Poetry Explorer- Classic Contemporary Poetry, THE BUILDING, by JOHN DRINKWATER


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Classic and Contemporary Poetry

THE BUILDING, by                 Poet Analysis     Poet's Biography
First Line: Whence these hods, and bricks of bright red
Last Line: Chaos transfigured into lineament.
Subject(s): Buildings & Builders; Details; Things


WHENCE these hods, and bricks of bright red clay,
And swart men climbing ladders in the night?

Stilled are the clamorous energies of day,
The streets are dumb, and, prodigal of light,
The lamps but shine upon a city of sleep.
A step goes out into the silence; far
Across the quiet roofs the hour is tolled
From ghostly towers; the indifferent earth may keep
That ragged flotsam shielded from the cold
In earth's good time: not, moving among men,
Shall he compel so fortunate a star.
Pavements I know, forsaken now, are strange,
Alien walks not beautiful, that then,
In the familiar day, are part of all
My breathless pilgrimage, not beautiful, but dear;
The monotony of sound has suffered change,
The eddies of wanton sound are spent, and clear
To bleak monotonies of silence fall.

And, while the city sleeps, in the central poise
Of quiet, lamps are flaming in the night,
Blown to long tongues by winds that moan between
The growing walls, and throwing misty light
On swart men bearing bricks of bright red clay
In laden hods; and ever the thin noise
Of trowels deftly fashioning the clean
Long lines that are the shaping of proud thought.
Ghost-like they move between the day and day,
These men whose labour strictly shall be wrought
Into the captive image of a dream.
Their sinews weary not, the plummet falls
To measured use from steadfast hands apace,
And momently the moist and levelled seam
Knits brick to brick and momently the walls
Bestow the wonder of form on formless space.

And whence all these? The hod and plummet-line,
The trowels tapping, and the lamps that shine
In long, dust-heavy beams from wall to wall,
The mortar and the bricks of bright red clay,
Ladder and corded scaffolding, and all
The gear of common traffic -- whence are they?
And whence the men who use them?
When he came,
God upon chaos, crying in the name
Of all adventurous vision that the void
Should yield up man, and man, created, rose
Out of the deep, the marvel of all things made,
Then in immortal wonder was destroyed
All worth of trivial knowledge, and the close
Of man's most urgent meditation stayed
Even as his first thought -- "Whence am I sprung?"
What proud ecstatic mystery was pent
In that first act for man's astonishment,
From age to unconfessing age, among
His manifold travel. And in all I see
Of common daily usage is renewed
This primal and ecstatic mystery
Of chaos bidden into many-hued
Wonders of form, life in the void create,
And monstrous silence made articulate.

Not the first word of God upon the deep
Nor the first pulse of life along the day
More marvellous than these new walls that sweep
Starward, these lines that discipline the clay,
These lamps swung in the wind that send their light
On swart men climbing ladders in the night.
No trowel-tap but sings anew for men
The rapture of quickening water and continent,
No mortared line but witnesses again
Chaos transfigured into lineament.





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