Classic and Contemporary Poetry
THE VOLCANIC ISLAND, by CLIFFORD BAX Poet's Biography First Line: Kate Last Line: Dorothea (raising her cup). And freud! | ||||||||
Characters DOROTHEA WYLDE DOROTHY WILD SCENE. The sitting-room of a flat in Knightsbridge. Back: centre, a fireplace with fire burning; right, a cupboard containing tea things; left, a t all lacquered screen. Front: a table on which are illustrated papers and a parcel of books tied with string; a chair to each side of the table. The outside door is heard closing. DOROTHEA (without). Kate! (She enters, right, in a fashionable Spring walking costume.) So I've caught her! Gone at half-past three Gone to 'the pictures' with her young man Bill. I hope she'll not be foolish. ... Now for tea. (She puts a kettle on the fire and brings a plate of cakes to the table.) Ah! So the Mudie books have comebut still Nothing from James. He really is too shy And Mother always whispers when we meet, 'Well, dear, no startling news?' I wish he'd try! What have they sent me from New Oxford Street? 'Poems,' by Marshlight. ... Quite a charming face. ... Four portraits! ...And how good it is to find A note that tells the very hour and place When each mouse-lyric shook that mountain mind! ... And here? Oh Mudie! Sending this to me! 'A Bed of Roses. George ...' I'll try again. ... 'Peeled Onions'! Now, whatever might they be? Of course! New tales by Ethel Colburn Mayne. How hypodermic! What she does without! What whittling of mere obvious fact! Indeed I sometimes tremble when her books come out For fear there won't be any words to read. .. The last two? Thesehobnobbing all this time, Not rent to rags, not mutually destroyed? For here's that famous work, 'Soul from the Slime,' By Jung, and here 'Slime from the Soul,' by Freud. They may be risqué but how up to date And James need never know I've read them. ... Stop! Surely? It is! A telegram! Oh, Kate, You little fool, to dump the books on top! Reply paid, too ...(Reading) 'Wylde, 15 Claridge Hill. Would you accept me for your husband? James ...' At last!..What answer? If I say I will, The Morning Post will paragraph our names With me as 'Dorothea, second child' Et ceteraand The Tatler, I expect, Will have a picture, 'Cupid's Bag. Miss Wylde, Sir James Adolphus Porter's bride-elect, A well-known figure both where Fashion reigns And where our young intelligenzia meet. ...' But shall I? If he read more, had more brains, More fire, and just a little less conceit! A VOICE (behind the screen). Marry him at your peril! DOROTHEA (not hearing). He's a man Of wealth and rankan O.B.E.and yet To marry without love ...Some people can. THE VOICE. I gave you honest warning. Don't forget! DOROTHEA (as before). Most girls would jump at such an offer. Why Should I resent so much his pompous air, His embonpoint? THE VOICE. It isn't you, but I! DOROTHEA (as before). Or possibly, as Freud and Jung declare, Far under what we know ourselves to be Another self lies hidden. Am I, then THE VOICE. Like a volcanic island in the sea DOROTHEA (half hypnotized). Of which no more is visible to men Than the mere summitfair with azure light And flowers and birds and grain to sow and reap THE VOICE. While the huge base goes shelving out of sight To coral-caves and monsters of the deep. DOROTHEA. How queer to think that while one part of me Is almost fond of James, another part Isdoubtful THE VOICE. Doubtful? Just you wait and see! DOROTHEA. Oh, for some ceremony, some magic art, To call up the subconscious mind! THE VOICE. Then hold Jung with your right hand, with your left hand Freud, And clap them thrice. DOROTHEA (following these directions). Of course, I'm far too old ... I ought to be more rationally employed ... But still (DOROTHY WILD darts out from behind the screen. She is a barbaric figure clad in furs and wearing a tiara of feathers.) DOROTHY. O-hai! And so at last I'm free! DOROTHEA (recoiling). Good gracious! DOROTHY. Don't you know me? DOROTHEA. What's your name? DOROTHY. Dorothy Wild. You end yours with an 'e' And spell it with a 'y'as though for shame Of owning sisterhood with trees and birds And dragonflies; as though you'd never run Beside the foam, shouting ecstatic words In the wind's ear, nor let the immortal sun Have your whole body till Something, not of time, Like an elixir flowed through every vein. You? You lack pith. You'd never love through crime; But when I love, I dareand brook no chain! DOROTHEA. You're rather frightening. Still, do take a seat! DOROTHY (sitting on the table). Chocolates! One for me? DOROTHEA (politely). Oh, not at all DOROTHY. Wild roses, love and chocolatearen't they sweet? DOROTHEA. Yeswell ...I do hope nobody will call. We've not been introduced, but is it true That you're my own Subconscious? DOROTHY. There, you see The insolence of the Conscious! Part