ERECT |
|
| THE BOSTON EVENING TRANSCRIPT |
|
| THE HIPPOPOTAMUS |
|
| THE LOVE SONG OF J. ALFRED PRUFROCK |
|
| THE WASTE LAND (1-5, COMPLETE) |
|
| WHISPERS OF IMMORTALITY |
|
RALPH WALDO EMERSON: |
| BRAHMA |
|
| CONCORD HYMN; SUNG AT COMPLETION OF CONCORD MONUMENT, 1836 |
|
| DAYS |
|
| EACH AND [OR, IN] ALL |
|
| HAMATREYA |
|
| THE HUMBLE-BEE |
|
| THE PROBLEM |
|
| THE RHODORA: ON BEING ASKED, WHENCE IS THE FLOWER? |
|
| THE SNOW-STORM |
|
| THE SPHINX |
|
WILLIAM EVERSON: |
| HAZARDS OF HOLINESS: 1. THE BEHEADING OF JOHN THE BAPTIST |
|
| HAZARDS OF HOLINESS: 2. JUDITH AND HOLOFERNES |
|
| NIGHT SCENE |
|
| TENDRIL IN THE MESH |
|
| THE FLIGHT IN THE DESERT |
|
| THE POET IS DEAD |
|
KENNETH FEARING: |
| AD |
|
| AFTERNOON OF A PAWNBROKER |
|
| ANY MAN'S ADVICE TO HIS SON |
|
| DIRGE |
|
| ELEGY IN A THEATRICAL WAREHOUSE |
|
| PROGRAM |
|
| RADIO BLUES |
|
| REQUIEM |
|
| ST. AGNES' EVE |
|
| THE CITY TAKES A WOMAN |
|
| THE JUKE-BOX SPOKE AND THE JUKE-BOX SAID |
|
ROBERT FERGUSSON: |
| AULD REIKIE |
|
| LEITH RACES |
|
| THE DAFT DAYS |
|
LAWRENCE FERLINGHETTI: |
| A CONEY ISLAND OF THE MIND: 15 |
|
| AUTOBIOGRAPHY |
|
| I AM WAITING |
|
| PICTURES OF THE GONE WORLD: 25 |
|
| REPORT ON A HAPPENING IN WASHINGTON SQUARE SAN FRANCISCO |
|
| SAN JOSE SYMPHONY RECEPTION |
|
| THE CHANGING LIGHT |
|
| TWO SCAVENGERS IN A TRUCK, TWO BEAUTIFUL PEOPLE IN A MERCEDES |
|
| UNDERWEAR |
|
DAVID FERRY: |
| C.P. CAVAFY, THERMOPYLAE |
|
ANNE FINCH: |
| A NOCTURNAL REVERIE |
|
| THE INTRODUCTION |
|
| THE SPLEEN; A PINDARIC POEM |
|
| TO THE NIGHTINGALE |
|
JOHN GOULD FLETCHER: |
| FACTORY CHIMNEYS |
|
| THE BLACK ROCK |
|
| THE BLUE SYMPHONY |
|
JOHN FORD (1586-1639): |
| PERKIN WARBECK |
|
WILLIAM FOWLER: |
| IN ORKNAY |
|
PHILIP FRENEAU: |
| ON THE EMIGRATION TO AMERICA AND PEOPLING WESTERN COUNTRY |
|
| THE INDIAN BURYING GROUND |
|
| TO THE MEMORY OF THE BRAVE AMERICANS UNDER GENERAL GREENE |
|
CAROL FROST: |
| ADULTERY |
|
| AMERICAN PRIMITIVES |
|
| APIARY 40 |
|
| APOLOGY |
|
| EGON SCHIELE'S WIFE |
|
| MORPHINE |
|
| SALT LESSON |
|
| SEXUAL JEALOUSY |
|
| TO KILL A DEER |
|
ROBERT FROST: |
| AFTER APPLE PICKING |
|
| AN OLD MAN'S WINTER NIGHT |
|
| BIRCHES |
|
| DESIGN |
|
| DIRECTIVE |
|
| FIRE AND ICE |
|
| MENDING WALL |
|
| OUT, OUT -' |
|
| PROVIDE, PROVIDE |
|
| STOPPING BY WOODS ON A SNOWY EVENING |
|
| THE GIFT OUTRIGHT |
|
| THE OVEN BIRD |
|
| THE ROAD NOT TAKEN |
|
SARAH MARGARET FULLER: |
| THE SONG THAT MOTHER SANG TO CUSH (IN NOAH'S ARK) |
|
TESS GALLAGHER: |
| 3 A.M. KITCHEN: MY FATHER TALKING |
|
| AFTER THE CHINESE |
|
| AMPLITUDE |
|
| CHILD SINGING |
|
| CHOICES |
|
| CONVERSATION WITH A FIREMAN FROM BROOKLYN |
|
| I STOP WRITING THE POEM |
|
| INSTRUCTIONS TO THE DOUBLE |
|
| RED POPPY |
|
| THE HUG |
|
| TIME LAPSE WITH TULIPS |
|
GEORGE GASCOIGNE: |
| GASCOIGNE'S WOODMANSHIP |
|
| THE ARRAIGNMENT OF A LOVER |
|
| THE GREEN KNIGHT'S FAREWELL TO FANCY |
|
JACK GILBERT: |
| A BRIEF FOR THE DEFENSE |
|
| ABNORMAL IS NOT COURAGE |
|
| BYZANTIUM BURNING |
|
| DANTE DANCING |
|
| FAILING AND FLYING |
|
| GOING THERE |
|
| HORSES AT MIDNIGHT WITHOUT A MOON |
|
| IN UMBRIA |
|
| LIVES OF FAMOUS MEN |
|
| MICHIKO DEAD |
|
| REMEMBERING MY WIFE |
|
| SEARCHING FOR PITTSBURGH |
|
| TEAR IT DOWN |
|
| THE FORGOTTEN DIALECT OF THE HEART |
|
| THE GREAT FIRES |
|
| WHITE HEART OF GOD |
|
ALLEN GINSBERG: |
| A SUPERMARKET IN CALIFORNIA |
|
| AMERICA |
|
| HOSPITAL WINDOW |
|
| HOWL; FOR CARL SOLOMON |
|
| PLUTONIAN ODE |
|
| RETURN OF KRAL MAJALES |
|
| REVERSE THE RAIN OF TERROR |
|
| RISING OVER NIGHT-BLACKENED DETROIT STREETS |
|
| SUNFLOWER SUTRA |
|
YOLANDE CORNELIA GIOVANNI: |
| BALANCES |
|
| BEAUTIFUL BLACK MEN |
|
| CHARLES WHITE |
|
| EGO TRIPPING |
|
| KNOXVILLE, TENNESSEE |
|
| NIKKI-ROSA |
|
| NO FURNACES (FOR VALENTINE'S DAY) |
|
| WOMAN POEM |
|
LOUISE ELIZABETH GLUCK: |
| ANCIENT TEXT |
|
| CELESTIAL MUSIC |
|
| EROS |
|
| GRETEL IN DARKNESS |
|
| LANDSCAPE |
|
| MEADOWLANDS 1 |
|
| MOCK ORANGE |
|
| MOUNT ARARAT |
|
| NOSTOS |
|
| PARABLE OF FLIGHT |
|
| RED POPPY |
|
| SNOWDROPS |
|
| TELEMACHUS' BURDEN |
|
| TERMINAL RESEMBLANCE |
|
| THE SCHOOL CHILDREN |
|
| WHITE LILIES |
|
| WILD IRIS |
|
SIDNEY GODOLPHIN: |
| A FAREWELL |
|
OLIVER GOLDSMITH: |
| AN ELEGY ON THE DEATH OF A MAD DOG |
|
| RETALIATION |
|
| THE DESERTED VILLAGE |
|
| THE DOUBLE TRANSFORMATION |
|
| THE HAUNCH OF VENISON |
|
ANNA ADREYEVNA GORENKO: |
| REQUIEM |
|
EDMUND WILLIAM GOSSE: |
| A NIGHT IN TIME OF WAR |
|
| AN EPISTLE TO DR. OLIVER WENDELL HOLMES; ON HIS 75TH BIRTHDAY |
|
| AUBREY DE VERE |
|
| BEATRICE |
|
| EUTHANASIA |
|
| IN POET'S CORNER |
|
| MANES, THE HERETIC |
|
| THE NEW ENDYMION |
|
JORIE GRAHAM: |
| DREAM OF THE UNIFED FIELD |
|
| ERRANCY |
|
| GUARDIAN ANGEL OF THE SWARM |
|
| MANIFEST DESTINY |
|
| PRAYER |
|
| SAN SEPOLCRO |
|
| SELF-PORTRAIT AS HURRY AND DELAY |
|
| SURFACE |
|
| WHAT THE END IS FOR (GRAND FORKS, NORTH DAKOTA) |
|
ROBERT RANKE GRAVES: |
| A BOY IN CHURCH |
|
| A CHILD'S NIGHTMARE |
|
| A PINCH OF SALT |
|
| BABYLON |
|
| COUNTING THE BEATS |
|
| FLYING CROOKED |
|
| FOX'S DINGLE |
|
| GOLIATH AND DAVID |
|
| I WONDER WHAT IT FEELS LIKE TO BE DROWNED |
|
| JOHN SKELTON |
|
| LOST LOVE |
|
| PYGMALION TO GALATEA |
|
| THE BARDS |
|
| THE MORNING BEFORE THE BATTLE |
|
| THE WHITE GODDESS |
|
| TWO FUSILIERS |
|
| WARNING TO CHILDREN |
|
| WHEN I'M KILLED |
|
THOMAS GRAY: |
| ELEGY WRITTEN IN A COUNTRY CHURCHYARD |
|
| HYMN TO ADVERSITY |
|
| ODE ON A DISTANT PROSPECT OF ETON COLLEGE |
|
| ODE ON THE DEATH OF A FAVOURITE CAT, DROWNED IN A TUB |
|
CHRISTOPHER MURRAY GRIEVE: |
| ANOTHER EPITAPH ON AN ARMY OF MERCENARIES; REPLY TO HOUSMAN |
|
EDGAR ALBERT GUEST: |
| HOME (2) |
|
| IT COULDN'T BE DONE |
|
THOMSON WILLIAM GUNN: |
| CONSIDERING THE SNAIL |
|
| DONAHUE'S SISTER |
|
| IN SANTA MARIA DEL POPOLO |
|
| MOLY |
|
| MY SAD CAPTAINS |
|
| ON THE MOVE |
|
| THE HUG |
|
| THE MAN WITH THE NIGHT SWEATS |
|
| THE MISSING |
|
| WOUND |
|
DANIEL HALL: |
| MANGOSTEENS |
|
DONALD HALL: |
| AFFIRMATION |
|
| EATING THE PIG |
|
| MAN IN THE DEAD MACHINE |
|
| MAPLE SYRUP |
|
| NAMES OF HORSES |
|
| OLD HOME WEEK |
|
| OX-CART MAN |
|
| THE ONE DAY |
|
| THE PAINTED BED |
|
M. P. HANDY: |
| ONLY A LITTLE THING |
|
THOMAS HARDY: |
| A KING'S SOLILOQUY (ON THE NIGHT OF HIS FUNERAL) |
|
| A POOR MAN AND A LADY |
|
| AFTERWARDS |
|
| AH, ARE YOU DIGGING ON MY GRAVE? |
|
| CHANNEL FIRING |
|
| DRUMMER HODGE |
|
| DURING WIND AND RAIN |
|
| GOD'S FUNERAL |
|
| I LOOK INTO MY GLASS |
|
| IN TIME OF 'THE BREAKING OF NATIONS' |
|
| NEUTRAL TONES |
|
| THE BLINDED BIRD |
|
| THE CONVERGENCE OF THE TWAIN; LINES ON LOSS OF THE TITANIC |
|
| THE CORONATION |
|
| THE DARKLING THRUSH |
|
| THE GOING |
|
| THE GOING OF THE BATTERY; WIVES' LAMENTS |
|
| THE MAN HE KILLED |
|
| THE OXEN |
|
| THE REMINDER |
|
| THE RUINED MAID |
|
| THE SELF-UNSEEING |
|
| THE VOICE |
|
CHARLES HARPUR: |
| ANDREW MARVELL |
|
GWEN HARWOOD: |
| BARN OWL (FROM: FATHER AND CHILD) |
|
| CLAIR DE LUNE |
|
| IN THE PARK |
|
| MOTHER WHO GAVE ME LIFE |
|
| NIGHTFALL |
|
ROBERT HASS: |
| A STORY ABOUT THE BODY |
|
| AFTER THE GENTLE POET KOBAYASHI ISSA |
|
| BOOKBUYING IN THE TENDERLOIN |
|
| CHILD NAMING FLOWERS |
|
| FAINT MUSIC |
|
| HEROIC SMILE |
|
| LETTER TO A POET |
|
| MEDITATION AT LAGUNITAS |
|
| PRIVILEGE OF BEING |
|
| RETURN OF ROBINSON JEFFERS |
|
| SHUNGA |
|
| SONG FOR A BRIDE |
|
| THE FAILURE OF BUFFALO TO LEVITATE |
|
| THE PROBLEM OF DESCRIBING TREES |
|
ROBERT STEPHEN HAWKER: |
| SONG OF THE CORNISH MEN |
|
NATHANIEL HAWTHORNE: |
| AUTUMNAL CHARACTERISTICS |
|
| BROOK FARM |
|
| CONSCIENCE |
|
| THE OCEAN |
|
| THE STAR OF CALVARY |
|
ROBERT EARL HAYDEN: |
| FREDERICK DOUGLASS |
|
| MIDDLE PASSAGE |
|
| THE WHIPPING |
|
| THOSE WINTER SUNDAYS |
|
PAUL HAMILTON HAYNE: |
| A STORM IN THE DISTANCE (AMONG THE GEORGIAN HILLS) |
|
SEAMUS HEANEY: |
| CLEARANCES; IN MEMORIAM M.K.H., 1911-1984: 1 |
|
| DIGGING |
|
| FUNERAL RITES |
|
| GRAUBALLE MAN |
|
| THE TOLLUND MAN |
|
ANTHONY HECHT: |
| CURRICULUM VITAE |
|
| MORE LIGHT! MORE LIGHT!' |
|
| THE DOVER BITCH; A CRITICISM OF LIFE |
|
| THE END OF THE WEEKEND |
|
| THE GHOST IN THE MARTINI |
|
| VOICE AT A SEANCE |
|
WILLIAM ERNEST HENLEY: |
| ECHOES: 4. INVICTUS |
|
EDWARD HERBERT: |
| AN ODE UPON A QUESTION WHETHER LOVE SHOULD CONTINUE FOREVER |
|
| IN A GLASS WINDOW, FOR INCONSTANCY |
|
| SONNET OF BLACK BEAUTY |
|
GEORGE HERBERT: |
| A DIALOGUE ANTHEM |
|
| AARON |
|
| AFFLICTION (1) |
|
| AFFLICTION (4) |
|
| BITTER-SWEET |
|
| DENIAL [OR, DENIALL] |
|
| DISCIPLINE |
|
| EASTER WINGS |
|
| JORDAN (1) |
|
| JORDAN (2) |
|
| REDEMPTION |
|
| THE ALTAR |
|
| THE CHURCH WINDOWS |
|
| THE COLLAR |
|
| THE DAWNING |
|
| THE ELIXIR |
|
| THE FLOWER |
|
| THE FORERUNNERS |
|
| THE HOLDFAST |
|
| THE PEARL |
|
| THE PULLEY |
|
| THE QUIP |
|
| THE SACRIFICE |
|
| THE TEMPER (1) |
|
MARY SIDNEY HERBERT: |
| TO THE ANGEL SPIRIT OF THE MOST EXCELLENT SIR PHILIP SIDNEY |
|
ZBIGNIEW HERBERT: |
| ELEGY OF FORTINBRAS |
|
| ENVOY OF MR COGITO |
|
| MR. COGITO AND PURE THOUGHT |
|
| WHAT MR. COGITO THINKS ABOUT HELL |
|
ROBERT HERRICK: |
| A BUCOLICK BETWIXT TWO: LACON AND THYRSIS |
|
| A THANKSGIVING TO GOD [FOR HIS HOUSE] |
|
| CORINNA'S GOING A-MAYING |
|
| DELIGHT IN DISORDER |
|
| HIS FAREWELL TO SACK |
|
| THE ARGUMENT OF HIS BOOK |
|
| THE COUNTRY LIFE, TO THE HONOURED M. END. PORTER |
|
| THE HAG |
|
