Classic and Contemporary Poetry
TOWARDS DEMOCRACY: PART 4. IN THE BRITISH MUSEUM LIBRARY, by EDWARD CARPENTER Poet's Biography First Line: How lovely Last Line: Be still, o soul, and know that thou art god. Subject(s): British Museum, London; Museums; Art Gallerys | ||||||||
HOW lovely! This vast vast domeand the suspended sounds within it! Sounds and echoes of the great city vibrating tirelessly night and day; Voices and footfalls, of the little creatures that walk about its floor, half-lost in the huge concave; Suspended whispers, from its walls, of far forgotten centuries. How lovely! All the myriad bookswell-nigh two millions of volumesthe interminable iron galleries, the forty miles or so of closely-packed shelves; The immense catalogueitself a small libraryof over a thousand volumes; The thousands of editions of the Bible and parts of the Bible, with texts, commentaries, translations in every known tonguethese alone occupying sixteen volumes of catalogue; The thousands of Shakespeare books, or of Aristotle, the hundreds of Homer, Virgil, Chaucer, Dante, Montaigne, Goethe, Voltaire, Byron; The mountain-peaks of literature, and the myriads of lesser hills and shoulders and pointsthe mole-hills and grass-blades even; The interminable discussions of the Schoolmen and Grammarians, the equally interminable discussions of modern Sciencethe investigations into ghostly geometries of four or five dimensions, or into the values of c and g in the Lunar Theory, or into the alternation of generations in some obscure Annelids; How bewildering! how impossible to sum up and estimate! And then to think how slight it all is A little remnant of faded thought; A little dust just crumbled through the fingers, hardly more; The residue and deposit of ages; The dead leaves, the skeleton foliage, which generations of trees have cast upon the earthand which with infinite care we sort and catalogue! And then to leave the mouldy stuffy vault, and go out, and breathe freely, How lovely! One living bud upon a little branch, One face that looks and passes in the street, And these contain it all. How lovely! To think there are all these booksand one need not read them; To think of all the patient purblind accumulations, all the dry-as-dust, the fatuous drivel, the maundering vanity, the endless repetitions of vain things, The endless care and industry and science used to sort out the pearls from the vast heap [And we only know they are pearls because we already have the same within ourselves] And to think we need not stop to count them. What is it, such a library? It is the homage of industrious dulness to the human soul. [Once there lived a manhe actually thought and felthe wrote even a single sentence of sensehe uttered a word from his heart. Then all the nations said, "O if we may but attain to save this divine spark from oblivion, let us erect even such a labyrinthine monument as this."] Come, come away! The single hair of Buddha encased in a dágoba-mountain of brick and mortar grows now, even such a hair, upon thy loved one's head. Come, come away! leave books, traditions, all the dross of centuries, Clean, clean thy wings, and fly through other worlds. Heaven's stars shine all around thee; Deep in thy Heart the ageless celestial Museum Waits its explorer. All that they saidthose wise ones They say and repeat it now, where the plough-boy drives his furrow: Be still, O Soul, and know that thou art God. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...HISTORICAL MUSEUM, MANITOULIN ISLAND by LISEL MUELLER AT THE BRITISH MUSEUM by RICHARD ALDINGTON THE DOLLS MUSEUM IN DUBLIN by EAVAN BOLAND A PARIS BLACKBIRD by LAURE-ANNE BOSSELAAR AT THE MUSEE RODIN IN PARIS by LAURE-ANNE BOSSELAAR TULIPS AND ADDRESSES by EDWARD FIELD THE HEAD ON THE TABLE by JOHN HAINES IN GALLERIES by RANDALL JARRELL HOMAGE TO P. MELLON, I.M. PEI, THEIR GALLERY AND WASHINGTON by WILLIAM MEREDITH AS A MOULD FOR SOME FAIR FORM by EDWARD CARPENTER |
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