Poetry Explorer- Classic Contemporary Poetry, A LIKENESS, by ROBERT BROWNING

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Classic and Contemporary Poetry

A LIKENESS, by                 Poet's Biography
First Line: Some people hang portraits up
Last Line: "a thing of no value! Take it, I supplicate!"
Subject(s): Portraits

SOME people hang portraits up
In a room where they dine or sup:
And the wife clinks tea-things under,
And her cousin, he stirs his cup,
Asks, "Who was the lady, I wonder?"
"'T is a daub John bought at a sale,"
Quoth the wife, -- looks black as thunder.
"What a shade beneath her nose!
Snuff-taking, I suppose," --
Adds the cousin, while John's corns ail.

Or else, there's no wife in the case,
But the portrait's queen of the place,
Alone 'mid the other spoils
Of youth, -- masks, gloves and foils,
And pipe-sticks, rose, cherry-tree, jasmine,
And the long whip, the tandem-lasher,
And the cast from a fist ("not, alas! mine,
But my master's, the Tipton Slasher"),
And the cards where pistol-balls mark ace,
And a satin shoe uses for cigar-case,
And the chamois-horns ("shot in the Chablais"),
And prints -- Rarey drumming on Cruiser,
And Sayers, our champion, the bruiser,
And the little edition of Rabelais:
Where a friend, with both hands in his pockets,
May saunter up close to examine it,
And remark a good deal of Jane Lamb in it,
"But the eyes are half out of their sockets;
That hair's not so bad, where the gloss is,
But they've made the girl's nose a proboscis:
Jane Lamb, that we danced with at Vichy!
What, is not she Jane? Then, who is she?"

All that I own is a print,
An etching, a mezzotint;
'T is a study, a fancy, a fiction,
Yet a fact (take my conviction)
Because it has more than a hint
Of a certain face, I never
Saw elsewhere touch or trace of
In women I've seen the face of:
Just an etching, and, so far, clever.

I keep my prints, an imbroglio,
Fifty in one portfolio.
When somebody tries my claret,
We turn round chairs to the fire,
Chirp over days in a garret,
Chuckle o'er increase of salary,
Taste the good fruits of our leisure,
Talk about pencil and lyre,
And the National Portrait Gallery:
Then I exhibit my treasure.
After we've turned over twenty,
And the debt of wonder my crony owes
Is paid to my Marc Antonios,
He stops me -- "Festina lente!
What's that sweet thing there, the etching?"
How my waistcoat-strings want stretching,
How my cheeks grow red as tomatoes,
How my heart leaps! But hearts, after leaps, ache.

"By the by, you must take, for a keepsake,
That other, you praised, of Volpato's."
The fool! would he try a flight further and say --
He never saw, never before to-day,
What was able to take his breath away,
A face to lose youth for, to occupy age
With the dream of, meet death with, -- why, I'll not engage
But that, half in a rapture and half in a rage,
I should toss him the thing's self -- "'T is only a duplicate,
A thing of no value! Take it, I supplicate!"

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