| THE HOCK-CART, OR HARVEST HOME |
|
| THE LITANY [TO THE HOLY SPIRIT] |
|
| THE MAD MAID'S SONG |
|
| THE VINE |
|
| TO ANTHEA [WHO MAY COMMAND HIM ANYTHING] |
|
| TO DAFFODILS |
|
| TO THE VIRGINS, TO MAKE MUCH OF TIME |
|
| UPON JULIA'S CLOTHES |
|
JOHN HEYWOOD: |
| A LADY PRAYETH THE RETURN OF HER LOVER ABIDING ON THE SEAS |
|
| A PRAISE OF HIS LADY |
|
EDWARD HIRSCH: |
| ON LOVE: FEDERICO GARCIA LORCA |
|
JAMES HOGG: |
| A BOY'S SONG |
|
| JOCK JOHNSTONE, THE TINKLER |
|
| LOVE IS LIKE A DIZZINESS |
|
| QUEEN MARY'S RETURN TO SCOTLAND |
|
| THE BROKEN HEART |
|
| THE HIGHLAND WATCH |
|
| WHEN THE KYE CAME HOME |
|
JOHN HOLLANDER: |
| FORGET HOW TO REMEMBER HOW TO FORGET |
|
| HISTORICAL REFLECTIONS |
|
| REFLECTIONS ON ESPIONAGE: 1/15 |
|
| SWAN AND SHADOW |
|
OLIVER WENDELL HOLMES: |
| OLD IRONSIDES |
|
| SUN AND SHADOW |
|
| THE CHAMBERED NAUTILUS |
|
| THE DEACON'S MASTERPIECE |
|
| THE HEIGHT OF THE RIDICULOUS |
|
| THE LAST LEAF |
|
| TO AN INSECT |
|
MIROSLAV HOLUB: |
| 1751 |
|
| ALPHABET |
|
| ZITO THE MAGICIAN |
|
GERARD MANLEY HOPKINS: |
| CARRION COMFORT |
|
| FELIX RANDAL |
|
| GOD'S GRANDEUR |
|
| INVERSNAID |
|
| PIED BEAUTY |
|
| SPRING AND FALL: TO A YOUNG CHILD |
|
| THE WINDHOVER: TO CHRIST OUR LORD |
|
ALFRED EDWARD HOUSMAN: |
| A SHROPSHIRE LAD: 13 |
|
| A SHROPSHIRE LAD: 18 |
|
| A SHROPSHIRE LAD: 19. TO AN ATHLETE DYING YOUNG |
|
| A SHROPSHIRE LAD: 2 |
|
| A SHROPSHIRE LAD: 21. BREDON HILL |
|
| A SHROPSHIRE LAD: 27 |
|
| A SHROPSHIRE LAD: 29. THE LENT LILY |
|
| A SHROPSHIRE LAD: 3. THE RECRUIT |
|
| A SHROPSHIRE LAD: 31 |
|
| A SHROPSHIRE LAD: 47. THE CARPENTER'S SON |
|
| A SHROPSHIRE LAD: 54 |
|
| A SHROPSHIRE LAD: 62 |
|
RICHARD HOVEY: |
| ACCIDENT IN ART |
|
| TRANSCENDENCE |
|
HENRY HOWARD: |
| DESCRIPTION OF SPRING |
|
| DESCRIPTION OF THE RESTLESS STATE OF A LOVER |
|
| IN PRAISE OF WYATT'S PSALMS |
|
| ON THE DEATH OF SIR THOMAS WYATT |
|
| PRISONED IN WINDSOR, HE RECOUNTETH HIS PLEASURE THERE PASSED |
|
| YOUTH AND AGE |
|
FANNY HOWE: |
| DOUBT |
|
| FOOTSTEPS |
|
| GOOD FRIDAY NIGHT |
|
| GOODBYE, POST OFFICE SQUARE |
|
| ICE |
|
| MY BROKEN HEART |
|
| NURSERY |
|
| O'CLOCK |
|
| OUTREMER |
|
| OXFORD |
|
JULIA WARD HOWE: |
| BATTLE HYMN OF THE REPUBLIC |
|
| FLAG |
|
| HAMLET AT THE BOSTON (TO EDWIN BOOTH) |
|
| LOST JEWEL |
|
WILLIAM DEAN HOWELLS: |
| A DOUBLE-BARRELLED SONNET TO MARK TWAIN: 1. FIRST BARREL |
|
| BLACK CROSS FARM |
|
| EQUALITY |
|
| GOOD SOCIETY |
|
| SOLITUDE |
|
EDWARD JAMES HUGHES: |
| CROW'S FALL |
|
| HARVEST MOON |
|
| HAWK ROOSTING |
|
| JAGUAR |
|
| OLD AGE GETS UP |
|
| PIKE |
|
| THE THOUGHT-FOX |
|
| THEOLOGY |
|
| TO PAINT A WATER LILY |
|
| WILFRED OWEN'S PHOTOGRAPHS |
|
| WIND |
|
| WOMAN UNCONSCIOUS |
|
JAMES LANGSTON HUGHES: |
| 125TH STREET |
|
| 50-50 |
|
| ADVICE |
|
| AMERICAN HEARTBREAK |
|
| APRIL RAIN SONG |
|
| AS I GREW OLDER |
|
| DANSE AFRICAINE |
|
| DAYBREAK IN ALABAMA |
|
| HARLEM |
|
| MOTHER TO SON |
|
| SONG FOR A DARK GIRL |
|
| SUICIDE'S NOTE |
|
| THE NEGRO SPEAKS OF RIVERS |
|
| THE WEARY BLUES |
|
ALEXANDER HUME: |
| MIDSUMMER DAY IN FRANCE |
|
| OF THE DAY ESTIVALL |
|
JAMES HENRY LEIGH HUNT: |
| ABOU BEN ADHEM |
|
| RONDEAU |
|
EDWARD HYDE: |
| AMICO SUO CHARISSIMO, INGENIOSISSIMO, T. RANDOLPHO |
|
DAVID IGNATOW: |
| ADOLESCENCE |
|
| AGAINST THE EVIDENCE |
|
| INVOCATION |
|
| IT'S MY LIFE |
|
| KADDISH |
|
| LIKE SMOKE |
|
| LIVES |
|
| LOVE POEM FOR THE FORTY-SECOND STREET LIBRARY |
|
| MYSTIQUE |
|
| THE BAGEL |
|
NICHOLAS JAMES: |
| THE COMPLAINTS OF POVERTY, SELECTION |
|
RANDALL JARRELL: |
| 90 NORTH |
|
| A SICK CHILD |
|
| AN OFFICERS' PRISON CAMP SEEN FROM A TROOP-TRAIN |
|
| AUGSBURG ADORATION |
|
| BATS |
|
| BRONZE DAVID OF DONATELLO |
|
| EIGHTH AIR FORCE |
|
| EINE KLEINE NACHTMUSIK |
|
| END OF THE RAINBOW |
|
| GUNNER |
|
| LOSSES |
|
| NEXT DAY |
|
| PROTOCOLS (BIRKENAU, ODESSA; THE CHILDREN SPEAK ALTERNATELY) |
|
| SECOND AIR FORCE |
|
| THE DEAD WINGMAN |
|
| THE DEATH OF THE BALL TURRET GUNNER |
|
| THE FACE |
|
| THE KNIGHT, DEATH, AND THE DEVIL |
|
| THE ORIENT EXPRESS |
|
| THE PLAYER PIANO |
|
| THE SNOW-LEOPARD |
|
| THE WOMAN AT THE WASHINGTON ZOO |
|
| THINKING OF THE LOST WORLD |
|
ROBINSON JEFFERS: |
| BIRDS AND FISHES |
|
| CARMEL POINT |
|
| GHOST |
|
| HURT HAWKS |
|
| ROAN STALLION |
|
| ROCK AND HAWK |
|
| SHINE, PERISHING REPUBLIC |
|
| SHINE, REPUBLIC |
|
| TAMAR |
|
| THE BEAKS OF EAGLES |
|
| THE BROKEN BALANCE |
|
| THE DAY IS A POEM (SEPTEMBER 19, 1939) |
|
| THE DEER LAY DOWN THEIR BONES |
|
| THE EYE |
|
| THE PURSE-SEINE |
|
| TO THE STONE CUTTERS |
|
| TOWER BEYOND TRAGEDY |
|
| TRUCE AND THE PEACE (NOVEMBER, 1918) |
|
| VULTURE |
|
ELIZABETH JENNINGS: |
| ABSENCE |
|
| BEECH |
|
| DELAY |
|
| FOR EDWARD THOMAS |
|
| LETTER TO PETER LEVI |
|
| MEDITATION ON THE NATIVITY |
|
| ONE FLESH |
|
| SONG AT THE BEGINNING OF AUTUMN |
|
| SONG FOR A DEPARTURE |
|
SAMUEL JOHNSON (1709-1784): |
| IDYLL |
|
| PROLOGUE, SPOKEN BY MR. GARRICK AT ... THEATRE ROYALE, 1747 |
|
| THE VANITY OF HUMAN WISHES; THE 10TH SATIRE OF JUVENAL, IMITATED |
|
DENIS JOHNSON: |
| A POEM ABOUT BASEBALL |
|
| HEAT |
|
| THE CONFESSION OF ST. JIM-RALPH |
|
| THE WHITE FIRES OF VENUS |
|
| ULYSSES |
|
| VEIL |
|
| VESPERS |
|
GEORGIA DOUGLAS JOHNSON: |
| BLACK WOMAN |
|
| COMMON DUST |
|
| THE HEART OF A WOMAN |
|
HELENE JOHNSON: |
| BOTTLED |
|
| MAGALU |
|
HETTIE JONES: |
| SUBWAY POEM |
|
BEN JONSON: |
| A FIT OF RHYME AGAINST RHYME [OR, RIME] |
|
| A PINDARIC ODE |
|
| AN EXECRATION UPON VULCAN |
|
| EPIGRAM: 14. TO WILLIAM CAMDEN |
|
| EPIGRAM: 45. ON MY FIRST SON |
|
| EPITAPH ON S.P., A CHILD OF QUEEN ELIZABETH'S CHAPEL |
|
| ON THE FAMOUS VOYAGE |
|
| SEJANUS, HIS FALL |
|
| TO CELIA |
|
| TO HEAVEN |
|
| TO JOHN DONNE (1) |
|
| TO JOHN DONNE (2) |
|
| TO MY BOOK |
|
| TO PENSHURST |
|
| TO SIR ROBERT WROTH |
|
| TO THE AUTHOR |
|
| TO THE MEMORY OF MY BELOVED MASTER WILLIAM SHAKESPEARE |
|
DONALD JUSTICE: |
| ABOARD! ABOARD! |
|
| MEN AT FORTY |
|
| MRS. SNOW |
|
| ODE TO A DRESSMAKER'S DUMMY |
|
| THE ASSASSINATION |
|
BOB KAUFMAN: |
| ABOMUNIST MANIFESTO |
|
| BAGEL SHOP JAZZ |
|
| MINGUS |
|
JOHN KEATS: |
| A PROPHECY: TO GEORGE KEATS IN AMERICA |
|
| ENDYMION, A POETIC ROMANCE: BOOK 1 |
|
| LA BELLE DAME SANS MERCI |
|
| LAST SONNET (REVISED VERSION) |
|
| ODE ON A GRECIAN URN |
|
| ODE ON INDOLENCE |
|
| ODE ON MELANCHOLY |
|
| ODE TO A NIGHTINGALE |
|
| ODE TO PSYCHE |
|
| ON FIRST LOOKING INTO CHAPMAN'S HOMER |
|
| SONNET |
|
| THE EVE OF ST. AGNES |
|
| TO AUTUMN |
|
WELDON KEES: |
| 1926 |
|
| ASPECTS OF ROBINSON |
|
| FOR MY DAUGHTER |
|
| INTERREGNUM |
|
| JANUARY |
|
| ROBINSON |
|
| SARATOGA ENDING |
|
| SESTINA: TRAVEL NOTES |
|
| STATEMENT WITH RHYMES |
|
| THE COMING OF THE PLAGUE |
|
| THE SPEAKERS |
|
X. J. KENNEDY: |
| IN A PROMINENT BAR IN SECAUCUS ONE DAY |
|
| NUDE DESCENDING A STAIRCASE |
|
JANE KENYON: |
| BISCUIT |
|
| BRIEFLY IT ENTERS, AND BRIEFLY SPEAKS |
|
| FEBRUARY: THINKING OF FLOWERS |
|
| GETTYSBURG: JULY 1, 1863 |
|
| HAPPINESS |
|
| HAVING IT OUT WITH MELANCHOLY |
|
| LET EVENING COME |
|
| MOSAIC OF THE NATIVITY: SERBIA, WINTER, 1993 |
|
| NOTES FROM THE OTHER SIDE |
|
| OTHERWISE |
|
| TAKING DOWN THE TREE |
|
| THE BLUE BOWL |
|
| THINKING OF MADAME BOVARY |
|
ALFRED JOYCE KILMER: |
| TREES |
|
HENRY KING (1592-1669): |
| A CONTEMPLATION UPON FLOWERS |
|
| A RENUNCIATION |
|
| A SALUTATION OF HIS MAJESTY'S SHIP THE SOVEREIGN |
|
| ON THE EARL OF ESSEX |
|
| SONNET |
|
| THE EXEQUY [ON HIS WIFE] |
|
| THE SHORT WOOING |
|
| TO MY DEAR FRIEND BEN JONSON (DIED AUGUST 6, 1637) |
|
WILLIAM KING: |
| THE BEGGAR WOMAN |
|
RUDYARD KIPLING: |
| GUNGA DIN |
|
| IF |
|
| RECESSIONAL |
|
| THE WAY THROUGH THE WOODS |
|
AUGUST KLEINZAHLER: |
| AUBADE ON EAST 12TH STREET |
|
| CHRISTMAS IN CHINATOWN |
|
| ENGLISH AS A SECOND LANGUAGE |
|
| GREEN SEES THINGS IN WAVES |
|
| HISTORY OF WESTERN MUSIC: CHAPTER 26 |
|
| INTERIOR DECORATOR ON SUNDAY |
|
| ON FIRST LOOKING INTO JOSEPH CORNELL'S DIARIES |
|
| SNOW IN NORTH JERSEY |
|
| THE HEREAFTER |
|
| THE STRANGE HOURS TRAVELERS KEEP |
|
ETHERIDGE KNIGHT: |
| A WASP WOMAN VISITS A BLACK JUNKIE IN PRISON |
|
| BELLY SONG (FOR THE DAYTOP FAMILY) |
|
| FEELING FUCKED UP |
|
| FOR BLACK POETS WHO THINK OF SUICIDE |
|
| FOR ERIC DOLPHY |
|
| HAIKU FOR THE HOMELESS |
|
| HARD ROCK RETURNS TO PRISON FROM THE HOSPITAL FOR THE CRIMINAL INSANE |
|
| IDEA OF ANCESTRY |
|
| JAZZ DRUMMER |
|
| THE SUN CAME |
|
KENNETH KOCH: |
| ART OF POETRY |
|
| BEL CANTO |
|
| FRESH AIR |
|
| LO, WHERE HAUSSMANN COMES, SEE WHERE HE COMES |
|
| ONE TRAIN MAY HIDE ANOTHER |
|
| SOME GENERAL INSTRUCTIONS |
|
| SUN OUT |
|
| THANK YOU |
|
| TO MY FIFTIES |
|
| VARIATIONS ON A THEME BY WILLIAM CARLOS WILLIAMS |
|
| YOU WERE WEARING |
|
YUSEF KOMUNYAKAA: |
| AFTER THE FALL OF SAIGON |
|
| APRIL'S ANARCHY |
|
| BACCHANALE |
|
| BANKING POTATOES |
|
| BLACKBERRIES |
|
| CAMOUFLAGING THE CHIMERA |
|
| CITADEL |
|
| DIA DE LOS MUERTOS |
|
| DOCTOR FEEL-GOOD |
|
| ELEGY FOR THELONIOUS |
|
| FACING IT |
|
| GRENADE |
|
| MY FATHER'S LOVELETTERS |
|
| ODE TO THE MAGGOT |
|
| SLAM, DUNK, & HOOK |
|
| STARLIGHT SCOPE MYOPIA |
|
| SUNDAY AFTERNOONS |
|
| THANKS |
|
| TU DO STREET |
|
| VENUS'S-FLYTRAPS |
|
| WHISTLE |
|
MAXINE W. KUMIN: |
| AFTER LOVE |
|
| HENRY MANLEY, LIVING ALONE, KEEPS TIME |
|
| HERMIT GOES UP ATTIC |
|
| HOW IT IS |
|
| JACK |
|
| LINES WRITTEN IN LIBRARY OF CONGRESS AFTER CLEANETH BROOKS |
|