of you! Really! And why not you a part of me? How much of Time have you known? Twenty years; But I, whom not ten thousand can make old, Have worshipped trees, loved naiads, boxed the ears Of mountain satyrs, touched the Fleece of Gold, And ridden great centaurs. When I catch the strain Of Homer's verse I hear his very lyre Trembling: for me Hector is newly slain, And it was yesterday Troy fell in fire. They who at last have found me little guess Whither I lead. They fancy that one blow Has brought down Heaven in fragments. Nonetheless, I shall build what they think I overthrow! And you? You're just a weir that tames my power. I am the rushing car and you the brake That checks me: I the root and you the flower; I the true girl DOROTHEA. Please try another cake. No doubt you're right, but Freud says DOROTHY. Not a word Against my good Columbus! DOROTHEA. Hardly! Still, I always thought from what I read and heard That you were quite a monster. DOROTHY. As you will, I have my faults. DOROTHEA. You do seemshall I say A triflecrude? DOROTHY. I'm what you'd like to be. DOROTHEA. Oh, really! I'm not primI'm rather gay But that's no frock for going out to tea. I should blush! DOROTHY. Little hypocrite! Why, look What's thatoh you that have no eyes for men? DOROTHEA. The 'Life of Gosse'a very proper book. DOROTHY. And underneath? La Vie Parisienne! (Turning to the bookshelves.) Then, here's Boccaccio, Havelock Ellis, too, James Joyce rebound to look like Samuel Smiles, Montaigne, Pierre Louys DOROTHEA. Any one but you Would know I read them only for their styles. I've stood enough. Please go! DOROTHY. But where to go? We two make up one girl. DOROTHEA. Behind the screen. DOROTHY. Not yet! DOROTHEA. But I've important things DOROTHY. I know That's why I came. This telegram, you mean DOROTHEA. Mind your own business! DOROTHY. But it is mine, quite As much as yours. You'll take him? You insist? I won't! DOROTHEA. How terrible! In this modern light Poor James looks almost like a bigamist. ... DOROTHY. Marry that hippopotamus if you dare! DOROTHEA. Chairmen of Boards must be a little fat. DOROTHY. James never rises but he 'takes' the chair. DOROTHEA. He owns five cars, four houses, and a flat. DOROTHY. Those and the seven deadly virtues, too. DOROTHEA. He's forty-nine and never loved before. DOROTHY. Why not? No girl would think of him but you. DOROTHEA. A solid quiet man DOROTHY. A solid bore! DOROTHEA. Now, Dorothy, be reasonable. Sit down Like a well-mannered girl, orif you must Crouch like a tigress there and fret and frown, But don't break in. I think it's only just That Ifor, after all, I really am The civilized and reputable Miss Wylde Should have the answering of this telegram. Say what you will, you're nothing but a child Who lies among the daffodils of Spring, Lost in a book of marvels. At a glance I know youhow you're dreaming of some king From over the blue mountains of romance Who'll set you on a charger black as night, And, spurring on by dragon-haunted caves, Come to his castle just when the sunset-light In Fairyland floats on the girdling waves. But kings aren't like that now. They puff cigars, Wear bowlers and check-suits, and fill the gaps Left between opening Parliament and bazaars By betting on the racecourse. Or perhaps You want some hero from a Conrad tale Who'd stand, white-ducked, against the torrid blue And shoot down tribes with bullets fast as hail: But think, my dearhe simply wouldn't do. Picture it. We should take him out to dine The ladies would withdrawhe'd start to speak About old Lingard, while they passed the wine, And go on with the story for a week. No! We must have it clear. I much regret This violent tug-of-war between our aims ButI'm determined. DOROTHY. Have you finished yet? Right. Then you can, but I won't, marry James. DOROTHEA. Why not? DOROTHY. Why not? Answer my questions. One: Does he beat time to music with his hand? DOROTHEA. Well DOROTHY. Two: and talk of 'featuring,' 'Japs,' 'the Hun'? DOROTHEA. Oh, sometimes DOROTHY. Three: and does he understand That wicked frocks don't mean a wicked life? Four DOROTHEA. But, of course, there's no one perfect! DOROTHY. Four: Wouldn't he read the golf news to his wife? Five: Can he tellthe next daywhat you wore? Six: If he knows an author, will he wait To get a copy free or buy the book? Seven: Is he fond of curate stories? Eight: If, when you're dressed, you wonder how you look And ask him, as you're driving to the dance, Doesn't he, after everything you've done, Say 'Oh, all right'without a single glance? Nine: If you flirt a little, for the fun Of being a woman, would he think you light? Ten: Does he say, when dining in Soho, 'I don't think we shall need champagne to-night But if you really want it, let me know?' Eleven DOROTHEA. Oh please! I don'tin fact, I can't