Classic and Contemporary Poetry
BALANCE AND BEAUTY, by CLARENCE MAJOR Poet Analysis Poet's Biography First Line: We go over to see the head of a woman | ||||||||
We go over to see the head of a woman -- even more: night and mandolin. One has to be right- handed to get into the microcosm. We slip in the back- door: both working from the other side of our brains. At Port Lympia nobody notices how skillful I am at cracking crab shells with my right hand. Don't anticipate. Up here, slightly above skyline, nothing invades our rest in the shaded cavities of this hillside. This is no picnic at Saint Philippe. The head of the woman remains an unrealized objective. In the village of Helene they ask why am I so sure about this left-handed business. I show them a map of my nervous system. They say this proves nothing. Used with the permission of Copper Canyon Press, P.O. Box 271, Port Townsend, WA 98368-0271, www.cc.press.org | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THE SYNCOPATED CAKEWALK by CLARENCE MAJOR REVELATION AT CAP FERRAT by CLARENCE MAJOR SAND FLESH AND SKY by CLARENCE MAJOR A GUY I KNOW ON 47TH AND COTTAGE by CLARENCE MAJOR AGING TOGETHER by CLARENCE MAJOR AT THE ZOO IN SPAIN by CLARENCE MAJOR ATELIER CEZANNE by CLARENCE MAJOR BALLROOM DARK by CLARENCE MAJOR |
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