Poetry Explorer- Classic Contemporary Poetry, AN HORATIAN ODE UPON CROMWELL'S RETURN FROM IRELAND, by ANDREW MARVELL



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AN HORATIAN ODE UPON CROMWELL'S RETURN FROM IRELAND, by         Recitation     Poet's Biography
First Line: The forward youth that would appear
Last Line: A power must it maintain.
Variant Title(s): Two Kings
Subject(s): Cromwell, Oliver (1599-1658); Ireland; Irish


The forward youth that would appear
Must now forsake his Muses dear,
Nor in the shadows sing
His numbers languishing:

'Tis time to leave the books in dust,
And oil the unused armor's rust,
Removing from the wall
The corslet of the hall.

So restless Cromwell could not cease
In the inglorious arts of peace,
But through adventurous war
Urged his active star;

And like the three-forked lightning, first
Breaking the clouds where it was nursed,
Did through his own side
His fiery way divide.

For 'tis all one to courage high,
The emulous or enemy;
And with such to inclose
Is more than to oppose.

Then burning through the air he went,
And palaces and temples rent;
And Caesar's head at last
Did through his laurels blast.

'Tis madness to resist or blame
The force of angry heaven's flame;
And if we would speak true,
Much to the man is due,

Who, from his private gardens, where
He lived reserved and austere
(As if his highest plot
To plant the bergamot),

Could by industrious valor climb,
To ruin the great work of time,
And cast the kingdom old
Into another mold;

Though Justice against Fate complain,
And plead the ancient rights in vain;
But those do hold or break,
As men are strong or weak.

Nature, that hateth emptiness,
Allows of penetration less,
And therefore must make room
Where greater spirits come.

What field of all the civil wars,
Where his were not the deepest scars?
And Hampton shows what part
He had of wiser art;

Where, twining subtle fears with hope,
He wove a net of such a scope
That Charles himself might chase
To Carisbrooke's narrow case,

That thence the royal actor borne
The tragic scaffold might adorn;
While round the armed bands
Did clap their bloody hands.

He nothing common did or mean
Upon that memorable scene,
But with his keener eye
The axe's edge did try;

Nor called the gods with vulgar spite
To vindicate his helpless right;
But bowed his comely head
Down, as upon a bed.

This was that memorable hour
Which first assured the forced power:
So, when they did design
The Capitol's first line,

A bleeding head, where they begun,
Did fright the architects to run;
And yet in that happy state
Foresaw its happy fate.

And now the Irish are ashamed
To see themselves in one year tamed;
So much one man can do
That does both act and know.

They can affirm his praises best,
And have, though overcome, confessed
How good he is, how just,
And fit for highest trust.

Nor yet grown stiffer with command,
But still in the republic's hand --
How fit he is to sway
That can so well obey!

He to the Commons' feet presents
A kingdom for his first year's rents;
And, what he may, forbears
His fame to make it theirs;

And has his sword and spoils ungirt,
To lay them at the public's skirt:
So when the falcon high
Falls heavy from the sky,

She, having killed, no more does search
But on the next green bough to perch;
Where, when he first does lure,
The falconer has her sure.

What may not, then, our isle presume,
While victory his crest does plume?
What may not others fear,
If thus he crown each year?

A Caesar he, ere long, to Gaul
To Italy an Hannibal,
And to all states not free
Shall climacteric be.

The Pict no shelter now shall find
Within his parti-colored mind,
But from this valor sad
Shrink underneath the plaid;

Happy if in the tufted brake
The English hunter him mistake,
Nor lay his hounds in near
The Caledonian deer.

But thou, the war's and fortune's son,
March indefatigably on!
And for the last effect,
Still keep thy sword erect;

Besides the force it has to fright
The spirits of the shady night,
The same arts that did gain
A power must it maintain.




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