| LIVING ALONE WITH JESUS |
|
| LONG APPROACH |
|
| MORNING SWIM |
|
| WOODCHUCKS |
|
STANLEY JASSPON KUNITZ: |
| AROUND PASTOR BONHOEFFER: NEXT TO LAST THINGS |
|
| AROUND PASTOR BONHOEFFER: THE EXTERMINATION CAMP |
|
| AROUND PASTOR BONHOEFFER: THE PLOT AGAINST HITLER |
|
| BORIS PASTERNAK |
|
| END OF SUMMER |
|
| FATHER AND SON |
|
| FIRST LOVE |
|
| LAYERS |
|
| LONG BOAT |
|
| PASSING THROUGH |
|
| ROBIN REDBREAST |
|
| ROUTE SIX |
|
| SNAKES OF SEPTEMBER |
|
| STATEMENT |
|
| TESTING-TREE |
|
| THE ABDUCTION |
|
| THE FLIGHT OF APOLLO |
|
| THE PORTRAIT |
|
| THE QUARREL |
|
| THE ROUND |
|
| THE WAR AGAINST THE TREES |
|
| THE WELLFLEET WHALE |
|
| THIS DAY THIS WORLD |
|
| TOUCH ME |
|
JOANNE KYGER: |
| ALL THIS EVERYDAY, SELS. |
|
| ANTHRO INFO |
|
| DESTRUCTION |
|
| THEY ARE ALIVE ALTHOUGH CELADON |
|
| TRIP OUT AND FALL BACK |
|
| WONDERFUL FOCUS OF YOU: 1977 |
|
LETITIA ELIZABETH LANDON: |
| THE FEMALE CONVICT |
|
| THE GOLDEN VIOLET |
|
| THE GUERILLA CHIEF |
|
| THE IMPROVISATRICE: A MOORISH ROMANCE |
|
| THE MARRIAGE VOW |
|
| THE VISIONARY AND THE TRUE |
|
WALTER SAVAGE LANDOR: |
| COUNT JULIAN |
|
| DIRCE |
|
| GEBIR: 1 |
|
| IMMORTALITY [OR, VERSE] |
|
| REPENTANCE OF KING RODERIGO |
|
| ROSE AYLMER |
|
SIDNEY LANIER: |
| CORN |
|
| HYMNS OF THE MARSHES: THE MARSHES OF GLYNN |
|
| SONG OF THE CHATTAHOOCHEE |
|
| THE SYMPHONY |
|
LUCY LARCOM: |
| THE SINKING OF THE MERRIMAC [MAY 10, 1862] |
|
PHILIP LARKIN: |
| AN ARUNDEL TOMB |
|
| AUBADE |
|
| CHURCH GOING |
|
| HIGH WINDOWS |
|
| MCMXIV |
|
| MR. BLEANEY |
|
| MYXOMATOSIS |
|
| TALKING IN BED |
|
| THE EXPLOSION |
|
| THE NORTH SHIP |
|
| THE WHITSUN WEDDINGS |
|
EMILY LAWLESS: |
| AFTER AUGHRIM |
|
| AN EXILE'S MOTHER |
|
DAVID HERBERT LAWRENCE: |
| BAVARIAN GENTIANS |
|
| PIANO |
|
| SNAKE |
|
| THE SHIP OF DEATH |
|
EMMA LAZARUS: |
| THE NEW COLOSSUS |
|
MARY LEAPOR: |
| AN EPISTLE TO A LADY |
|
| AN ESSAY ON WOMAN |
|
| MAN THE MONARCH |
|
EDWARD LEAR: |
| THE OWL AND THE PUSSY CAT |
|
GIACOMO LEOPARDI: |
| TO HIMSELF |
|
DENISE LEVERTOV: |
| ABOUT MARRIAGE |
|
| ADVENT 1966 |
|
| AT THE JUSTICE DEPARTMENT NOVEMBER 15, 1969 |
|
| CAEDMON |
|
| CLARITAS |
|
| GOODBYE TO TOLERANCE |
|
| PEOPLE AT NIGHT (DERIVED FROM RILKE) |
|
| PRAYER FOR REVOLUTIONARY LOVE |
|
| PRISONERS |
|
| PSALM PRAISING THE HAIR OF MAN'S BODY |
|
| THE CRACK |
|
| THE ILLUSTRATION?ÇÖA FOOTNOTE |
|
| THE WEALTH OF THE DESTITUTE |
|
| THE WELL |
|
| TO R.D., MARCH 4TH 1988 |
|
PHILIP LEVINE: |
| AN ABANDONED FACTORY, DETROIT |
|
| AN ORDINARY MORNING |
|
| ANIMALS ARE PASSING FROM OUR LIVES |
|
| BELLE ISLE, 1949 |
|
| COMING HOME, DETROIT, 1968 |
|
| DETROIT, TOMORROW |
|
| M. DEGAS TEACHES ART & SCIENCE AT DURFEE INTERMEDIATE SCHOOL, DETROIT 1942 |
|
| MERCY |
|
| ON THE MEETING OF GARCIA LORCA AND HART CRANE |
|
| THE DEATH OF SAUL |
|
| THE SIMPLE TRUTH |
|
| THE SWEETNESS OF BOBBY HEFKA |
|
| THEY FEED THEY LION |
|
| WHAT WORK IS |
|
| YOU CAN HAVE IT |
|
| ZAYDEE |
|
NICHOLAS VACHEL LINDSAY: |
| THE KNIGHT IN DISGUISE |
|
DOROTHY LIVESAY: |
| FOR FEDERICO GARCIA LORCA |
|
HENRY WADSWORTH LONGFELLOW: |
| A PSALM OF LIFE |
|
| MY LOST YOUTH |
|
| TALES OF A WAYSIDE INN: THE FIRST DAY: PAUL REVERE'S RIDE [APRIL 1775] |
|
| TALES OF A WAYSIDE INN: THE FIRST DAY: ROBERT OF SICILY |
|
| THE ARROW AND THE SONG |
|
| THE CHILDREN'S HOUR |
|
| THE SONG OF HIAWATHA: INTRODUCTION |
|
| THE VILLAGE BLACKSMITH |
|
AUDRE LORDE: |
| COAL |
|
| SISTERS IN ARMS |
|
| THE BLACK UNICORN |
|
RICHARD LOVELACE: |
| CALLING LUCASTA FROM HER RETIREMENT |
|
| THE GRASSHOPPER; TO MY NOBLE FRIEND MR. CHARLES COTTON |
|
| THE ROSE |
|
| THE SCRUTINY; SONG |
|
| TO ALTHEA, FROM PRISON |
|
| TO CHLOE, COURTING HER FOR HIS FRIEND |
|
| TO LUCASTA, FROM PRISON |
|
| TO LUCASTA, [ON] GOING BEYOND THE SEAS |
|
| TO LUCASTA, [ON] GOING TO THE WARS |
|
AMY LOWELL: |
| A DECADE |
|
| DECADE |
|
| MADONNA OF THE EVENING FLOWERS |
|
| PATTERNS |
|
| THE LETTER |
|
| THE PLEIADES |
|
JAMES RUSSELL LOWELL: |
| COMMEMORATION ODE READ AT HARVARD UNIVERSITY |
|
| THE BIGLOW PAPERS. 2D SERIES. THE COURTIN' |
|
| THE ORIGIN OF DIDACTIC POETRY |
|
| THE PRESENT CRISIS |
|
| THE VISION OF SIR LAUNFAL |
|
| UNDER THE OLD ELM; READ AT CAMBRIDGE ON 100TH ANNIVERSAY ... |
|
ROBERT LOWELL: |
| BEYOND THE ALPS (ON THE TRAIN FROM ROME TO PARIS, 1950) |
|
| EPILOGUE |
|
| EZRA POUND |
|
| FOR THE UNION DEAD |
|
| HOME AFTER THREE MONTHS AWAY |
|
| MY LAST AFTERNOON WITH UNCLE DEVEREUX WINSLOW |
|
| SKUNK HOUR; FOR ELIZABETH BISHOP |
|
| THE QUAKER GRAVEYARD IN NANTUCKET |
|
DAVID LYNDSAY: |
| ANE SATIRE OF THE THREE ESTAITIS: OPPRESSION BETRAYS THEFT |
|
| THE TESTAMENT AND COMPLAYNT OF THE PAPINGO, SELECTION |
|
GEORGE MACDONALD: |
| PHANTASIES |
|
| THE DISCIPLE |
|
| WITHIN AND WITHOUT |
|
ARCHIBALD MACLEISH: |
| ARS POETICA |
|
| CONQUISTADOR: PROLOGUE |
|
| EINSTEIN |
|
| SOME ASPECTS OF IMMORTALITY |
|
| THE SNOWFLAKE WHICH IS NOW AND HENCE FOREVER |
|
| THE YOUNG DEAD SOLDIERS |
|
| YOU, ANDREW MARVELL |
|
FREDERICK LOUIS MACNEICE: |
| AUTOBIOGRAPHY |
|
| BAGPIPE MUSIC |
|
| BROTHER FIRE |
|
| DUBLIN |
|
| JUNE THUNDER |
|
| MEETING-POINT |
|
| PRAYER BEFORE BIRTH |
|
| SNOW |
|
| SOAP SUDS |
|
| STAR-GAZER |
|
| SUNDAY MORNING |
|
| THE BRITISH MUSEUM READING ROOM |
|
JAMES MACPHERSON: |
| OSSIAN'S SONG OF SORROW |
|
NAOMI LONG (WITHERSPOON) MADGETT: |
| BLACK WOMAN |
|
| HER STORY |
|
| THE SUN DO MOVE' |
|
OSIP EMILYEVICH MANDELSTAM: |
| THE STALIN EPIGRAM |
|
| TRISTIA |
|
CHRISTOPHER MARLOWE: |
| BALLAD OF FAUSTUS; JUDGMENT OF GOD SHOWED UPON JOHN FAUSTUS |
|
| EDWARD THE SECOND |
|
| HERO AND LEANDER |
|
| TAMBURLAINE THE GREAT: PART 1 |
|
| TAMBURLAINE THE GREAT: PART 2 |
|
| THE JEW OF MALTA |
|
| THE PASSIONATE SHEPHERD TO HIS LOVE |
|
| THE TRAGICAL HISTORY OF THE LIFE AND DEATH OF DOCTOR FAUSTUS |
|
ANDREW MARVELL: |
| A DROP OF DEW |
|
| A POEM UPON THE DEATH OF OLIVER CROMWELL, THE LORD PROTECTOR |
|
| AN HORATIAN ODE UPON CROMWELL'S RETURN FROM IRELAND |
|
| BERMUDAS |
|
| ON MILTON'S PARADISE LOST |
|
| THE CHARACTER OF HOLLAND |
|
| THE CORONET |
|
| THE DEFINITION OF LOVE |
|
| THE GALLERY |
|
| THE GARDEN |
|
| THE LOYAL SCOT |
|
| THE MOWER AGAINST GARDENS |
|
| THE MOWER TO THE GLOW-WORMS |
|
| THE MOWER'S SONG |
|
| THE NYMPH COMPLAINING FOR THE DEATH OF HER FAUN [OR, FAWN] |
|
| THE PICTURE OF LITTLE T.C. IN A PROSPECT OF FLOWERS |
|
| THE UNFORTUNATE LOVER |
|
| TO HIS COY MISTRESS |
|
JOHN MASEFIELD: |
| A BALLAD OF JOHN SILVER |
|
| A PRAYER FOR A BEGINNING REIGN |
|
| A PRAYER FOR THE KING'S MAJESTY |
|
| BEAUTY |
|
| CARGOES |
|
| EAST COKER |
|
| JOHN FITZGERALD KENNEDY |
|
| ON GROWING OLD |
|
| SEA-FEVER |
|
| SONNET |
|
| TEWKESBURY ROAD |
|
| THE CHOICE |
|
| THE ISLAND OF SKYROS; SONNET |
|
| THE LEMMINGS |
|
| THE SEEKERS |
|
| THE TARRY BUCCANEER |
|
| THE WEST WIND |
|
WILLIAM MATTHEWS: |
| IN MEMORY OF W.H. AUDEN |
|
JASPER MAYNE: |
| ON DR. DONNES DEATH |
|
JOHN LUCKEY MCCREERY: |
| THERE IS NO DEATH |
|
PHYLLIS MCGINLEY: |
| DIDO OF TUNISIA |
|
| IN PRAISE OF DIVERSITY |
|
| LANCELOT WITH BICYCLE |
|
| LENDING LIBRARY |
|
| SPRING COMES TO THE SUBURBS |
|
| SQUEEZE PLAY |
|
WILLIAM MCGONAGALL: |
| THE TAY BRIDGE DISEASTER |
|
THOMAS MCGRATH: |
| A WARRANT FOR PABLO NERUDA |
|
STEPHEN MEATS: |
| SEEING MY FATHER AGAIN |
|
HERMAN MELVILLE: |
| A DIRGE FOR MCPHERSON; KILLED IN FRONT OF ATLANTA |
|
| THE BERG (A DREAM) |
|
| THE COLLEGE COLONEL |
|
| THE MALDIVE SHARK |
|
| THE PORTENT |
|
| THE RAVAGED VILLA |
|
| THE TUFT OF KELP |
|
GEORGE MEREDITH: |
| A FAITH ON TRAIL |
|
| DIRGE IN WOODS |
|
| LOVE IN THE VALLEY (VERSION A) |
|
| THE DAY OF THE DAUGHTER OF HADES |
|
| THE LARK ASCENDING |
|
| THE NUPTIALS OF ATTILA |
|
WILLIAM MEREDITH: |
| CARRIER |
|
| CHEER |
|
| LOVE LETTER FROM AN IMPOSSIBLE LAND |
|
| THE ILLITERATE |
|
| THE WRECK OF THE THRESHER |
|
| VIEW OF THE BROOKLYN BRIDGE |
|
| WHORLS |
|
EVE MERRIAM: |
| CATCH A LITTLE RHYME |
|
| FOR A SOLDIER'S BIRTHDAY |
|
| PECULIAR |
|
JAMES INGRAM MERRILL: |
| 18 WEST 11TH STREET (HOUSE EXPLODED BY 'WEATHERMEN' .. 1970) |
|
| ANNIE HILL'S GRAVE |
|
| BLACK SWAN |
|
| DAYS OF 1935 |
|
| EDWARD LIEBERMAN, ENTREPRENEUR, FOUR YEARS AFTER THE BURNING |
|
| EPITHALAMIUM |
|
| LOST IN TRANSLATION; FOR RICHARD HOWARD |
|
| MATINEES |
|
| MIRABELL'S BOOK OF NUMBERS |
|
| TENANCY |
|
| THE BROKEN HOME |
|
| THE COUNTRY OF A THOUSAND YEARS OF PEACE |
|
| THE VICTOR DOG |
|
| THOUSAND AND SECOND NIGHT |
|
| URBAN CONVALESCENCE |
|
| VOICES FROM THE OTHER WORLD |
|
WILLIAM STANLEY MERWIN: |
| DACHAU SHOE |
|
| DRUNK IN THE FURNACE |
|
| FOR THE ANNIVERSARY OF MY DEATH |
|
| LAST ONE |
|
| RIVER OF BEES |
|
| SEPARATION |
|
| THE ASIANS DYING |
|
ROBERT MEZEY: |
| TO PHILIP LEVINE, ON THE DAY OF ATONEMENT |
|
EDNA ST. VINCENT MILLAY: |
| ARMENONVILLE |
|
| DIRGE WITHOUT MUSIC |
|
| ELEGY BEFORE DEATH |
|
| FIRST FIG |
|
| JUSTICE DENIED IN MASSACHUSETTS |
|
| RECUERDO |
|
| RENASCENCE |
|
| SECOND FIG |
|
| SONNET: 1 |
|
| SONNET: 11 |
|
| SONNET: 2 |
|
| SONNET: 3 |
|
| SONNET: 4 |
|
| SONNET: 41 |
|
| SONNET: 5 |
|
| THE PHILOSOPHER |
|
VASSAR MILLER: |
| END AND THE BEGINNING |
|
CZESLAW MILOSZ: |
| DEDICATION |
|
JOHN MILTON: |
| ARCADES |
|
| AT A SOLEMN MUSIC |
|
| COMUS |
|
| EPITAPH ON THE ADMIRABLE DRAMATIC POET, WILLIAM SHAKESPEARE |
|
| IL PENSEROSO |
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| L'ALLEGRO |
|
| LYCIDAS |
|
