Classic and Contemporary Poetry
CRISTINA AND MONALDESCHI, by ROBERT BROWNING Poet's Biography First Line: Ah, but how they loved each other, marquis! Last Line: Whence ... Let avon tell the rest! Subject(s): Christina, Queen Of Sweden (1626-1689); Love - Loss Of | ||||||||
AH, but how each loved each, Marquis! Here's the gallery they trod Both together, he her god, She his idol, -- lend your rod, Chamberlain! -- ay, there they are -- "Quis Separabit?" -- plain those two Touching words come into view, Apposite for me and you: Since they witness to incessant Love like ours: King Francis, he -- Diane the adored one, she -- Prototypes of you and me. Everywhere is carved her Crescent With his Salamander-sign -- Flame-fed creature: flame benign To itself or, if malign, Only to the meddling curious, -- So, be warned, Sir! Where's my head How it wanders! What I said Merely meant -- the creature, fed Thus on flame, was scarce injurious Save to fools who woke its ire, Thinking fit to play with fire. 'T is the Crescent you admire? Then, be Diane! I'll be Francis. Crescents change, -- true! -- wax and wane, Woman-like: male hearts retain Heat nor, once warm, cool again. So, we figure -- such our chance is -- I as man and you as ... What? Take offence? My Love forgot He plays woman, I do not? I -- the woman? See my habit, Ask my people! Anyhow, Be we what we may, one vow Binds us, male or female. Now, -- Stand, Sir! Read! "Quis separabit?" Half a mile of pictured way Past these palace-walls to-day Traversed, this I came to say. You must needs begin to love me; First I hated, then, at best, -- Have it so! -- I acquiesced; Pure compassion did the rest. From below thus raised above me, Would you, step by step, descend, Pity me, become my friend, Like me, like less, loathe at end? That's the ladder's round you rose by! That -- my own foot kicked away, Having raised you: let it stay, Serve you for retreating? Nay. Close to me you climbed: as close by, Keep your station, though the peak Reached proves somewhat bare and bleak! Woman's strong if man is weak. Keep here, loving me forever! Love's look, gesture, speech, I claim: Act love, lie love, all the same -- Play as earnest were our game! Lonely I stood long: 't was clever When you climbed, before men's eyes, Spurned the earth and scaled the skies, Gained my peak and grasped your prize. Here you stood, then, to men's wonder; Here you tire of standing? Kneel! Cure what giddiness you feel, This way! Do your senses reel? Not unlikely! What rolls under? Yawning death in yon abyss Where the waters whirl and hiss Round more frightful peaks than this. Should my buffet dash you thither ... But be sage! No watery grave Needs await you: seeming brave Kneel on safe, dear timid slave! You surmised, when you climbed hither, Just as easy were retreat Should you tire, conceive unmeet Longer patience at my feet? Me as standing, you as stooping, -- Who arranged for each the pose? Lest men think us friends turned foes, Keep the attitude you chose! Men are used to this same grouping -- I and you like statues seen. You and I, no third between, Kneel and stand! That makes the scene. Mar it -- and one buffet ... Pardon! Needless warmth -- wise words in waste! 'T was prostration that replaced Kneeling, then? A proof of taste. Crouch, not kneel, while I mount guard on Prostrate love -- become no waif, No estray to waves that chafe Disappointed -- love's so safe! Waves that chafe? The idlest fancy! Peaks that scare? I think we know Walls enclose our sculpture: so Grouped, we pose in Fontainebleau. Up now! Wherefore hesitancy? Arm in arm and cheek by cheek, Laugh with me at waves and peak! Silent still? Why, pictures speak. See, where Juno strikes Ixion, Primatice speaks plainly! Pooh -- Rather, Florentine Le Roux! I've lost head for who is who -- So it swims and wanders! Fie on What still proves me female! Here, By the staircase! -- for we near That dark "Gallery of the Deer." Look me in the eyes once! Steady! Are you faithful now as erst On that eve when we two first Vowed at Avon, blessed and cursed Faith and falsehood? Pale already? Forward! Must my hand compel Entrance -- this way? Exit -- well, Somehow, somewhere. Who can tell? What if to the selfsame place in Rustic Avon, at the door Of the village church once more, Where a tombstone paves the floor By that holy-water basin You appealed to -- "As, below. This stone hides its corpse, e'en so I your secrets hide"? What ho! Friends, my four! You, Priest, confess him I have judged the culprit there: Execute my sentence! Care For no mail such cowards wear! Done, Priest? Then, absolve and bless him! Now -- you three, stab thick and fast, Deep and deeper! Dead at last? Thanks, friends -- Father, thanks! Aghast? What one word of his confession Would you tell me, though I lured With that royal crown abjured Just because its bars immured Love too much? Love burst compression, Fled free, finally confessed All its secrets to that breast Whence ... let Avon tell the rest! | Discover our poem explanations - click here!Other Poems of Interest...ROSE AND MURRAY by CONRAD AIKEN THOUGH WE NO LONGER POSSESS IT by MARK JARMAN THE GLORY OF THE DAY WAS IN HER FACE by JAMES WELDON JOHNSON LOVE COME AND GONE by GEORGIA DOUGLAS JOHNSON CHAMBER MUSIC: 28 by JAMES JOYCE CHAMBER MUSIC: 33 by JAMES JOYCE A SCOTCH SONG by JOANNA BAILLIE |
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