Classic and Contemporary Poetry
THE PAINTER'S MISTRESS, by JAMES ELROY FLECKER Poet's Biography First Line: And still you paint, and still I stand Last Line: And in dark hollow tresses, gold. Subject(s): Models; Paintings & Painters | ||||||||
And still you paint, and still I stand White and erect, the classic pose, And still, a soft-winged bee, your hand Moves comrade of a glance that flows Over my body like love's tide: And still the pale noon-shadows glide. And still I hear each sound that falls, The wood that starts in the sun's heat, The mouse astir among the walls, While down the summer-smitten street A cart rolls lonely on: the hush Tightens: I hear the flickering brush. So with sweet pain for hour on hour I to your dark and roving eyes Abandon more than Love had power To offer, in Love's mysteries: You see me with the deeper sight, Veiled in faint air and gemmed with light. So shall the gaze of the soul-deep lover Guide where the sunray darts and swims Down from the shoulders: still discover The rose and iris of these limbs, Low flames that haunt the curve and fold And in dark hollow tresses, gold. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...1801: AMONG THE PAPERS OF THE ENVOY TO CONSTANTINOPLE by RICHARD HOWARD VENETIAN INTERIOR, 1889 by RICHARD HOWARD THERE IS A GOLD LIGHT IN CERTAIN OLD PAINTINGS by DONALD JUSTICE DUTCH INTERIORS by JANE KENYON INVITATION TO A PAINTER: 3 by WILLIAM ALLINGHAM THE CHINA PAINTERS by TED KOOSER ELEGY FOR SOL LEWITT by ANN LAUTERBACH ON THE SEPARATION OF ADAM AND EVE by TIMOTHY LIU SANTORIN (A LEGEND OF THE AEGEAN) by JAMES ELROY FLECKER |
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