| ON HIS BEING [OR, HAVING] ARRIVED AT THE AGE OF TWENTY-THREE |
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| ON THE MORNING OF CHRIST'S NATIVITY |
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| ON THE NEW FORCES OF CONSCIENCE UNDER THE LONG PARLIAMENT |
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| ON THE PLATONIC IDEA, AS IT WAS UNDERSTOOD BY ARISTOTLE |
|
| ON THE UNIVERSITY CARRIER |
|
| ON TIME |
|
| PARADISE LOST (COMPLETE) |
|
| PARADISE LOST: BOOK 1 |
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| PARADISE REGAINED |
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| SAMSON AGONISTES |
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| SONNET: 10. TO THE LADY MARGARET LEY |
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| SONNET: 11. ON THE DETRACTION FOLLOWED MY WRITING TREATISES |
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| SONNET: 12. ON THE DETRACTION FOLLOWED MY WRITING TREATISES (2) |
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| SONNET: 13. TO MR. H. LAWES, ON HIS AIRS |
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| SONNET: 14. ON THE RELIGIOUS MEMORY OF CATHERINE THOMASON |
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| SONNET: 15. TO THE LORD GENERAL FAIRFAX |
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| SONNET: 16. TO THE LORD GENERAL CROMWELL, MAY 1652 |
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| SONNET: 18. ON THE LATE MASSACRE IN PIEDMONT |
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| SONNET: 19. ON HIS BLINDNESS |
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| SONNET: 21. TO CYRIACK SKINNER |
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| SONNET: 23. ON HIS DECEASED WIFE |
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| SONNET: 8. WHEN THE ASSAULT WAS INTENDED TO THE CITY |
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| SONNET: 9. TO A VIRTUOUS YOUNG LADY |
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ALEXANDER MONTGOMERIE: |
| ADIEU TO HIS MISTRESS |
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| ADMONITION TO YOUNG LASSES |
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| AWAY VANE WORLD |
|
| BANKIS OF HELICON |
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| MAY-MORN AND CUPID, FR. THE CHERRY AND THE SLAE |
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| THE NIGHT [NICHT] IS NEAR [NIGH] GONE |
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| TO HENRY CONSTABLE AND HENRY KEIR |
|
WILLIAM VAUGHN MOODY: |
| AN ODE IN TIME OF HESITATION |
|
| GLOUCESTER MOORS |
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| ON A SOLDIER FALLEN IN THE PHILIPPINES |
|
| THE DAGUERREOTYPE |
|
MARIANNE MOORE: |
| A GRAVE |
|
| A JELLYFISH |
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| AN OCTOPUS |
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| BIRD-WITTED |
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| JERBOA |
|
| MARRIAGE |
|
| NEVERTHELESS |
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| POETRY |
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| SILENCE |
|
| THE FISH |
|
| THE MIND IS AN ENCHANTING THING |
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| THE STEEPLE-JACK |
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| TO A SNAIL |
|
| WHAT ARE YEARS? |
|
THOMAS MOORE: |
| BELIEVE ME, IF ALL THOSE ENDEARING YOUNG CHARMS |
|
| THE HARP |
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| THE LAST ROSE OF SUMMER |
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| THE LIGHT OF OTHER DAYS |
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| THE MEETING OF THE WATERS |
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| THE MINSTREL BOY |
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THOMAS STURGE MOORE: |
| BEAUTY |
|
| BLACK AND TAN REPRAISALS |
|
| CENTAUR'S BOOTY |
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| DANAE |
|
| HOME RULE |
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| SEA IS KIND (THE GOATHERD AND SHEPHERD) |
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| SEA IS KIND (THE NYMPHS) |
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THOMAS MORE: |
| A LAMENTATION OF QUEEN ELIZABETH |
|
| AN ARGUMENT |
|
| THE KISS |
|
CHRISTOPHER DARLINGTON MORLEY: |
| A CHARM; FOR OUR NEW FIREPLACE TO STOP ITS SMOKING |
|
HILDA MORLEY: |
| HANUKKAH |
|
| NEW YORK SUBWAY |
|
WILLIAM MORRIS (1834-1896): |
| A DEATH SONG |
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| A GOOD KNIGHT IN PRISON |
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| CHAPEL IN LYONESS |
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| CONCERNING GEFFRAY TESTE NOIRE |
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| DEATH OF PARIS |
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| EARTHLY PARADISE |
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| FOR THE BRIAR ROSE |
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| GOLDEN WINGS |
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| LOVE IS ENOUGH |
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| THE BLUE CLOSET |
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| THE DAY IS COMING |
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| THE DEFENCE OF GUENEVERE |
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| THE HAYSTACK IN THE FLOODS |
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| THE MESSAGE OF THE MARCH WIND |
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| THE TUNE OF SEVEN TOWERS |
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| TWO RED ROSES ACROSS THE MOON |
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| VOICE OF TOIL |
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PAUL MULDOON: |
| HAY |
|
| MEETING THE BRITISH |
|
| MULES |
|
| YARROW |
|
CONSTANCE CAROLINE WOODHILL NADEN: |
| SONNET: ANDREW MARVELL'S 'DEFINITION OF LOVE' |
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SAROJINI NAIDU: |
| A CHALLENGE TO FATE |
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| AN ANTHEM OF LOVE |
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| CHAMPAK BLOSSOMS |
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| IN REMEMBRANCE (VIOLET CLARKE - DIED MARCH 21, 1909) |
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| POET TO DEATH |
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CAROLINA OLIPHANT NAIRNE: |
| CALLER HERRIN' |
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| CHARLIE IS MY DARLING |
|
| THE LAIRD O' COCKPEN |
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| THE LAND O' THE LEAL |
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| THE PLOUGHMAN |
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| THE ROWAN TREE |
|
OGDEN NASH: |
| ADVENTURES OF ISABEL |
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| CELERY |
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| COLUMBUS |
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| GERM |
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| INTROSPECTIVE REFLECTION |
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| KIND OF AN ODE TO DUTY |
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| LAMA |
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| MARRIAGE: A WORD TO HUSBANDS |
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| PEOPLE UPSTAIRS |
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| PURIST |
|
| REFLECTIONS ON ICE-BREAKING |
|
| SONG OF THE OPEN ROAD |
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| THE COW |
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| THE OCTOPUS |
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| THE PANTHER |
|
| THIS IS GOING TO HURT JUST A LITTLE BIT |
|
THOMAS NASHE: |
| SUMMER'S LAST WILL AND TESTAMENT: SPRING |
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MARILYN NELSON: |
| CANTICLE FOR ABBA JACOB |
|
| DIVERNE'S HOUSE |
|
| EMILY DICKINSON'S DEFUNCT |
|
| FORTUNATE SPILL |
|
| INTERMEZZO |
|
| JUNETEENTH |
|
| MINOR MIRACLE |
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| SOLITUDE IN SOWETO |
|
| STRANGE BEAUTIFUL WOMAN |
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HOWARD NEMEROV: |
| A PRIMER OF THE DAILY ROUND |
|
| BECAUSE YOU ASKED ABOUT THE LINE BETWEEN PROSE AND POETRY |
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| CONSENT |
|
| GUIDE TO THE RUINS |
|
| LEARNING BY DOING |
|
| THE BLUE SWALLOWS |
|
| THE GOOSE FISH |
|
| THE VACUUM |
|
| THE WAR IN THE AIR |
|
EDITH BLAND NESBIT: |
| INVOCATION |
|
| SLEEP, MY TREASURE |
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| ST. VALENTINE'S DAY |
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AGOSTINHO NETO: |
| AFRICAN POEM |
|
| GRIEVED LANDS |
|
JOHN NEWTON: |
| FAITH'S REVIEW AND EXPECTATION |
|
| THE NAME OF JESUS |
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JOHN FREDERICK NIMS: |
| ISAIAH'S COAL |
|
| ISHTAR |
|
| LOVE POEM |
|
| NATIONE NON MORIBUS (1265-1321) |
|
| OCCASIONS OF GRACE AT A POETRY READING |
|
| VERSE TRANSLATOR |
|
ALICE NOTLEY: |
| ...I THOUGHT SHE WAS GOING TO BE A GHOST STORY |
|
| APRIL NOT AN INVENTORY BUT A BLIZZARD |
|
| DARK THOUGHT |
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| HOW SPRING COMES |
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| I THE PEOPLE |
