Poetry Explorer- Classic Contemporary Poetry, EXCLUDED MIDDLE, by EDGAR LEE MASTERS


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Classic and Contemporary Poetry

EXCLUDED MIDDLE, by                 Poet Analysis     Poet's Biography
First Line: Out of the mercury shimmer of glass
Last Line: Live now or die indeed!


Out of the mercury shimmer of glass
Over these daguerreotypes
The balloon-like spread of a skirt of silk emerges
With its little figure of flowers.
And the enameled glair of parted hair
Lies over the oval brow,
From under which eyes of fiery blackness
Look through you.
And the only repose of spirit shown
Is in the hands
Lying loosely one in the other,
Lightly clasped somewhat below the breast....
And in the companion folder of this case
Of gutta percha
Is the shape of a man.
His brow is oval too, but broader.
His nose is long, but thick at the tip.
His eyes are blue
Wherein faith burns her signal lights,
And flashes her convictions.
His mouth is tense, almost a slit.
And his face is a massive Calvinism
Resting on a stock tie.
They were married, you see.
The clasp on this gutta percha case
Locks them together.
They were locked together in life.
And a hasp of brass
Keeps their shadows face to face in the case
Which has been handed down --
(The pictures of noble ancestors,
Showing what strains of gentle blood
Flow in the third generation) --
From Massachusetts to Illinois....

Long ago it was over for them,
Massachusetts has done its part,
She raised the seed
And a wind blew it over to Illinois
Where it has mixed, multiplied, mutated
Until one soul comes forth:
But a soul all striped and streaked,
And a soul self-crossed and self-opposed,
As it were a tree which on one branch
Bears northern spies,
And on another thorn apples....

Come Weissmann, Von Baer and Schleiden,
And you Buffon and De Vries,
Come with your secrets of sea shore asters
Night-shade, henbanes, gloxinias,
Veronicas, snap-dragons, Danebrog,
And show us how they cross and change,
And become hybrids.
And show us what heredity is,
And how it works.
For the secret of these human beings
Locked in this gutta percha case
Is the secret of Mephistos and red Campions.

Let us lay out the facts as far as we can.
Her eyes were black,
His eyes were blue.
She saw through shadows, walls and doors,
She knew life and hungered for more.
But he lived in the mists, and climbed to high places
To feel clouds about his face, and get the lights
Of supernal sun-sets.
She was reason, and he was faith.
She had an illumination, but of the intellect.
And he had an illumination but of the soul.
And she saw God as merciless law,
And he knew God as divine love.
And she was a man, and he in part was a woman.
He stood in a pulpit and preached the Christ,
And the remission of sins by blood,
And the literal fall of man through Adam,
And the mystical and actual salvation of man
Through the coming of Christ.

And she sat in a pew shading her great eyes
To hide her scorn for it all.
She was crucified,
And raged to the last like the impenitent thief
Against the fate which wasted and trampled down
Her wisdom, sagacity, versatile skill,
Which would have piled up gold or honors
For a mate who knew that life is growth,
And health, and the satisfaction of wants,
And place and reputation and mansion houses,
And mahogany and silver,
And beautiful living.
She hated him, and hence she pitied him.
She was like the gardener with great pruners
Deciding to clip, sometimes not clipping
Just for the dread.
She had married him -- but why?
Some inscrutable air
Wafted his pollen to her across a wide garden --
Some power had crossed them.
And here is the secret I think:
(As we would say here is electricity)
It is the vibration inhering in sex
That produces devils or angels,
And it is the sex reaction in men and women
That brings forth devils or angels,
And starts in them the germs of powers or passions,
Becoming loves, ferocities, gifts and weaknesses,
Till the stock dies out.
So now for their hybrid children: --
She gave birth to four daughters and one son.

But first what have we for the composition of these daughters?
Reason opposed and becoming keener therefor.
Faith mocked and drawing its mantel closer.
Love thwarted and becoming acid.
Hatred mounting too high and thinning into pity.
Hunger for life unappeased and becoming a stream under-ground
Where only blind things swim.
God year by year removing himself to remoter thrones
Of inexorable law.
God coming closer even while disease
And total blindness came between him and God
And defeated the mercy of God.
And a love and a trust growing deeper in him
As she in great thirst, hanging on the cross,
Mocked his crucifixion,
And talked philosophy between the spasms of pain,
Till at last she is all satirist,
And he is all saint.

And all the children were raised
After the strictest fashion in New England,
And made to join the church,
And attend its services.
And these were the children:

Janet was a religious fanatic and a virago,
She debated religion with her husband for ten years,
Then he refused to talk, and for twenty years
Scarcely spoke to her.
She died a convert to Catholicism.
They had two children:
The boy became a forgerer
Of notorious skill.
The daughter married, but was barren.

