Classic and Contemporary Poetry
THE RIVER HOUSE, by EDMUND CHARLES BLUNDEN Poet Analysis Poet's Biography First Line: Set in a circlet of silver rain Last Line: And warns the wandering foot away. Alternate Author Name(s): Blunden, Edmund | ||||||||
SET in a circlet of silver rain, Lilac bows to the window-pane; The flagging elder dips, and scrapes The mossed brown wall at the will of the breeze, And the vine is sad, for her small green grapes Must shrivel and die with such a sky, And never may be like Tuscany's. Looking out to the North we see Dark rains run over the distant lea; The clouds lean low on the ragstone hurst And slant slate roofing of its pens; And with relentless waterburst In swift dense shower they totter and cower Over the valleys and over the fens. In the whispering attic the poor ghost treads; With the click of the clock and the splash from the leads, The room is drowsily dull, and dark; For all the rain we will be outdoors, Down to the bank of the weirpool. Hark To the foam and the spray of the tumbling bay; The weir is opened, the swirled rush roars. Rooks caw fitfully high in the elms As the tempest gathers and overwhelms; The doves sob quietly in their cote, For they are quick to hear the moans Of immemorial grief that float In undersong alone along The shrouded moors and cromlech-stones. There through the far trees goes a train, Carriage-roofs aglisten with rain; Over the river you hear it roar, Over the ponderous red steel bridge, Then it leaps into sight once more, Shrills its scream, and shuts off steam At the tiny halt on the misty ridge. Not many steps, and we reach the place Where the river parts from the old mill-race; The mill is used for a powerhouse now, And the mill-wheel turns the dynamo, But still on the walls is the peach-tree's bough, And the ivy still is dear to the mill And black-tailed chub still shoal below. The fields are desolate in the storm, And the hare is sheltering in her fourm: Stoats are none that yesterday Slid snakelike through the bents to steal But the high lark soars to his roundelay, And voles snap reeds, and through the weeds Black moorhens scurry, above the wheel. The fields are desolate under the gray; But once they have seen the sun to-day. He came up in a blood-red lift That blackened like the red blood spilt, And through a sudden awful rift There came a gleam, a fiery dream Of God's eye watching demon guilt. So heavily drives the rain, and lashes The open pool into white mist-plashes, And even under the alder's shelter The shallows are sullying into a haze, And the wind and the weir make small waves welter The red bank peacelessly, fecklessly, ceaselessly, And backward the huddling current sways. The roar of the lasher dulls the sound Of the plunging mill-wheel's rusty round. Yet from behind the door in the bank Waters seethe in a bubbling leap, And pent in brickwork, mouldy and dank, As steel rams toil and thud, they boil And the culvert casts them into the deep. Come to the trees at the foot of the weir, Four hawthorn trees that stand so near That their roots have thrust out into the pool. There we can watch the turbulent foam, Fantastically beautiful, And eddies askance in wild jagged dance, Jewelled and pearled to revel and roam. You would scarcely think, to see the might Of the waters spurting and writhing white, That yesterday the lazy stream Lay under the hot noon still as stone, Except where old ungainly bream Rose from their slime to bask and prime Where glades of drowsy sun were strown. Clear by the tricklings of the dam, Ruddy-finned roach and bronze carp swam; With here and there a perch blue-barred, And two foot down a moody pike Looking with small eyes, small and hard, At the shoals that lay a yard away, But far too glutted and drowsy to strike. Yet even then I thought I spied In the coppiced shade of the farther side, Where the jutting oak-stub blackened a space, Evilly under the surface lurking, The water-spirit's livid face, Medusa-fashioned, deadly-passioned, Setting a perilous whirlpool working. And now the drowned boughs swirl and toil Up and down as the currents coil; And where small eels swarmed up the weed And slippery green of the water-gate, Turbulent terror and clamour is freed, That ploughs and troubles the pit into bubbles And undercurrents of treacherous hate. The water forces its shining shares Fast through the fallow pool, that bears The certain beauty of strength and speed, The luring thrall and the dizzying spell, The blind mad whirlpool's gloating greed, That bids men leap and be drowned deep Whose minds are racked on a wheel of hell. Some worship mountains, some the sea; But a river god is the god for me, And to live in a house by the din of a weir, Or a mill with a mill-head huge and deep, And yellow lilies and white in the mere, Or a farm that looks on rambling brooks Is a thing I hold as dear as sleep. Whether the rains are abroad, as now To darken the river, and mat the brow; Whether the sun makes shadow sweet, And beckons the rudd and bream to rise, Or whether the floods of winter beat In ruin and riot by sluice and eyot, The river is dear, and shrewd, and wise. A sullen and lonely god is he, And he loves few; the alder tree Hears him whispering under her boughs And whispers answer; in nights of flood, He treads around the river-house, And makes low call to the mossed brown wall, And watches the moon and black cloud scud. But if you go day after day And rove his banks, and watch his way, Plunge in his pools, and thrid his fords, And snare the snig eels under the stones, You will hear him sing in gentle chords And quiet rhymes and fairy chimes That yours is the love to which he owns. He is kindly at heart though seeming rude, He is fond of the sun and the solitude; Gives drink to oxen and men alike, Turns the mill-wheel sturdily, Draws waste water from channel and dike, And carries the dead things down to a bed In a quiet pit of the moving sea. But there is an anguish strong on him, The water-spirit, lustful and grim, She rives him, writhes him, claw at clutch, And chuckles and gorges with throat of clay, And the river's churning spasms are such That he cries through the gloom for a sleep and a tomb, And warns the wandering foot away. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...FOREFATHERS by EDMUND CHARLES BLUNDEN REPORT ON EXPERIENCE by EDMUND CHARLES BLUNDEN SOLUTIONS by EDMUND CHARLES BLUNDEN THE GIANT PUFFBALL by EDMUND CHARLES BLUNDEN THE MIDNIGHT SKATERS by EDMUND CHARLES BLUNDEN VLAMERTINGHE: PASSING THE CHATEAU, JULY 1917 by EDMUND CHARLES BLUNDEN 11TH R.S.R. by EDMUND CHARLES BLUNDEN 1916 SEEN FROM 1921 by EDMUND CHARLES BLUNDEN A 'FIRST IMPRESSION': TOKYO by EDMUND CHARLES BLUNDEN A BRIDGE by EDMUND CHARLES BLUNDEN |
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