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| JACK WOULD SPEAK THROUGH THE IMPERFECT MEDIUM OF ALICE |
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| LADY POVERTY |
|
| LANA TURNER AT VERSAILLES |
|
| MACHO DAISY DUCK |
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ALFRED NOYES: |
| THE HIGHWAYMAN |
|
NAOMI SHIHAB NYE: |
| ARABIC COFFEE |
|
| BURNING |
|
| CROSS THAT LINE |
|
| DIFFERENT WAYS TO PRAY |
|
| FAMOUS |
|
| GATE A-4 |
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| JERUSALEM (1) |
|
| KINDNESS |
|
| ONE BOY TOLD ME |
|
| PAKISTAN WITH OPEN ARMS |
|
| RED BROCADE |
|
| THE ART OF DISAPPEARING |
|
FRANK O'HARA (1926-1966): |
| POEM (TO JAMES SCHUYLER) |
|
| THE DAY LADY DIED |
|
SHARON OLDS: |
| I GO BACK TO MAY 1937 |
|
| SEX WITHOUT LOVE |
|
| THE SUMMER-CANP BUS PULLS AWAY FROM THE CURB |
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MARY OLIVER: |
| AT BLACK RIVER |
|
| AT BLACKWATER POND |
|
| AT GREAT POND |
|
| AUGUST |
|
| FINCHES |
|
| FOXES IN WINTER |
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| IN BLACKWATER WOODS |
|
| MEETING |
|
| THE JOURNEY |
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| THE SUMMER DAY |
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| THE SWAN |
|
| WHEN DEATH COMES |
|
| WHITE-EYES |
|
| WILD GEESE |
|
| WRITING POEMS |
|
MICHAEL ONDAATJE: |
| BEARHUG |
|
| ELIZABETH |
|
| LIGHT |
|
| THE CINNAMON PEELER |
|
| THE FIRST RULE OF SINHALESE ARCHITECTURE |
|
| THE GREAT TREE |
|
| THE SIYABASLAKARA |
|
| THE TIME AROUND SCARS |
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| TO A SAD DAUGHTER |
|
| TO ANURADHAPURA |
|
JOEL OPPENHEIMER: |
| FOR LOUIS ZUKOFSKY 1904-1978 |
|
WILFRED OWEN: |
| ANTHEM FOR DOOMED YOUTH |
|
| DULCE ET DECORUM EST |
|
| STRANGE MEETING |
|
| THE END |
|
THOMAS PARNELL: |
| A NIGHT-PIECE ON DEATH |
|
| THE HERMIT |
|
OCTAVIO PAZ: |
| KEY OF WATER |
|
MOLLY PEACOCK: |
| A HOT DAY IN AGRIGENTO |
|
| LIFE OF LEON BONVIN |
|
| SAY YOU LOVE ME |
|
| THE HAPPY DIARY |
|
| VOGUE VISTA |
|
PETRARCH: |
| SONNETS TO LAURA IN LIFE: 109 |
|
| SONNETS TO LAURA IN LIFE: 156 |
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KATHERINE PHILIPS: |
| A COUNTRY LIFE |
|
| ON ROSANIA'S APOSTASY, AND LUCASIA'S FRIENDSHIP |
|
| ON THE NUMEROUS ACCESSE OF THE ENGLISH TO WAITE |
|
| TO MY ANTENOR, MARCH 16, 1661/2 |
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PHILOSTRATUS: |
| SONG: TO CELIA |
|
MARGE PIERCY: |
| A WORK OF ARTIFACE |
|
| ATTACK OF THE SQUASH PEOPLE |
|
| BARBIE DOLL |
|
| COMMON LIVING DIRT |
|
| FOR THE YOUNG WHO WANT TO |
|
| INTERSPECIES |
|
| LOVING THE CRONE |
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| RETURNING TO THE CEMETERY IN THE OLD PRAGUE GHETTO |
|
| SEXUAL SELECTION AMONG BIRDS |
|
| THE ART OF BLESSING THE DAY |
|
| THE CHUPPAH |
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| THE SECRETARY CHANT |
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| TO BE OF USE |
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| TO HAVE WITHOUT HOLDING |
|
| TRAVELING DREAM |
|
| WHAT ARE BIG GIRLS MADE OF? |
|
| WHAT'S THAT SMELL IN THE KITCHEN |
|
| YOUR FATHER'S FOURTH HEART ATTACK |
|
JOHN PIERPONT: |
| THE FUGITIVE SLAVE'S APOSTROPHE TO THE NORTH STAR |
|
| THE PILGRIM FATHERS |
|
ROBERT PINSKY: |
| 1. FLIGHT |
|
| 2. THE STARGAZERS |
|
| AN EXPLANATION OF AMERICA |
|
| CITY ELEGIES |
|
| DISCRETIONS OF ALCIBIADES |
|
| GULF MUSIC |
|
| IMPOSSIBLE TO TELL |
|
| ISAAC LEYBUSH PERETZ |
|
| JERSEY RAIN |
|
| SAMURAI SONG |
|
| SHIRT |
|
| THE CITY DARK |
|
| THE FIGURED WHEEL |
|
| THE NIGHT GAME |
|
| THE WANT BONE |
|
| TO TELEVISION |
|
SYLVIA PLATH: |
| ARIEL |
|
| BLACK ROOK IN RAINY WEATHER |
|
| BLACKBERRYING |
|
| CHILD |
|
| DADDY |
|
| EDGE |
|
| KINDNESS |
|
| LADY LAZARUS |
|
| MIRROR |
|
| MORNING SONG |
|
| THE COLOSSUS |
|
| TULIPS |
|
STANLEY PLUMLY: |
| AFTER WHISTLER |
|
| AGAINST STARLINGS |
|
| AUTUMNAL |
|
| COMMELINA VIRGINICA |
|
| CONSTABLE'S CLOUDS FOR KEATS |
|
| FARRAGUT NORTH |
|
| GLENN GOULD |
|
| INFIDELITY |
|
| SUMMER CELESTIAL |
|
| WHITE BIBLE |
|
PO CHU-YI: |
| A DREAM OF MOUNTAINEERING |
|
EDGAR ALLAN POE: |
| A DREAM WITHIN A DREAM |
|
| ANNABEL LEE |
|
| THE CITY IN THE SEA |
|
| THE RAVEN |
|
| TO HELEN (1) |
|
| TO HELEN (2) |
|
VASKO POPA: |
| ST. SAVA'S JOURNEY |
|
ALEXANDER POPE: |
| AN ESSAY ON CRITICISM |
|
| AN ESSAY ON MAN |
|
| ELEGY TO THE MEMORY OF AN UNFORTUNATE LADY |
|
| ELOISA TO ABELARD |
|
| EPISTLE TO DR. ARBUTHNOT |
|
| EPISTLE TO MISS TERESA BLOUNT, ON HER LEAVING THE TOWN |
|
| EPISTLE TO MR. JERVAS, WITH FRESNOY'S ART OF PAINTING |
|
| INSCRIPTION ON A GROTTO OF SHELLS AT CRUX-EASTON |
|
| MORAL ESSAYS: EPISTLE 1. TO RICHARD TEMPLE, VISCOUNT COBHAM |
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| MORAL ESSAYS: EPISTLE 2. TO A LADY: OF THE CHARACTERS OF WOMEN |
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| MORAL ESSAYS: EPISTLE 3. TO ALLEN LORD BATHURST |
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| MORAL ESSAYS: EPISTLE 4. TO RICHARD BOYLE, EARL BURLINGTON |
|
| ODE ON SOLITUDE (FINAL PRINTED VERSION) |
|
| ON A CERTAIN LADY AT COURT |
|
| THE DUNCIAD |
|
| THE RAPE OF THE LOCK |
|
| WINDSOR FOREST |
|
EZRA POUND: |
| A GIRL |
|
| CANTO 1 |
|
| CANTO 1 (1917) |
|
| CANTO 115 |
|
| CANTO 13 |
|
| CANTO 16 |
|
| CANTO 2 (1917) |
|
| CANTO 3 |
|
| CANTO 3 (1917) |
|
| CANTO 4 |
|
| CANTO 45 |
|
| IN A STATION OF THE METRO |
|
JOHN COWPER POWYS: |
| A DANIEL COME TO JUDGMENT |
|
| AFTER READING WILLIAM BLAKE |
|
| BLASPHEMY |
|
| CORPUS, CAMBRIDGE |
|
| DAFFODILS |
|
| EARTH-WORSHIP |
|
| EUTHANASIA |
|
| METAPHYSIC |
|
| ODE TO PROSERPINE |
|
| RENAISSANCE |
|
| REQUIESCAT IN PACE |
|
| THE NEW MAGDALENE |
|
JACK PRELUTSKY: |
| A VALENTINE FOR MY TEACHER |
|
| AS SOON AS FRED GETS OUT OF BED |
|
| BE GLAD YOUR NOSE IS ON YOUR FACE |
|
| BLEEZER'S ICE CREAM |
|
| IT'S HALLOWEEN |
|
FRANK TEMPLETON PRINCE: |
| AT A PARADE |
|
| BABIAANTJE |
|
| CHAKA |
|
| EPISTLE TO A PATRON |
|
| SOLDIERS BATHING |
|
| STRAFFORD |
|
| THE TEARS OF A MUSE IN AMERICA |
|
MATTHEW PRIOR: |
| A BETTER ANSWER (TO CHLOE JEALOUS) |
|
| A FABLE |
|
| A LETTER TO LADY [MISS] MARGARET-CAVANDISH-HOLLES-HARLEY, WHEN A CHILD |
|
| A LOVER'S ANGER |
|
| AN ENGLISH PADLOCK |
|
| CUPID AND GANYMEDE |
|
| HANS CARVEL |
|
| ON MY BIRTHDAY, JULY 21 |
|
| THE COUNTESS DOWAGER OF DEVONSHIRE |
|
| THE DOVE |
|
| THE FEMALE PHAETON |
|
| THE GARLAND |
|
| THE LADLE |
|
| THE LADY'S LOOKING-GLASS |
|
| THE OLD GENTRY |
|
| THE SECRETARY; WRITTEN AT THE HAGUE, 1696 |
|
| THE THIEF AND THE CORDELIER |
|
| THE TURTLE AND SPARROW |
|
| TO A YOUNG GENTLEMAN IN LOVE |
|
| TO MR HARLEY, WOUNDED BY GUISCARD |
|
HENRY JAMES PYE: |
| AEROPHORION: THE AIR BALLOON |
|
| FOR THE KING'S BIRTHDAY 1794 |
|
| FOR THE NEW YEAR 1791 |
|
| FOR THE NEW YEAR 1806 |
|
| PROLOGUE INTENDED FOR 'VORTIGERN' |
|
FRANCIS QUARLES: |
| EMBLEM: 3 |
|
| THE VANITY OF THE WORLD |
|
WALTER RALEIGH: |
| A POEM ENTREATING OF SORROW |
|
| FAREWELL TO THE COURT |
|
| HIS PETITION TO QUEEN ANNE OF DENMARK (1618) |
|
| IN COMMENDATION OF GEORGE GASCOIGNE'S STEEL GLASS (1576) |
|
| ON THE SNUFF OF A CANDLE, THE NIGHT BEFORE HE DIED |
|
| THE AUTHOR'S EPITAPH, MADE BY HIMSELF |
|
| THE LIE |
|
| THE NYMPH'S REPLY TO THE SHEPHERD |
|
| THE PASSIONATE MAN'S PILGRIMAGE |
|
| TO HIS MISTRESS |
|
| WALSINGHAM |
|
ALLAN RAMSAY: |
| AN ODE TO MR. FORBES |
|
THOMAS RANDOLPH: |
| A COMPLAINT AGAINST CUPID, THAT HE NEVER MADE HIM IN LOVE |
|
| A PASTORAL COURTSHIP |
|
| AN ANSWER TO BEN JONSON'S ODE, TO PERSUADE HIM NOT TO LEAVE THE STAGE |
|
| IN PRAISE OF WOMEN IN GENERAL |
|
| TO MASTER JAMES SHIRLEY ON HIS GRATEFUL SERVANT |
|
WILLIAM BRIGHTY RANDS: |
| THE PEDDLER'S CARAVAN |
|
CLAUDIA RANKINE: |
| AFTER DAVID HAMMONS |
|
| DON'T LET ME BE LONELY (1) |
|
| DON'T LET ME BE LONELY (2) |
|
| HIM |
|
| PROXIMITY OF CLOCK TO LOCK |
|
| VERY CLOSE TO MY WORLD |
|
JOHN CROWE RANSOM: |
| BELLS FOR JOHN WHITESIDE'S DAUGHTER |
|
| PIAZZA PIECE |
|
DAVID RAY: |
| CROSS IN NEW ZEALAND |
|
| THANKS, ROBERT FROST |
|
| VOYAGE OUT: LIVERPOOL TO PORT CHALMERS, N.Z., 1863 |
|
| WALKING ON SHORE: VILLANELLE |
|
| YOUNG STANLEY |
|
RICHARD REALF: |
| THE DEFENSE OF LAWRENCE [SEPTEMBER 14, 1856] |
|
HENRY REED: |
| LESSONS OF THE WAR: 1. NAMING OF PARTS |
|
| LESSONS OF THE WAR: 2. JUDGING DISTANCES |
|
| LESSONS OF THE WAR: 3. UNARMED COMBAT |
|
SADANAND REGE: |
| OLD LEAVES FROM THE CHINESE EARTH |
|
KENNETH REXROTH: |
| A LETTER TO WILLIAM CARLOS WILLIAMS |
|
| ASPEN MEADOWS |
|
| AUTUMN IN CALIFORNIA |
|
| LOVE POEMS OF MARICHIKO (COMPLETE) |
|
| MISSISSIPPI RIVER |
|
| ON WHAT PLANET |
|
| REQUIEM FOR THE SPANISH DEAD [OR, THE DEAD IN SPAIN] |
|
| THE BAD OLD DAYS |
|
| THE HEART'S GARDEN, THE GARDEN'S HEART (COMPLETE) |
|
| THE PHOENIX AND THE TORTOISE |
|
| THE SIGNATURE OF ALL THINGS |
|
| WHEN WE WITH SAPPHO |
|
NEFTALI RICARDO REYES BASUALTO: |
| DEAD GALLOP |
|
| ODE TO MY SOCKS |
|
| THE WIDOWER'S TANGO |
|
CHARLES REZNIKOFF: |
| BY THE WELL OF LIVING AND SEEING (1 - 28) |
|
| I SAW HIM WALKING ALONE SLOWLY AT NIGHT |
|
| JERUSALEM THE GOLDEN (1) |
|
| MASSACRES |
|
| NEW NATION |
|
| NIGHT-PIECE |
|
| SLAVE TRADE: NEW ORLEANS |
|
| TE DEUM |
|
| THE BREAD HAS BECOME MOLDY |
|
ADRIENNE CECILE RICH: |
| A VALEDICTION FORBIDDING MOURNING |
|
| AT THE JEWISH NEW YEAR |
|
| ATLAS OF THE DIFFICULT WORLD: 1 |
|
| AUNT JENNIFER'S TIGERS |
|