Miranda married a rich man
And spent his money so fast that he failed.
She lashed him with a scorpion tongue
And made him believe at last
With her incessant reasonings
That he was a fool, and so had failed.
In middle life he started over again,
But became tangled in a law-suit.
Because of these things he killed himself.

Louise was a nymphomaniac.
She was married twice.
Both husbands fled from her insatiable embraces.
At thirty-two she became a woman on a telephone list,
Subject to be called,
And for two years ran through a daily orgy of sex,
When blindness came on her, as it came on her father before her,
And she became a Christian Scientist,
And led an exemplary life.

Deborah was a Puritan of Puritans,
Her list of unmentionable things
Tabooed all the secrets of creation,
Leaving politics, religion, and human faults,
And the mistakes most people make,
And the natural depravity of man,
And his freedom to redeem himself if he chooses,
As the only subjects of conversation.
As a twister of words and meanings,
And a skilled welder of fallacies,
And a swift emerger from ineluctable traps of logic,
And a wit with an adder's tongue,
And a laugher,
And an unafraid facer of enemies,
Oppositions, hatreds,
She never knew her equal.
She was at once very cruel, and very tender,
Very selfish and very generous
Very little and very magnanimous.
Scrupulous as to the truth, and utterly disregardless of the truth.
Of the keenest intuitions, yet gullible,
Easily used at times, of erratic judgment,
Analytic but pursuing with incredible swiftness
The falsest trails to her own undoing --
All in all the strangest mixture of colors and scent
Derived from father and mother,
But mixed by whom, and how, and why?

Now for the son named Herman, rebel soul.
His brow was like a loaf of bread, his eyes
Turned from his father's blue to gray, his nose
Was like his mother's, skin was dark like hers.
His shapely body, hands and feet belonged
To some patrician face, not to Marat's.
And his was like Marat's, fanatical,
Materialistic, fierce, as it might guide
A reptile's crawl, but yet he crawled to peaks
Loving the hues of mists, but not the mists
His father loved. And being a rebel soul
He thought the world all wrong. A nothingness
Moving as malice marred the life of man.
'Twas man's great work to fight this Giant Fraud,
And all who praise and serve Him. 'Tis for man
To free the world from error, suffer, die
For liberty of thought. You see his mother
Is in possession of one part of him,
Or all of him for some time.

So he lives
Nursing the dream (like father he's a dreamer)
That genius fires him. All the while a gift
For analytics stored behind that brow,
That bulges like a loaf of bread, is all
Of which he well may boast above the man
He hates as but a slave of faith and fear.
He feeds luxurious doubt with Omar Khyam,
But for long years neglects the jug of wine.
And as for "thou" he does not wake for years,
Is a pure maiden when he weds, the grains
Run counter in him, end in knots at times.
He takes from father certain tastes and traits,
From mother certain others, one can see
His mother's sex re-actions to his father,
Not passed to him to make him celibate,
But holding back in sleeping passions which
Burst over bounds at last in lust, not love.
Not love since that great engine in the brow
Tears off the irised wings of love and bares
The poor worm's body where the wings had been:
What is it but desire? Such stuff in rhyme
In music over what is but desire,
And ends when that is satisfied!

He's a crank.
And follows all the psychic thrills which run
To cackles o'er the world. It's Looking Backward,
Or Robert Elsmere, Spencer's Social Statics,
It's socialism, Anarchism, Peace,
It's non-resistance with a swelling heart,
As who should say how truer to the faith
Of Jesus am I, without hope or faith,
Than churchmen. He's a prohibitionist,
The poor's protagonist, the knight at arms
Of fallen women, yelling at the rich
Whose wicked greed makes all the prostitutes --
No prostitutes without the wicked rich!
But as he ages, as the bitter days
Approach with perorations: O ye vipers,
The engine in him changes all the world,
Reverses all the wheels of thought behind.
For Nietzsche comes, and makes him superman.
He dumps the truth of Jesus over -- there
It lies with his youth's textual skepticism,
And laughter at the supernatural.

Now what's the motivating principle
Of such a mind? In youth he sought for rules
Wherewith to trail and capture truths. He found it
In James McCosh's Logic, it was this:
Lex Exclusi Tertii aut Medii,
Law of Excluded Middle speaking plain:
A thing is true, or not true, never a third
Hypothesis, so God is or is not.
That's very good to start with, how to end,
And how to know which of the two is false --
He hunted out the false, as mother did --
Requires a tool. He found it in this book,
Reductio ad absurdum; let us see
Excluded middle use reductio.
God is or God is not, but then what God?
Excluded Middle never sought a God
To suffer demolition at his hands
Except the God of Illinois, the God
Grown but a little with his followers
Since Moses lived and Peter fished. So now
God is or God is not. Let us assume
God is and use reductio ad absurdum,
Taking away the rotten props, the posts
That do not fit or hold, and let Him fall.
For if he falls, the other postulate
That God is not is demonstrated. See
A universe of truth pass on the way
Cleared by Excluded Middle through the stuff
Of thought and visible things, a way that lets
A greater God escape, uncaught by all
The nippers of reductio ad absurdum.
But to resume his argument was this:
God is or God is not, but if God is
Why pestilence and war, earthquake and famine?
He either wills them, or cannot prevent them,
But if he wills them God is evil, if
He can't prevent them, he is limited.
But God, you say, is good, omnipotent,
And here I prove Him evil, or too weak
To stay the evil. Having shown your God
Lacking in what makes God, the proposition
Which I oppose to this, that God is not
Stands proven. For as evil is most clear
In sickness, pain and death, it cannot be
There is a Power with strength to overcome them,
Yet suffers them to be.

