Classic and Contemporary Poetry
CRUSHED, by TIMOTHY LIU Poet's Biography First Line: His hands crushed a lemon Last Line: That would keep you up all night— Subject(s): Food & Eating | ||||||||
The world exists again. The roses drop their petals from the railing of a ship and we wave goodbye. An open hand is a hand letting go of flowers in all their freshness, memory pressed into a diary sinking to the bottom of the sea. All my life the sound I've been trying to hear is the sound of my own voice. I thirst in full view of the ocean that lies before me. We are not swimmers, taciturn, sipping tea without a twist of lemon. Outside, the shadows in the orchard have merged into night. * I cannot help it, going on like this, the windows turning colder by the hour. Once I was seduced by the sibilance of tires in the rain while staring into my coffee at a vacant diner. An oldie on the jukebox made me cry, not words I never learned but that voice which took me back to a summer flat in Taipei, laundry sweating out of open windows. I was two years old in a tub, Ah-poh singing, her hands playful as porpoises. I would only cry if Mother came to finish the job, tepid water slapping all around as she scoured my genitals. Whenever I hear a baby scream, I gag its mouth to keep it quiet, just the way I want it. * When I turned seven, I made Ian lie down on the bathroom floor, next to a crowded kitchen where our mothers were rolling meat-filled dumplings, dropping them into smoking grease. I hummed a tune to calm him down, unzipping his pants in order to rescue his penis from a house on fire, that sole survivor we dressed in strips of gauze. Later I felt the way you do when spoiling a gift by unwrapping it too soon. Still, I got what I wanted by taking on new roles -- a captain, a pirate, a preacher who promised to forget the whole thing when it was over. Only Cathy wouldn't shut up, even after I had run my fingers over the flowers on her underpants while pinning her down: You're going to have a baby. Somebody had already dealt another hand of bridge, each parent holding a fan of cards with sailboats on them, when Cathy came out crying, I'm going to have a baby, and to my relief, all I heard was her voice drowning in their laughter. * I have heard that oldie blaring out from windows of a passing car, from a beat-up radio lost in a janitor's closet. There's this church I would pass on my way to school but never enter. It's like that, each of us minding our own business, then one day we are called. Phone soliciting was not my pick for a first job, but it opened doors: Hello. I'm with the San Jose Symphony. Subscribe tonight and win a free cruise. Over and over, my adolescent echo down a reverse directory until that voice: Ever wanted a dick in your mouth? I've learned to say no, but then it was only yes, yes to those lips moving across the face of the deep. * Sometimes it seems I cry for no reason, trying to convince myself that I am still here. I draw a square on my palm and say this is a prison where we are born. Each day the walls grow more transparent. The night of Jessye Norman's recital, we stood up when she sang "He's Got the Whole World in His Hands" for her final encore, our applause shattering across the stage like glass roses, her smile roaring through the hall as she sailed into the wings, waving goodbye. It was over, our voices released as if from an old Victrola spinning on the ocean floor, each of us breathless in that echo of the lives we have loved and lost. Used with the permission of Copper Canyon Press, P.O. Box 271, Port Townsend, WA 98368-0271, www.cc.press.org | Other Poems of Interest...SETTING THE TABLE by MATTHEA HARVEY WAITRESSING IN THE ROOM WITH A THOUSAND MOONS by MATTHEA HARVEY CANDIED YAMS' by TERRANCE HAYES DINNER OF HERBS by LOUISE MOREY BOWMAN THE BANQUET SONG by KENNETH KOCH |
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