| CARTOGRAPHIES OF SILENCE |
|
| DIVING INTO THE WRECK |
|
| DOUBLE MONOLOGUE |
|
| FINAL NOTATIONS |
|
| LIVING IN SIN |
|
| PHANTASIA FOR ELVIRA SHATAYEV |
|
| PLANETARIUM |
|
| PROSPECTIVE IMMIGRANTS PLEASE NOTE |
|
| SCHOOL AMONG THE RUINS |
|
| SNAPSHOTS OF A DAUGHTER-IN-LAW |
|
| STORM WARNINGS |
|
| TRANSCENDENTAL ETUDE |
|
| TWENTY-ONE LOVE POEMS: 11 |
|
| WILL TO CHANGE: 1. |
|
| YOM KIPPUR 1984 |
|
ALBERTO ALVARO RIOS: |
| MADRE SOFIA |
|
AGNES MARY F. ROBINSON: |
| A BALLAD OF ORLEANS (1429) |
|
| ETRUSCAN TOMBS |
|
EDWIN ARLINGTON ROBINSON: |
| LUKE HAVERGAL |
|
| MINIVER CHEEVY |
|
| MR. FLOOD'S PARTY |
|
| RICHARD CORY |
|
MARY DARBY ROBINSON: |
| THE HAUNTED BEACH |
|
| THE LADY OF THE BLACK TOWER |
|
SELDEN RODMAN: |
| V-LETTER TO KARL SHAPIRO IN AUSTRALIA |
|
THEODORE ROETHKE: |
| A WHEEZE FOR WYSTAN |
|
| AGAINST DISASTER |
|
| BIG WIND |
|
| BOUND |
|
| CHILD ON TOP OF A GREENHOUSE |
|
| DOLOR |
|
| ELEGY FOR JANE |
|
| FOR AN AMOROUS LADY |
|
| FRAU BAUMAN, FRAU SCHMIDT, AND FRAU SCHWARTZE |
|
| FUGITIVE |
|
| I KNEW A WOMAN |
|
| IN A DARK TIME |
|
| INFIRMITY |
|
| LONG LIVE THE WEEDS |
|
| MY PAPA'S WALTZ |
|
| NIGHT JOURNEY |
|
| ORCHIDS |
|
| PICKLE BELT |
|
| ROOT CELLAR |
|
| SONG FOR THE SQUEEZE BOX |
|
| THE ALLIGATOR |
|
| THE BAT |
|
| THE CHAIR |
|
| THE DREAM |
|
| THE HERON |
|
| THE HIPPO |
|
| THE LIZARD |
|
| THE LOST SON |
|
| THE MINIMAL |
|
| THE REMINDER |
|
| THE SLOTH |
|
| THE SMALL |
|
| THE SNAKE |
|
| THE STORM |
|
| THE VISITANT |
|
| THE WAKING |
|
| TRANSPLANTING |
|
| WEED PULLER |
|
| WISH FOR A YOUNG WIFE |
|
MICHAEL J. ROSEN: |
| CONSENTING: ON WILLIAM MEREDITH |
|
ISAAC ROSENBERG: |
| A BALLAD OF WHITECHAPEL |
|
| BREAK OF DAY IN THE TRENCHES |
|
| DEAD MAN'S DUMP |
|
CHRISTINA GEORGINA ROSSETTI: |
| A BIRTHDAY |
|
| A CHRISTMAS CAROL (1) |
|
| A FISHER'S-WIFE |
|
| A LIFE'S PARALLELS |
|
| A ROYAL PRINCESS |
|
| ADVENT SUNDAY |
|
| AN APPLE GATHERING |
|
| AN ECHO FROM WILLOW-WOOD |
|
| COUSIN KATE |
|
| DREAM LAND |
|
| GOBLIN MARKET |
|
| HOPE IN GRIEF |
|
| HOPE IS THE COUNTERPOISE OF FEAR |
|
| IN AN ARTIST'S STUDIO |
|
| MAY (1) |
|
| MIRRORS OF LIFE AND DEATH |
|
| REMEMBER |
|
| REST |
|
| RESURGAM |
|
| SONG (10) |
|
| THE BOURNE |
|
| THE WORLD |
|
| TWICE |
|
| UP-HILL |
|
| WINTER: MY SECRET |
|
DANTE GABRIEL ROSSETTI: |
| SISTER HELEN |
|
| THE BLESSED DAMOZEL |
|
| THE HOUSE OF LIFE: JENNY |
|
| THE KING'S TRAGEDY |
|
| THE STREAM'S SECRET |
|
NICHOLAS ROWE: |
| COLIN'S COMPLAINT |
|
| FOR THE KING'S BIRTHDAY 1718 |
|
| FOR THE NEW YEAR 1716 |
|
| THE CONTENTED SHEPHERD |
|
MARY RUEFLE: |
| LAST ON EARTH |
|
CARROLL RYAN: |
| ABERCROMBIE'S GRAVE |
|
KAY RYAN: |
| BLANDEUR |
|
| FLAMINGO WATCHING |
|
| HOME TO ROOST |
|
| NIAGARA RIVER |
|
| PAIRED THINGS |
|
| SHARKS' TEETH |
|
| SONNET TO SPRING |
|
| THE EDGES OF TIME |
|
| TURTLE |
|
SONIA SANCHEZ: |
| A LOVE POEM WRITTEN FOR STERLING BROWN |
|
| A PRAISE POEM FOR NINA SIMONE |
|
| A/COLTRANE/POEM |
|
| BLACK MAGIC |
|
| DEPRESSION |
|
| HOMECOMING |
|
| POEM FOR SOME WOMEN |
|
| SOUTH AFRICAN TANKA |
|
| THIS IS NOT A SMALL VOICE |
|
| TO ANITA |
|
| WOUNDED IN THE HOUSE OF A FRIEND |
|
CARL SANDBURG: |
| CHICAGO |
|
| FOG |
|
| HAWTHORNE |
|
GEORGE SANTAYANA: |
| MODERN PARAPHRASE OF SHAKESPEARE'S SONNET 29 |
|
| ON THE THREE PHILOSOPHICAL POETS |
|
| SONNET (3) |
|
SIEGFRIED SASSOON: |
| A LETTER HOME (TO ROBERT GRAVES) |
|
JOHN GODFREY SAXE: |
| THE VANITY OF HUMAN WISHES |
|
JOHANN CHRISTOPH FRIEDRICH VON SCHILLER: |
| THE GLOVE |
|
JAMES SCHUYLER: |
| FEBRUARY |
|
| HYMN TO LIFE |
|
| KOREAN MUMS |
|
| MORNING OF THE POEM |
|
| NEW YORKER |
|
| PAYNE WHITNEY POEMS: ARCHES |
|
| PAYNE WHITNEY POEMS: BACK |
|
| PAYNE WHITNEY POEMS: HEATHER AND CALENDULAS |
|
| RED BRICK AND BROWN STONE |
|
| SALUTE |
|
| STONE KNIFE |
|
| SWEET ROUMANIAN TONGUE |
|
| THE CRYSTAL LITHIUM |
|
DELMORE SCHWARTZ: |
| ABRAHAM |
|
| CALMLY WE WALK THROUGH THIS APRIL'S DAY |
|
| CHAPLIN UPON THE CLIFF, DINING ALONE |
|
| DURING DECEMBER'S DEATH |
|
| FAR ROCKAWAY |
|
| IN THE NAKED BED, IN PLATO'S CAVE |
|
| THE BALLAD OF THE CHILDREN OF THE CZAR |
|
WALTER SCOTT: |
| AT FLODDEN; A FRAGMENT |
|
| BORDER BALLAD [OR MARCH, OR SONG], FR. THE MONASTERY |
|
| CADYOW CASTLE |
|
| HELVELLYN |
|
| HIS FIRST LINES (PRESERVED BY HIS MOTHER) |
|
| LIFE IN THE FOREST |
|
| PROUD MAISIE, FR. THE HEART OF MIDLOTHIAN |
|
| THE BOOK OF BOOKS |
|
| THE VISION OF DON RODERICK |
|
WILLIAM BELL SCOTT: |
| PYGMALION |
|
| THE NORNS WATERING YGGDRASILL (FOR A PICTURE) |
|
ROBERT WILLIAM SERVICE: |
| THE CALL OF THE WILD |
|
| THE CREMATION OF SAM MCGEE |
|
| THE LAW OF THE YUKON |
|
| THE SHOOTING OF DAN MCGREW |
|
| THE SONG OF THE WAGE-SLAVE |
|
| THE SPELL OF THE YUKON |
|
ANNE SEXTON: |
| CINDERELLA |
|
| FOR MY LOVER, RETURNING TO HIS WIFE |
|
| HER KIND |
|
| RINGING THE BELLS |
|
| SYLVIA'S DEATH |
|
| THE ABORTION |
|
| THE STARRY NIGHT |
|
| THE TRUTH THE DEAD KNOW |
|
| WANTING TO DIE |
|
THOMAS SHADWELL: |
| FOR QUEEN MARY'S BIRTHDAY 1691 |
|
| ON HIS MAJESTY'S CONQUESTS IN IRELAND |
|
| SONG |
|
| THE LANCASHIRE WITCHES |
|
WILLIAM SHAKESPEARE: |
| SONNET: 1 |
|
| SONNET: 106 |
|
| SONNET: 107 |
|
| SONNET: 116 |
|
| SONNET: 12 |
|
| SONNET: 127 |
|
| SONNET: 129 |
|
| SONNET: 130 |
|
| SONNET: 138 |
|
| SONNET: 141 |
|
| SONNET: 144 |
|
| SONNET: 146 |
|
| SONNET: 147 |
|
| SONNET: 148 |
|
| SONNET: 18 |
|
| SONNET: 20 |
|
| SONNET: 29 |
|
| SONNET: 30 |
|
| SONNET: 55 |
|
| SONNET: 65 |
|
| SONNET: 71 |
|
| SONNET: 73 |
|
| SONNET: 76 |
|
| SONNET: 94 |
|
KARL SHAPIRO: |
| AN ANNIVERSARY FOR F. O. MATTHIESSEN |
|
| ATTENTION OF HYMEN |
|
| AUTO WRECK |
|
| BOURGEOIS POET |
|
| ELEGY FOR A DEAD SOLDIER |
|
| FRENCH POETRY |
|
| ON READING KEATS IN WAR TIME |
|
| SOUTHERNER |
|
| SUNDAY: NEW GUINEA |
|
| TENNYSON |
|
| THE CONSCIENTIOUS OBJECTOR |
|
| THE INTELLECTUAL |
|
| THE OLD HORSEFLY |
|
| UNIVERSITY |
|
| V-LETTER |
|
| VIETNAM MEMORIAL |
|
PERCY BYSSHE SHELLEY: |
| ADONAIS; AN ELEGY ON THE DEATH OF JOHN KEATS |
|
| ENGLAND IN 1819 |
|
| LOVE'S PHILOSOPHY |
|
| ODE TO THE WEST WIND |
|
| OZYMANDIAS |
|
| STANZAS WRITTEN IN DEJECTION, NEAR NAPLES |
|
| THE MASK OF ANARCHY; WRITTEN ON OCCASION OF MASSACRE AT MANCHESTER |
|
| TO - (1) |
|
| TO A SKYLARK |
|
MERLE KULOW SHERRILL: |
| THE FAILURE |
|
JAMES SHIRLEY: |
| A SONG OF NUNS |
|
| CUPID UNGODDED |
|
| DEATH THE LEVELLER, FR. THE CONTENTION OF AJAX AND ULYSSES |
|
| LOVE'S HUE AND CRY |
|
DORA SIGERSON SHORTER: |
| THE BANSHEE |
|
| THE BARD OF BREFFNEY |
|
| THE FAIRY CHANGELING |
|
| THE FAIRY THORN-TREE |
|
PHILIP SIDNEY: |
| ARCADIA: CORRELATIVE VERSE |
|
| ARCADIA: SESTINA |
|
| ARCADIA: SOLITARINESS |
|
| ARCADIA: THE BARGAIN |
|
| ASTROPHEL AND STELLA: 1 |
|
| KYNGE DAVID, HYS LAMENTE OVER THE BODYES OF KYNGE SAUL OF ISRAEL |
|
| SONNET: 1 |
|
| SONNET: 16. IN ANSWER TO SIR EDWARD DYER |
|
| SONNET: 30 |
|
| THE NIGHTINGALE |
|
LYDIA HUNTLEY SIGOURNEY: |
| DEATH OF AN INFANT |
|
| FEMALE EDUCATION; ADDRESSED TO A SOUTH AMERICAN POET |
|
| INDIAN NAMES |
|
| MEETING OF THE SUSQUEHANNA WITH THE LACKAWANA |
|
| NIAGARA |
|
| THE BRIDE |
|
| THE HEART OF THE BRUCE |
|
| THE INDIAN'S WELCOME TO THE PILGRIM FATHERS |
|
SHELBY SILVERSTEIN: |
| ICKLE ME, PICKLE ME, TICKLE ME TOO |
|
| LISTEN TO THE MUSTN'TS |
|
| SARAH CYNTHIA SYLVIA STOUT WOULD NOT TAKE THE GARBAGE OUT |
|
| SICK |
|
| UNICORN |
|
| VOICE |
|
| WHERE THE SIDEWALK ENDS |
|
CHARLES SIMIC: |
| EMPIRE OF DREAMS |
|
| FORK |
|
| MIRRORS AT 4 A.M. |
|
| STONE |
|
| THE WHITE ROOM |
|
| WATERMELONS |
|
| WORLD DOESN'T END, SELS. |
|
LOUIS SIMPSON: |
| AMERICAN POETRY |
|
| IN THE SUBURBS |
|
| LIBERATED CHARACTERS' BALL |
|
| MEMORIES OF A LOST WAR |
|
| MY FATHER IN THE NIGHT COMMANDING NO |
|
| STUMPFOOT ON 42ND STREET |
|
| THE APPOINTMENT |
|
| THE BATTLE |
|
| WALT WHITMAN AT BEAR MOUNTAIN |
|
| WORKING LATE |
|
JOHN SKELTON: |
| A PRAYER TO THE FATHER OF HEAVEN |
|
| BALLADE OF THE SCOTTYSHE KINGE |
|
| LULLAY, LULLAY |
|
| MAGNYFYCENCE: PART 1 |
|
| MAGNYFYCENCE: PART 2 |
|
| MANNERLY MARGERY, MILK AND ALE |
|
| THE AUNCIENT ACQUAINTANCE, MADAM |
|
| THE GIFT OF A SKULL |
|
CHRISTOPHER SMART: |
| A SONG TO DAVID |
|
| JUBILATE AGNO, SELS. |
|
CHARLOTTE SMITH: |
| BEACHY HEAD |
|
| ELEGIAC SONNET: 39. TO NIGHT |
|
| THE EMIGRANTS |
|
FLORENCE MARGARET SMITH: |
| NOT WAVING BUT DROWNING |
|
| THE CELTS |
|
| THE FROG PRINCE |
|
| THOUGHTS ABOUT THE PERSON FROM PORLOCK |
|
WILLIAM DEWITT SNODGRASS: |
| AFTER EXPERIENCE TAUGHT ME |
|
| APRIL INVENTORY |
|
| CAMPUS ON THE HILL |
|
| DE/COMPOSING ANIMAL |
|
| FATHER'S ST. VITUS' DANCE |
|
| HEART'S NEEDLE |
|
| JAUFRE RUDEL: LAN QUAN LI JORN |
|
| LOCKED HOUSE |
|
| MIDNIGHT CARNIVAL: TUNNEL OF ROMANCE |
|
| OLD APPLE TREES |
|
| POET RIDICULED BY HYSTERICAL ACADEMICS |
|
| VALEDICTION |
|
GARY SNYDER: |
| AXE HANDLES |
|
| BENEATH MY HAND AND EYE THE DISTANT HILLS. YOUR BODY |
|
| CALL OF THE WILD |
|
| FOR ALL |
|
| HAY FOR THE HORSES |
|
| MID-AUGUST AT SOURDOUGH MOUNTAIN LOOKOUT |
|
| NIGHT SONG OF THE LOS ANGELES BASIN |
|
| PIUTE CREEK |
|
| RIPRAP |
|
| THE TRAIL IS NOT A TRAIL |
|
GARY SOTO: |
| BLACK HAIR |
|
| HEAVEN |
|
| SHOPPING FOR A WOMAN |
|
| THE ELEMENTS OF SAN JOAQUIN: FIELD |
|
| THE ELEMENTS OF SAN JOAQUIN: SUN |
|
| THE ELEMENTS OF SAN JOAQUIN: WIND |
|
CAROLINE ANNE BOWLES SOUTHEY: |
| THE YOUNG GRAY HEAD |
|
ROBERT SOUTHEY: |
| A BALLAD, SHEWING HOW AN OLD WOMAN RODE DOUBLE AND WHO RODE BEFORE HER |