Dispute the list. I'll openly admit That James is not the man I used to want. ... DOROTHY. Splendid! Now, where's his wire? We'll answer it With one majestic 'No.' DOROTHEA (stopping her). Not yet. Be kind! Think what I lose in losing James, and then You'll change your mindyour portion of our mind. I want a man to kiss DOROTHY. But why not ten? DOROTHEA. My dear! I want the life of modern man. I want to quote the works of Douglas Cole, Think all men base except the artisan, And smile at God, religion, and the soul. I want to find new genius everywhere. I want to sit in drawing-rooms and say 'Rossetti, Watts? Of course, they can't compare With Roger, or the smallest Fry, to-day.' So, won't you be an angel? Share the flat In honourable retirement! Don't you see You should? DOROTHY. Subconscious! Well, I may be that But no great eras come apart from me. What though to-day I have less power than you? The wheel will turn; and shall I not be there To run with roses down Fifth Avenue And make a Roman revel in Mayfair? No! I maintain my right to have a say In this, our marriage; therefore comprehend Once and for all that I shall not give way! DOROTHEA. I've done my best to treat you as a friend. You're just a little selfish pig! In fact, I don't know why you ever left your screen! DOROTHY. I didn't come to argue but to act, And now I will! DOROTHEA. Whatever do you mean? DOROTHY. I came to kill you. DOROTHEA. What? DOROTHY. You see this knife? The ghost of Caesar Borgia gave me this, And with it some advice on taking life. He only wished, he said, the chance were his! DOROTHEA. But don't you know? One's not allowed to kill. DOROTHY. Pooh! A mere whimsy of the Conscious Mind. Prepare! DOROTHEA. But listen! DOROTHY. No! DOROTHEA. You can't! DOROTHY. I will! Pray to the gods whom Freud has left behind! (DOROTHY lunges with the knife at DOROTHEA, who escapes by darting to the left of the table. She raises her right hand high.) DOROTHEA. Stop! I pronounce on you this dreadful spell! Abracadabra: complex: transference: Theriomorphianow it's working well Father-imago: schizophrenia DOROTHY. Hence! Spare me! DOROTHEA. Appendage-function: surrogate: Enantiodromiadoesn't that one hurt? Libido: endopsychic DOROTHY. Wait, oh wait! DOROTHEA. Persona: hypermnesia: extrovert! Yield, in the holy names of Jung and Freud! DOROTHY. I yield! I beg for nothing but fair play. DOROTHEA. How? DOROTHY. By a simple plan that would avoid All further wrangling. DOROTHEA. Well, what is it? DOROTHY. Say That you write half the telegram, and I The other half! That would be just. DOROTHEA. Absurd! The first to write could give the whole reply. DOROTHY. A woman, and you don't want the last word? ... Toss! DOROTHEA (producing a coin). If you lose, you're not to call me names. DOROTHY. Heads! DOROTHEA. You have lost. Who is the better now? ... 'Would you accept me for your husband.James' So runs the question, and the answer DOROTHY (anxiously). How? DOROTHEA. Read it! DOROTHY (in dismay). 'Of course I would!' DOROTHEA. It's not so much That I want James, as that you've made me cross. In fact, if your behaviour had been such DOROTHY (who, after a little puzzling is now in the act of writing). I'm glad to hear that you'll survive the loss. DOROTHEA (in slow horror). You've spoilt it! Let me see! ...'Of course I would ... 'Of course I would be damned first. ...' Little cat! DOROTHY. Don't be a silly child. As if you could Abandon me for such a fool as that! O Zurich! O Vienna! Can you be So psychoanalytically dense As not to grasp that by considering me You gain a double health of spirit and sense? DOROTHEA. I'll never find the man of my desire! DOROTHY. Then break your heart over a silver birch. DOROTHEA. But this! No girl could send off such a wire. DOROTHY. Shock himor else he'll get you to the church! DOROTHEA. You're right. How often, and with how much pain, We burst a lock to findan empty room! But that's all over. Let's be friends again And so stay always! DOROTHY. Till the crack of doom.. And here's my gage! Accept the knife I took From Borgia (how he'll rail at me, poor ghost!) And with itcut the master's newest book. DOROTHEA. Where are you going? DOROTHY. Going? To the post. DOROTHEA. Don't hurry. Stop awhile, and take from me A pledge of golden friendship unalloyed A cup of tea! With milk and sugar? DOROTHY (with profound contempt). Tea! 'Oh, for a draught ...' But here's to Jung! DOROTHEA (raising her cup). And Freud! | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...A BERKSHIRE HOLIDAY by CLIFFORD BAX THE UNKNOWN HAND by CLIFFORD BAX THE WHITE HOUSE by CLAUDE MCKAY RICH AND POOR; OR, SAINT AND SINNER by THOMAS LOVE PEACOCK A PRAYER, LIVING AND DYING by AUGUSTUS MONTAGUE TOPLADY THE PRAIRIE-GRASS DIVIDING by WALT WHITMAN |
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