Classic and Contemporary Poetry
DON'T START, by ROBERT FARNSWORTH First Line: Over the phone, through which we struggled Subject(s): Cameras | ||||||||
Over the phone, through which we struggled so clumsily all those many years ago, I try now to describe the process of loading the camera. But I don't have the vocabulary to convey the steps, which aren't difficult, just (for a decade's worth of my having done them by touch) inarticulable. And we almost tumble back into something like those old set-tos, but save ourselves. The boys are asleep in the suite's next room after a long day sightseeing, and neither of us could bear having bickered at such a distance. Yet we used to bear it somehow, didn't we, remember? Now, because I know it's coming, I'm charmed by the rehearsal of your aversion to cameras. You keep fumbling the leader into place across the tiny room behind the shutter, and while I ask if you can feel little cogs through the bordering perforations, I am thinking of our wild sister-in-law, who calls monthly for commiserating sighs to punctuate her circular ventilations of pain, and how you hand me the phone with a good luck look that says you've forgotten those anguished toll-call silences between us twenty years ago. Now I'm judging the progress of the fire I've read beside all evening, and then you divine somehow, perhaps in a faintly anxious mid-sentence quaver, my intention to be off soon, to leave the house for some hours (the theater and a beer) -- you hear my intention to be gone, you hear. And in your voice I hear, with an exquisite quarter-swoop of spirit, I hear your consequent shift in tone, a certain cool flatness there, even as I also hear the camera click shut and the auto-winder whir. But we don't start, as once we might have, no -- I say where I am going, and you where you're off to with the boys and the camera tomorrow, and you yawn good-bye, until Sunday at the airport. For better or for worse (and it's thrilling not to know which), we don't, as once we might have, start. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...MY FATHER'S CAMERA by ANDREA HENY STREET by GERARD JOSEPH MALANGA DAUGHTER WITH CAMERA by ELISABETH MURAWSKI MEN RIGGED MY CHAMFERED OAK by WILLIAM SCAMMELL CLOSING TIME AT THE SAN DIEGO ZOO by KAREN SWENSON RESOLUTION OF A POETICAL QUESTION CONCERNING FOUR RURAL SISTERS: 2 by CHARLES COTTON |
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