|
| BALLAD OF YOUNG MAN THAT WOULD READ UNLAWFUL BOOKS & HOW HE WAS PUNISH |
|
| BISHOP HATTO [AND THE RATS] |
|
| DEDICATORY SONNET TO HIS WIFE |
|
| FIRST LANDING OF THE PILGRIMS |
|
| FUNERAL SONG FOR THE PRINCESS CHARLOTTE OF WALES |
|
| KING CHARLEMAGNE |
|
| ODE TO A PIG WHILE HIS NOSE WAS BEING ROASTED |
|
| SONNET TO A PAINTER ATTEMPTING DELIA'S PORTRAIT |
|
| THE BATTLE OF BLENHEIM |
|
| THE CATARACT OF LODORE |
|
| THE COMPLAINTS OF THE POOR |
|
| THE HOLLY TREE |
|
| THE INCHCAPE ROCK |
|
| THE LIBRARY |
|
| THE OLD MAN'S COMFORTS AND HOW HE GAINED THEM |
|
| THE RETROSPECT |
|
| THE SAILOR WHO SERVED IN THE SLAVE-TRADE |
|
| THE SOLDIER'S WIFE |
|
| TO MARY WOLSTONECRAFT |
|
ROBERT SOUTHWELL: |
| A CHILD MY CHOICE |
|
| NEW HEAVEN, NEW WAR |
|
| THE BURNING BABE |
|
WOLE SOYINKA: |
| FUNERAL SERMON, SOWETO |
|
| TELEPHONE CONVERSATION |
|
STEPHEN SPENDER: |
| EPILOGUE TO A HUMAN DRAMA |
|
| FUNERAL |
|
| PYLONS |
|
| THE EXPRESS |
|
| THE LANDSCAPE NEAR AN AERODROME |
|
| THE TRULY GREAT |
|
| WORD |
|
EDMUND SPENSER: |
| AMORETTI: 30 |
|
LEONORA SPEYER: |
| FIDDLER'S FAREWELL |
|
| INDIANS (DEERFIELD MEMORIAL HALL) |
|
WILLIAM EDGAR STAFFORD: |
| A RITUAL TO READ TO EACH OTHER |
|
| ABSENCES |
|
| ALLEGIANCES |
|
| APOLOGIA PRO VITA SUA |
|
| ASK ME |
|
| AT THE UN-NATIONAL MONUMENT ALONG THE CANADIAN BORDER |
|
| BY THE SNAKE RIVER |
|
| DREAM OF NOW |
|
| FOR MY YOUNG FRIENDS WHO ARE AFRAID |
|
| INTRODUCTION TO SOME POEMS |
|
| LIGHT BY THE BARN |
|
| LITTLE WAYS THAT ENCOURAGE GOOD FORTUNE |
|
| OREGON MESSAGE |
|
| THINKING FOR BERKY |
|
| TRAVELING THROUGH THE DARK |
|
| YOU READING THIS, BE READY |
|
ALICE E. STALLINGS: |
| ASPHODEL (AFTER THE WORDS OF PENNY TURNER NYMPHAION GREECE) |
|
| DIRECTOR'S INSTRUCTIONS ON COMEDY |
|
| DOLL HOUSE |
|
| HADES WELCOMES HIS BRIDE |
|
| HOW THE DEMONS WERE ASSIMILATED & BECAME PRODUCTIVE CITIZENS |
|
| LULLABY FOR INSOMNIACS |
|
EDMUND CLARENCE STEDMAN: |
| AARON BURR'S WOOING |
|
| JOHN BROWN OF OSAWATOMIE [OCTOBER 16, 1859] |
|
| PAN IN WALL STREET |
|
| THE HAND OF LINCOLN |
|
GERTRUDE STEIN: |
| STANZAS IN MEDITATION |
|
| SUSIE ASADO |
|
GERALD STERN: |
| BEHAVING LIKE A JEW |
|
| DANCING |
|
| EGG |
|
| IN BEAUTY BRIGHT |
|
| IN MEMORY OF W.H. AUDEN |
|
| LAST BLUE |
|
| LUCKY LIFE |
|
| ONE THING IN LIFE |
|
| RED COAL |
|
| RED COAL |
|
| THIS TIME |
|
WALLACE STEVENS: |
| ANECDOTE OF THE JAR |
|
| PETER QUINCE AT THE CLAVIER |
|
| SUNDAY MORNING |
|
| TEA AT THE PALAZ OF HOON |
|
| THE EMPEROR OF ICE-CREAM |
|
| THE IDEA OF ORDER AT KEY WEST |
|
| THE SNOW MAN |
|
| THIRTEEN WAYS OF LOOKING AT A BLACKBIRD |
|
ANNE STEVENSON: |
| A MARRIAGE |
|
| INHERITING MY GRANDMOTHER'S NIGHTMARE |
|
| THE VICTORY |
|
ROBERT LOUIS STEVENSON: |
| UNDERWOODS: BOOK 1: 21. REQUIEM |
|
MARK STRAND: |
| EATING POETRY |
|
| ELEGY FOR MY FATHER: 1. THE EMPTY BODY |
|
| KEEPING THINGS WHOLE |
|
| THE GARDEN |
|
| THE STORY OF OUR LIVES |
|
| VARIATIONS ON A THEME |
|
JOHN SUCKLING: |
| A BALLAD UPON A WEDDING |
|
| A SESSIONS OF THE POETS |
|
| CONSTANCY |
|
| ON RICHARD THE THIRD SUPPOSED TO BE BURIED UNDER BRIDGE AT LEICESTER |
|
| THE EXPOSTULATION |
|
| TO MY LOVE |
|
| WOMAN'S CONSTANCY |
|
MAY SWENSON: |
| ANALYSIS OF BASEBALL |
|
| CENTAUR |
|
| QUESTION |
|
| THE DNA MOLECULE |
|
JONATHAN SWIFT: |
| A DESCRIPTION OF A CITY SHOWER |
|
| A DESCRIPTION OF THE MORNING |
|
| A SATIRICAL ELEGY ON THE DEATH OF A LATE FAMOUS GENERAL |
|
| IN SICKNESS (1714) |
|
| ON THE DEATH OF DR. SWIFT |
|
ALGERNON CHARLES SWINBURNE: |
| A FORSAKEN GARDEN |
|
| SONNETS ON ENGLISH DRAMATIC POETS: 14. JAMES SHIRLEY |
|
| THE TRIUMPH OF TIME |
|
RANDALL SWINGLER: |
| ACRES OF POWER |
|
| ENVOI |
|
| IN DEATH THE EYES ARE STILL |
|
| LETTER: 1 |
|
| LETTER: 7 |
|
| LETTER: 8 |
|
| POEM |
|
| POSSIBLE |
|
| PRISONER |
|
| SIXTY CUBIC FEET |
|
| STRANGE FIELDS |
|
| SWANS |
|
| THEY LIVE |
|
JOHN ADDINGTON SYMONDS: |
| THE CAMERA OBSCURA |
|
| THE JEWS' CEMETERY ON THE LIDO |
|
| THE SONNET |
|
GARY SYNDER: |
| MID-AUGUST AT SOURDOUGH MOUNTAIN LOOKOUT |
|
WISLAWA SZYMBORSKA: |
| A MOMENT IN TROY |
|
| A TERRORIST IS WATCHING |
|
JOHN BANISTER TABB: |
| THE DIFFERENCE |
|
ROBERT TANNAHILL: |
| JESSIE, THE FLOWER O' DUNBLANE |
|
JAMES TATE: |
| A SHIPWRECKED PERSON |
|
| ABANDONED CONCEPTIONS |
|
| DREAM ON |
|
| HOW THE POPE IS CHOSEN |
|
| I SHOULD HAVE BEEN A TREE |
|
| IN HIS HUT SAT BABA JAGA, HAG-FACED AND WITH A LEG OF CLAY |
|
| INTIMIDATIONS OF AN AUTOBIOGRAPHY |
|
| TEACHING THE APE TO WRITE POEMS |
|
| THE BLUE BOOBY |
|
| THE LOST PILOT |
|
| THE WHEELCHAIR BUTTERFLY |
|
| WITCHES |
|
JOHN ORLEY ALLEN TATE: |
| HORATIAN EPODE TO THE DUCHESS OF MALFI |
|
| INTELLECTUAL DETACHMENT |
|
| MR. POPE |
|
| ODE TO THE CONFEDERATE DEAD |
|
| PARTHENIA |
|
NAHUM TATE: |
| FOR NEW YEAR'S DAY 1698 |
|
| FOR NEW YEAR'S DAY 1703 |
|
| FOR THE KING'S BIRTHDAY 1697 |
|
| SONG OF THE ANGELS AT THE NATIVITY |
|
| TO THE AUTHOR ON HIS EXCELLENT POEMS |
|
BAYARD TAYLOR: |
| BEDOUIN [LOVE] SONG |
|
| THE QUAKER WIDOW |
|
| THE SONG OF THE CAMP |
|
ALFRED TENNYSON: |
| BREAK, BREAK, BREAK |
|
| CROSSING THE BAR |
|
| IDYLLS OF THE KING: DEDICATION |
|
| IN MEMORIAM A.H.H. (COMPLETE) |
|
| LOCKSLEY HALL |
|
| LOCKSLEY HALL SIXTY YEARS AFTER |
|
| MARIANA |
|
| MAUD |
|
| OENONE |
|
| THE BROOK; AN IDYL |
|
| THE CHARGE OF THE HEAVY BRIGADE AT BALACLAVA: THE CHARGE |
|
| THE CHARGE OF THE LIGHT BRIGADE |
|
| THE EAGLE; A FRAGMENT |
|
| THE GRANDMOTHER'S APOLOGY |
|
| THE GRAVE OF A SUICIDE |
|
| THE KRAKEN |
|
| THE LADY OF SHALOTT |
|
| THE LOTOS-EATERS |
|
| THE MAY QUEEN |
|
| THE PRINCESS: SONG |
|
| THE PRINCESS: [BUGLE] SONG |
|
| THE REVENGE; A BALLAD OF THE FLEET |
|
| TITHONUS |
|
| ULYSSES |
|
CELIA LEIGHTON THAXTER: |
| THE SANDPIPER |
|
DYLAN THOMAS: |
| A REFUSAL TO MOURN THE DEATH, BY FIRE, OF A CHILD IN LONDON |
|
| A WINTER'S TALE |
|
| ALTARWISE BY OWL-LIGHT |
|
| BALLAD OF THE LONG-LEGGED BAIT |
|
| CEREMONY AFTER A FIRE RAID |
|
| DEATH AND ENTRANCES |
|
| DO NOT GO GENTLE INTO THAT GOOD NIGHT |
|
| EARS IN THE TURRETS HEAR |
|
| ESPECIALLY WHEN THE OCTOBER WIND |
|
| FERN HILL |
|
| I SEE THE BOYS OF SUMMER |
|
| IN MEMORY OF ANN JONES |
|
| IN MY CRAFT OR SULLEN ART |
|
| LIGHT BREAKS WHERE NO SUN SHINES |
|
| ON THE MARRIAGE OF A VIRGIN |
|
| POEM IN OCTOBER |
|
| THE CONVERSATION OF PRAYER |
|
| THE FORCE THAT THROUGH THE GREEN FUSE DRIVES THE FLOWER |
|
| THE HAND THAT SIGNED THE PAPER FELLED A CITY |
|
| THE HUNCHBACK IN THE PARK |
|
| TWENTY-FOUR YEARS REMIND THE TEARS OF MY EYES |
|
PHILIP EDWARD THOMAS: |
| ADLESTROP |
|
| ASPENS |
|
| MELANCHOLY |
|
| OLD MAN |
|
| OUT IN THE DARK OVER THE SNOW |
|
| RAIN |
|
| TALL NETTLES |
|
| THE CHERRY TREES |
|
| THE SUN USED TO SHINE |
|
FRANCIS THOMPSON: |
| A CORYMBUS FOR AUTUMN |
|
| AT LORD'S [CRICKET GROUND] |
|
| THE HOUND OF HEAVEN |
|
| THE KINGDOM OF GOD |
|
| THE MISTRESS OF VISION |
|
| TO A SNOWFLAKE |
|
JAMES THOMSON (1700-1748): |
| THE CASTLE OF INDOLENCE: CANTO 1 |
|
| THE CASTLE OF INDOLENCE: CANTO 2 |
|
| THE SEASONS: AUTUMN |
|
JAMES THOMSON (1834-1882): |
| THE CITY OF DREADFUL NIGHT: PROEM |
|
| WILLIAM BLAKE |
|
HENRY DAVID THOREAU: |
| MUSIC |
|
| POVERTY |
|
| SIC VITA |
|
CHIDIOCK TICHBORNE: |
| TICHBORNE'S ELEGY, WRITTEN IN THE TOWER BEFORE HIS EXECUTION |
|
HENRY TIMROD: |
| ETHNOGENESIS |
|
| THE COTTON BOLL |
|
AURELIAN TOWNSEND: |
| YOUTH AND BEAUTY |
|
JOHN TOWNSEND TROWBRIDGE: |
| THE OLD MAN OF THE MOUNTAIN; PROFILE NOTCH, FRANCONIA |
|
| THE VAGABONDS |
|
FREDERICK GODDARD TUCKERMAN: |
| MARK ATHERTON |
|
| THE CRICKET |
|
| THE SUPERLATIVE |
|
EVELYN UNDERHILL: |
| NON-COMBATANTS |
|
JEAN STARR UNTERMEYER: |
| A SOLDIER LISTENS |
|
LOUIS UNTERMEYER: |
| CHALLENGE |
|
| RETURN TO THE BIRDS |
|
| SONGS AND THE POET (FOR SARA TEASDALE) |
|
| THE WISE WOMAN |
|
HENRY VALENTINE: |
| BEGGAR'S LAMENT |
|
JEAN VALENTINE: |
| ABORTION CHILD |
|
| AT THE CONFERENCE ON WOMEN IN THE ACADEMY |
|
| DOOR IN THE MOUNTAIN |
|
| JAMES WRIGHT: IN MEMORY |
|
| MESSENGER: 1. THE FATHER |
|
| ORPHEUS AND EURYDICE |
|
| RIVER AT WOLF |
|
| SILENCES: A DREAM OF GOVERNMENTS |
|
MONA VAN DUYN: |
| A BOUQUET OF ZINNIAS |
|
| A CHRISTMAS CARD, AFTER THE ASSASSINATIONS |
|
| ADVICE TO GOD |
|
| AT THE NEW ORLEANS ZOO |
|
| BURNING OF YELLOWSTONE |
|
| DEATH BY AESTHETICS |
|
| FOR MAY SWENSON |
|
| LETTERS FROM A FATHER |
|
| THE VISION TEST |
|
HENRY VAUGHAN: |
| A SONG TO AMORET |
|
| AFFLICTION |
|
| EASTER HYMN |
|
| PEACE |
|
| REGENERATION |
|
| SILEX SCINTIALLANS: THEY ARE ALL GONE |
|
| THE NIGHT |
|
| THE RETREAT |
|
| THE STAR |
|
| THE TIMBER |
|
| THE TRUE CHRISTMAS |
|
| THE WATERFALL |
|
| THE WORLD (1) |
|
GEORGE SYLVESTER VIERECK: |
| THE CANDLE AND THE FLAME |
|
PETER VIERECK: |
| 60TH BIRTHDAY |
|
| AFFIRMATION: 1. GLADNESS ODE |
|
| AFFIRMATION: 2. IN DEFENSE OF GLADNESS |
|
| AFFIRMATION: 3. THE KILLER AND THE DOVE |
|
| AT MY HOSTPIAL WINDOW: SACERDOTAL |
|
| COUNTER-SERENADE: SHE INVOKES THE AUTUMN INSTANT |
|
DAVID WAGONER: |
| A GUIDE TO THE FIELD |
|
| AFTER THE SPEECH TO THE LIBRARIANS |
|
| APPLYING FOR A LOAN WITH THE HELP OF THE DICTIONARY OF OCCUP. TITLES |
|
| BENJAMIN FRANKLIN AND THE DUST DEVIL |
|
| BETWEEN NEIGHBORS |
|
| ELEGY FOR A SECRET AGENT |
|
| HOUSE OF SONG |
|
| JOURNEY: STANDING IN THE MIDDLE OF A DESERT |
|
| LOST |
|
| THE ESCAPED GORILLA |
|
| THE GOOD NIGHT AND GOOD MORNING OF FEDERICO GARCIA LORCA |