And so this man
Went through the years of life, and stripped the fields
Of beauty and of thought with mandibles
Insatiable as the locust's, which devours
A season's care and labor in an hour.
He stripped these fields and ate them, but they made
No meat or fat for him. And so he lived
On his own thought, as starving men may live
On stored up fat. And so in time he starved.
The thought in him no longer fed his life,
And he had withered up the outer world
Of man and nature, stripped it to the bone,
Nothing but skull and cross-bones greeted him
Wherever he turned -- the world became a bottle
Filled with a bitter essence he could drink
From long accustomed doses -- labeled poison
And marked with skull and cross-bones. Could he laugh

As mother laughed? No more! He tried to find
The mother's laugh and secret for the laugh
Which kept her to the end -- but did she laugh?
Or if she laughed, was it so hollow, forced
As all his laughter now was. He had proved
Too much for laughter. Nothing but himself
Remained to keep himself, he lived alone
Upon his stored up fat, now daily growing
To dangerous thinness.

So with love of woman.
He had found "thou" the jug of wine as well,
"Thou" "thou" had come and gone too many times.
For what is sex but touch of flesh, the hand
Is flesh and hands may touch, if so, the loins --
Reductio ad absurdum, O you fools,
Who see a wrong in touch of loins, no wrong
In clasp of hands. And so again, again
With his own tools of thought he bruised his hands
Until they grew too callous to perceive
When they were touched.

So by analysis
He turned on everything he once believed.
Let's make an end!

Men thought Excluded Middle
Was born for great things. Why that bulging brow
And analytic keen if not for greatness?
In those old days they thought so when he fought
For lofty things, a youthful radical
Come here to change the world! But now at last
He lectures in back halls to youths who are
What he was in his youth, to acid souls
Who must have bitterness, can take enough
To kill a healthy soul, as fiends for dope
Must have enough to kill a body clean.
And so upon a night Excluded Middle
Is lecturing to prove that life is evil,
Not worth the living -- when his auditors
Behold him pale and sway and take his seat,
And later quit the hall, the lecture left
Half finished.

This had happened in a twinkling:
He had made life a punching bag, with fists,
Excluded Middle and Reductio,
Had whacked it back and forth. But just as often
As he had struck it with an argument
That it is not worth living, snap, the bag
Would fly back for another punch. For life
Just like a punching bag will stand your whacks
Of hatred and denial, let you punch
Almost at will. But sometime, like the bag,
The strap gives way, the bag flies up and falls
And lies upon the floor, you've knocked it out.
And this is what Excluded Middle does
This night, the strap breaks with his blows. He proves
His strength, his case and for the first he sees
Life is not worth the living. Life gives up,
Resists no more, flys back no more to him,
But hits the ceiling, snap the strap gives way!
The bag falls to the floor, and lies there still --
Who now shall pick it up, re-fasten it?
And so his color fades, it well may be
The crisis of a long neurosis, well
What caused it? But his eyes are wondrous clear
Perceiving life knocked out. His heart is sick,
He takes his seat, admiring friends swarm round him,
Conduct him to a carriage, he goes home
And sitting by the fire (O what is fire?
The miracle of fire dawns on his thought,
Fire has been near him all these years unseen,
How wonderful is fire!) which warms and soothes
Neuritic pains, he takes the rubber case
Which locks the images of father, mother.
And as he stares upon the oval brow,
The eyes of blue which flash the light of faith,
Preserved like dendrites in this silver shimmer,
Some spectral speculations fill his brain,
Float like a storm above the sorry wreck
Of all his logic tools, machines; for now
Since pains in back and shoulder like to father's
Fall to him at the age that father had them,
Father has entered him, has settled down
To live with him with those neuritic pangs.
Thus are his speculations. Over all
How comes it that a sudden feel of life,
Its wonder, terror, beauty is like father's?
As if the soul of father entered in him
And made the field of consciousness his own,
Emotions, powers of thought his instruments.
That is a horrible atavism, when
You find yourself reverting to a soul
You have not loved, despite yourself becoming
That other soul, and with an out-worn self
Crying for burial on your hands, a life
Not yours still now that waits your new found powers --
Live now or die indeed!





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