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Classic and Contemporary Poetry
PENTUCKET [AUGUST 29, 1708], by JOHN GREENLEAF WHITTIER Poet Analysis Poet's Biography First Line: How sweetly on the wood-girt town Last Line: The victims of that sacrifice. Subject(s): French & Indian Wars; Haverhill, Massachusetts | |||
How sweetly on the wood-girt town The mellow light of sunset shone! Each small, bright lake, whose waters still Mirror the forest and the hill, Reflected from its waveless breast The beauty of a cloudless west, Glorious as if a glimpse were given Within the western gates of heaven, Left, by the spirit of the star Of sunset's holy hour, ajar! Beside the river's tranquil flood The dark and low-walled dwellings stood, Where many a rood of open land Stretched up and down on either hand, With corn-leaves waving freshly green The thick and blackened stumps between Behind, unbroken, deep and dread, The wild, untravelled forest spread, Back to those mountains, white and cold, Of which the Indian trapper told, Upon whose summits never yet Was mortal foot in safety set. Quiet and calm without a fear Of danger darkly lurking near, The weary laborer left his plough, The milkmaid carolled by her cow; From cottage door and household hearth Rose songs of praise, or tones of mirth. At length the murmur died away, And silence on that village lay. -- So slept Pompeii, tower and hall, Ere the quick earthquake swallowed all, Undreaming of the fiery fate Which made its dwellings desolate! Hours passed away. By moonlight sped The Merrimac along his bed. Bathed in the pallid lustre, stood Dark cottage-wall and rock and wood, Silent, beneath that tranquil beam, As the hushed grouping of a dream. Yet on the still air crept a sound, No bark of fox, nor rabbit's bound, No stir of wings, nor waters flowing, Nor leaves in midnight breezes blowing. Was that the tread of many feet, Which downward from the hillside beat? What forms were those which darkly stood Just on the margin of the wood? Charred tree-stumps in the moonlight dim, Or paling rude, or leafless limb? No, -- through the trees fierce eyeballs glowed, Dark human forms in moonshine showed, Wild from their native wilderness, With painted limbs and battle-dress! A yell the dead might wake to hear Swelled on the night air, far and clear; Then smote the Indian tomahawk On crashing door and shattering lock; Then rang the rifle-shot, and then The shrill death-scream of stricken men, -- Sank the red axe in woman's brain, And childhood's cry arose in vain. Bursting through roof and window came, Red, fast, and fierce, the kindled flame, And blended fire and moonlight glared On still dead men and scalp-knives bared. The morning sun looked brightly through The river willows, wet with dew. No sound of combat filled the air, No shout was heard, nor gunshot there; Yet still the thick and sullen smoke From smouldering ruins slowly broke; And on the greensward many a stain, And, here and there, the mangled slain, Told how that midnight bolt had sped, Pentucket, on thy fated head! Even now the villager can tell Where Rolfe beside his hearthstone fell, Still show the door of wasting oak, Through which the fatal death-stroke broke, And point the curious stranger where De Rouville's corse lay grim and bare; Whose hideous head, in death still feared, Bore not a trace of hair or beard; And still, within the churchyard ground, Heaves darkly up the ancient mound, Whose grass-grown surface overlies The victims of that sacrifice. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...HAVERHILL, 1640-1890 by JOHN GREENLEAF WHITTIER THE LIBRARY; SUNG AT OPENING OF THE HAVERHILL LIBRARY by JOHN GREENLEAF WHITTIER THE SYCAMORES by JOHN GREENLEAF WHITTIER TO G. G.; AN AUTOGRAPH by JOHN GREENLEAF WHITTIER AMY WENTWORTH; FOR WILLIAM BRADFORD by JOHN GREENLEAF WHITTIER AN AUTOGRAPH (1) by JOHN GREENLEAF WHITTIER ASTRAEA by JOHN GREENLEAF WHITTIER AT LAST by JOHN GREENLEAF WHITTIER AT PORT ROYAL by JOHN GREENLEAF WHITTIER BARBARA FRIETCHIE [SEPTEMBER 13, 1862] by JOHN GREENLEAF WHITTIER |
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