|
| THE PRINCIPLES OF CONCEALMENT |
|
| THEIR BODIES |
|
| TRYING TO WRITE A POEM WHILE THE COUPLE UPSTAIRS MAKE LOVE |
|
| TV EDITORIAL |
|
| UNDER ALL SPEECH |
|
DEREK WALCOTT: |
| A FAR CRY FROM AFRICA |
|
| CRUSOE'S ISLAND |
|
| GROS-ILET |
|
| LOVE AFTER LOVE |
|
| RUINS OF A GREAT HOUSE |
|
| SCHOONER FLIGHT |
|
| SEASON OF PHANTASMAL PEACE |
|
ANNE WALDMAN: |
| ALONE IN HER SPRINT OF HIM |
|
| FAST SPEAKING WOMAN |
|
| MATRIARCHLY |
|
MARGARET ABIGAIL WALKER: |
| 1933 |
|
| AFRICA |
|
| AMOS (POSTSCRIPT, 1968) |
|
| AT THE LINCOLN MONUMENT IN WASHINGTON, AUGUST 28, 1963 |
|
| BAD-MAN STAGOLEE |
|
| BALLAD FOR PHILLIS WHEATLEY |
|
| FOR MALCOLM X |
|
| FOR MY PEOPLE |
|
| LINEAGE |
|
RONALD W. WALLACE: |
| CONDOMS |
|
| STUDENT THEME |
|
EDMUND WALLER: |
| BATTLE OF THE SUMMER ISLANDS |
|
| OF ENGLISH VERSE |
|
| OF THE LAST VERSES IN THE BOOK |
|
| ON A GIRDLE |
|
| ON ST. JAMES PARK, AS LATELY IMPROVED BY HIS MAJESTY |
|
| PANEGYRICK TO MY LORD PROTECTOR |
|
| SONG |
|
| THE STORY OF PHOEBUS [OR APOLLO] AND DAPHNE APPLIED |
|
| TO A LADY SINGING |
|
IZAAK WALTON: |
| THE ANGLER'S WISH |
|
ROBERT PENN WARREN: |
| A WAY TO LOVE GOD |
|
| ALF BURT, TENANT FARMER |
|
| AUDUBON: 7. TELL ME A STORY |
|
| BALLAD OF BILLIE POTTS |
|
| BALLAD: BETWEEN THE BOXCARS (1923) |
|
| BEARDED OAKS |
|
| BICENTENNIAL |
|
| CHIEF JOSEPH OF THE NEZ PERCE |
|
| EVENING HAWK |
|
| HEART OF AUTUMN |
|
| MORTAL LIMIT |
|
| PONDY WOODS |
|
| PROMISES: 2. COURT-MARTIAL |
|
| SAN FRANCISCO NIGHT WINDOWS |
|
| SILA |
|
| SONNET OF AUGUST DROUTH |
|
| SPELEOLOGY |
|
| THE DAY DR. KNOX DID IT |
|
| THE LIMITED |
|
| TRUE LOVE |
|
THOMAS WARTON THE ELDER: |
| A FAREWELL TO POETRY |
|
| VERSES ON HENRY THE EIGHTH'S SEIZING THE ABBEY-LANDS |
|
JOSEPH WARTON: |
| ODE TO FANCY |
|
AUGUSTA DAVIES WEBSTER: |
| A CASTAWAY |
|
| CIRCE |
|
| THE HAPPIEST GIRL IN THE WORLD |
|
AMOS RUSSEL WELLS: |
| FAILURE |
|
| THINGS! THINGS! THINGS! |
|
| WHEN THE FIRST TEETH GO |
|
| WHO KILLED THE PLAN? |
|
PHILLIS WHEATLEY: |
| A FAREWELL TO AMERICA, TO MRS. S. W. |
|
| AN HYMN TO THE EVENING |
|
| HIS EXCELLENCY GENERAL WASHINGTON |
|
| ON BEING BROUGHT FROM AFRICA TO AMERICA |
|
| ON IMAGINATION |
|
| ON VIRTUE |
|
| TO S.M., A YOUNG AFRICAN PAINTER, ON SEEING HIS WORKS |
|
JETT W. WHITEHEAD: |
| MAKING POEMS |
|
SARAH HELEN POWER WHITMAN: |
| BEAUTIFUL ORIGINAL POEM; TO EDGAR ALLAN POE |
|
| HYMN WRITTEN FOR THE CONSECRATION OF SWAN POINT CEMETERY |
|
WALT WHITMAN: |
| AS I WALK THESE BROAD MAJESTIC DAYS OF PEACE |
|
| BEAT! BEAT! DRUMS! |
|
| CROSSING BROOKLYN FERRY |
|
| DIRGE FOR TWO VETERANS |
|
| GOOD-BYE MY FANCY! |
|
| I HEAR AMERICA SINGING |
|
| O CAPTAIN! MY CAPTAIN! |
|
| PRESIDENT LINCOLN'S BURIAL HYMN |
|
| SONG OF MYSELF |
|
| SONG OF THE OPEN ROAD |
|
| SONG OF THE REDWOOD-TREE |
|
| TO A LOCOMOTIVE IN WINTER |
|
| TO YOU (3) |
|
JOHN GREENLEAF WHITTIER: |
| ASTRAEA |
|
| BANISHED FROM MASSACHSETTS; 1660 (PAINTING BY E. A. ABBEY) |
|
| BARBARA FRIETCHIE [SEPTEMBER 13, 1862] |
|
| BOLIVAR |
|
| MAUD MULLER |
|
| SNOWBOUND |
|
CORNELIUS WHUR: |
| THE FIRST-RATE WIFE |
|
RICHARD WILBUR: |
| A BAROQUE WALL-FOUNTAIN IN THE VILLA SCIARRA |
|
| A BARRED OWL |
|
| A FABLE |
|
| ADVICE TO A PROPHET |
|
| AFTER THE LAST BULLETINS |
|
| AGENT |
|
| ALATUS |
|
| BALLADE FOR THE DUKE OF ORLEANS |
|
| BEOWULF |
|
| BOY AT THE WINDOW |
|
| DEATH OF A TOAD |
|
| EXEUNT |
|
| FIRE-TRUCK |
|
| FOR K.R. ON HER SIXTIETH BIRTHDAY |
|
| FOR THE STUDENT STRIKERS |
|
| HOLE IN THE FLOOR; FOR RENE MAGRITTE |
|
| LOVE CALLS US TO THE THINGS OF THIS WORLD |
|
| MUSEUM PIECE |
|
ELLA WHEELER WILCOX: |
| AS YOU GO THROUGH LIFE |
|
| I AM |
|
| LOVE'S BURIAL |
|
| SOLITUDE |
|
| THE WINDS OF FATE |
|
CHARLES KENNETH WILLIAMS: |
| AFTER AUSCHWITZ |
|
| BISHOP TUTU'S VISIT TO THE WHITE HOUSE: 1984 |
|
| BONE |
|
| CITY IN THE HILLS |
|
| DANCE |
|
| DAY FOR ANNE FRANK |
|
| DEMAGOGUE |
|
| GIFT |
|
| GUATEMALA: 1964 |
|
| HEARTH |
|
| HERCULES, DEIANIRA, NESSUS |
|
| MIDAS |
|
| NAIL |
|
HELEN MARIA WILLIAMS: |
| SONNET TO HOPE |
|
MILLER WILLIAMS: |
| A POEM FOR EMILY |
|
| A TENTH ANNIVERSARY PHOTOGRAPH, 1952 |
|
| AESTHETIC DISTANCE |
|
| AFTER A BRUBECK CONCERT |
|
| ALLENDE AT THE END |
|
| ART PHOTOGRAPHER PUTS HIS MODEL AT EASE |
|
| BIRTH OF THE BLUES |
|
| COMPASSION |
|
| DEATH OF CHET BAKER |
|
| LOOKING FOR JOHNNY CASH |
|
| MANIFOLD USEFULNESS OF AN EDUCATION |
|
| NORMANDY BEACH |
|
| NOTES FROM THE AGENT ON EARTH: HOW TO BE HUMAN |
|
| OF HISTORY AND HOPE |
|
| ORIGAMI |
|
| SHRINKING LONESOME SESTINA [STARTING WITH LONG LINES] |
|
| THE WOMAN IN THE ROOM |
|
| WIEDERSEHEN |
|
WILLIAM CARLOS WILLIAMS: |
| DANSE RUSSE |
|
| PATERSON: BOOK 1. PREFACE |
|
| THE RED WHEELBARROW |
|
| THE YACHTS |
|
| THIS IS JUST TO SAY |
|
NATHANIEL PARKER WILLIS: |
| ABSENCE |
|
| TO HELEN IN A HUFF |
|
JOHN WILMOT: |
| A SATIRE [OR, SATYR] AGAINST MANKIND |
|
| A SONG OF A YOUNG LADY TO HER ANCIENT LOVER |
|
| AGAINST CONSTANCY |
|
| SATIRES: 51. UPON NOTHING |
|
YVOR WINTERS: |
| AT THE SAN FRANCISCO AIRPORT |
|
| BEFORE DISASTER; WINTER, 1932-33 |
|
| BY THE ROAD TO THE SUNNYVALE AIR-BASE |
|
| HERACLES; FOR DON STANFORD |
|
| ON A VIEW OF PASADENA FROM THE HILLS |
|
| THE SLOW PACIFIC SWELL |
|
| TIME AND THE GARDEN |
|
| TO A MILITARY RIFLE, 1942 |
|
| TO THE HOLY SPIRIT; FROM A DESERTED GRAVEYARD IN SALINAS |
|
| WINTER EVENING |
|
GEORGE WITHER: |
| EPITHALAMION |
|
| FIDELIA: 4. THE AUTHOR'S RESOLUTION IN A SONNET |
|
| IN A CLEAR STARRY NIGHT |
|
| SONNET: ON THE DEATH OF PRINCE HENRY |
|
| THE SHEPHERD'S HUNTING: PRELUDE |
|
GEORGE EDWARD WOODBERRY: |
| REQUIEM; THOMAS RANDOLPH PRICE |
|
WILLIAM WORDSWORTH: |
| A SLUMBER DID MY SPIRIT SEAL |
|
| COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802 |
|
| DAFFODILS |
|
| ECCLESIASTICAL SONNETS: PART 1: 1. INTRODUCTION |
|
| EVENING ON CALAIS BEACH |
|
| EVENING VOLUNTARY |
|
| EXPOSTULATION AND REPLY |
|
| EXTEMPORE EFFUSION UPON THE DEATH OF JAMES HOGG |
|
| LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY |
|
| LINES WRITTEN IN EARLY SPRING |
|
| LONDON, 1802 (1) |
|
| LONDON, 1802 (2) |
|
| LUCY (4) |
|
| LUCY (5) |
|
| LUCY GRAY; OR, SOLITUDE |
|
| MICHAEL; A PASTORAL POEM |
|
| NUTTING |
|
| ODE ON THE INSTALLATION OF HIS ROYAL HIGHNESS PRINCE ALBERT |
|
| ODE TO DUTY |
|
| ODE: INTIMATIONS OF IMMORTALITY FROM RECOLLECTIONS OF EARLY CHILDHOOD |
|
| ON THE EXTINCTION OF THE VENETIAN REPUBLIC |
|
| PERFECT WOMAN |
|
| REMEMBRANCE OF COLLINS |
|
| RESOLUTION AND INDEPENDENCE |
|
| SONNET ON CATHERINE WORDSWORTH |
|
| THE AFFLICTION OF MARGARET |
|
| THE FOUNTAIN; A CONVERSATION |
|
| THE GREEN LINNET |
|
| THE NIGHTINGALE [AND THE STOCK-DOVE] |
|
| THE OAK AND THE BROOM |
|
| THE PRELUDE: BOOK 1. CHILDHOOD AND SCHOOL-TIME |
|
| THE RAINBOW [IN THE SKY] |
|
| THE RIVER DUDDON: DEDICATION TO THE REV. DR. WORDSWORTH |
|
| THE SOLITARY REAPER |
|
| THE TABLES TURNED |
|
| THE THORN |
|
| THE WORLD; SONNET |
|
| TO JOHN DYER |
|
| YEW-TREES |
|
MARY WORTLEY MONTAGU: |
| EPISTLE FROM MRS. YONGE TO HER HUSBAND |
|
| HYMN TO THE MOON; WRITTEN IN JULY, IN AN ARBOUR |
|
| THE BRIDE IN THE COUNTRY |
|
| THE LOVER: A BALLAD |
|
| VERSES ADDRESSED TO IMITATOR OF FIRST SATIRE OF HORACE |
|
HENRY WOTTON: |
| ON HIS MISTRESS, THE QUEEN OF BOHEMIA |
|
| ON THE SUDDEN RESTRAINT OF ROBERT CARR, EARL OF SOMERSET |
|
| THE CHARACTER OF A HAPPY LIFE |
|
| VERSES IN PRAISE OF ANGLING |
|
JAMES WRIGHT: |
| A BLESSING |
|
| A DREAM OF BURIAL |
|
| A NOTE LEFT IN JIMMY LEONARD'S SHACK |
|
| A WINTER DAYBREAK ABOVE VENCE |
|
| AT THE EXECUTED MURDERER'S GRAVE |
|
| AUTUMN BEGINS IN MARTINS FERRY, OHIO |
|
| DEPRESSED BY A BOOK OF BAD POETRY, I WALK TOWARD AN UNUSED PASTURE AND INVITE THE INSECTS TO JOIN ME |
|
| IN RESPONSE TO RUMOR THAT OLDEST WHOREHOUSE IN WHEELING, WV, CONDEMNED |
|
| LYING IN A HAMMOCK AT WILLIAM DUFFY'S FARM IN PINE ISLAND, MINNESOTA |
|
| NORTHERN PIKE |
|
| SAINT JUDAS |
|
| THE JEWEL |
|
| THE JOURNEY |
|
| THE MINNEAPOLIS POEM |
|
| TO THE MUSE |
|
| TRYING TO PRAY |
|
JAY WRIGHT: |
| BENJAMIN BANNEKER HELPS TO BUILD A CITY |
|
| CRISPUS ATTUCKS |
|
| THE HOMECOMING SINGER |
|
THOMAS WYATT: |
| A PROMISE |
|
| FORTUNE |
|
| HONESTY |
|
| MY LUTE AND I |
|
| OF THE MEAN AND SURE ESTATE |
|
| PENITENTIAL PSALM |
|
| THE HIND |
|
| THE LOVER SHOWETH HOW HE IS FORSAKEN |
|
| TO HIS LUTE |
|
ELINOR WYLIE: |
| A CROWDED TROLLEY CAR |
|
| COLD-BLOODED CREATURES |
|
| FULL MOON |
|
| LET NO CHARITABLE HOPE |
|
| LITTLE ELEGY |
|
| LODGING FOR THE NIGHT |
|
| SEA LULLABY |
|
| VALENTINE |
|
| VELVET SHOES |
|
| WILD PEACHES |
|
| WINTER SLEEP |
|
WILLIAM BUTLER YEATS: |
| AMONG SCHOOL CHILDREN |
|
| AN IRISH AIRMAN FORESEES HIS DEATH |
|
| EASTER 1916 |
|
| LEDA AND THE SWAN |
|
| SAILING TO BYZANTIUM |
|
| THE CIRCUS ANIMALS' DESERTION |
|
| THE LAKE ISLE OF INNISFREE |
|
| THE SECOND COMING |
|
| THE WILD SWANS AT COOLE |
|
| WHEN YOU ARE OLD |
|
YEVGENY ALEXANDROVICH YEVTUSHENKO: |
| BABII YAR |
|
EDWARD YOUNG (1683-1765): |
| THE FOREIGN ADDRESS: WITH A YO, HO, HO |
|
| THE FOREIGN ADDRESS: YE NATIONS, TREMBLE! PARLIAMENT HAS MET |
|
LOUIS ZUKOFSKY: |
| 29 |
|
| A' - SECOND MOVEMENT |
|
| ATQUE IN PERPETUUM A.W. |
|
| AUBADE: 1925 |
|
| EXPOUNDING THE TORAH |
|
| MADISON, WIS., REMEMBERING THE BLOOM OF MONTICELLO |
|
| MANTIS |
|
| OF DYING BEAUTY |
|
| POEM BEGINNING THE |
|
| POEM BEGINNING THE : FIFTH MOVEMENT: AUTOBIOGRAPHY |
