SOME nomad yearning burns within my singing For that bleak beauty scorned of lute and lyre, That loveliness of gray whereon are winging The last wild lyrists of the marsh and mire. And, lest that migrant choir Should wing away all music from the land, By one forgotten lake I chant this song; And that cold passion of her choric sand Shall to my muse belong. This lake, unnamed in June, is still more nameless Amid this ruined grandeur of the year, These roofless, pillared temples where the tameless Young Winter soon will chase her frosty spear; And where even now I hear The prelude of her long and ghostly wail In boughs that creak and shallows that congeal. And, like a child who hears some ghostly tale, A strange delight I feel. I saw the year pass by me like a dancer: The imp of April and the child of May, The modest maid of June with her soft answer To every wooing wind that blew her way. And now, this autumn day, When the high rouge of leaf no more conceals And there is none to pipe a dancing theme, A woman old, with heavy toes and heels, Plods by me in a dream. Let others pour their opulence of roses To please their high-born ladies of the tower; Rather would I the thin, wan hand that closes In grateful love about my simple flower. While comrade singers shower With wonderment of word and garish phrase The luscious year, that moves from plough to plough, I rest content to twine mine austere bays About November's brow. Here, in this cheerless womb, is born the glory Of June's white-woven whorl of scented hours. And here, within this mist supine and hoary, Is dreamed the foot of April's dancing showers. Here, where the black leaf cowers Against the dusky bosom of the earth, Is drawn the milk that feeds the dawning year; And Flora plans, herself, the rhythmic birth Of spring's new chorus here. Above my nameless lake the broken fingers Of those once-hardy reeds are jewelled with ice; The mallard duck, despite this warning, lingers Until the gripping air is like a vice. The year hath tossed her dice And lost the Indian summer, and the loon Chills, with her wintry laughter, the bleak skies -- And, where a meagre sun is doled at noon, A wounded pheasant dies. And, lest these hueless days should pass despairing, The rose hath garbed her seeds in orbs of red -- The last warm touch of pure, autumnal daring In all this frosty garden of the dead. The quail, to hardship bred, Frames her soft eyes with tangled brush and brier, And woos us with the contrast; and the hare, Urged by the weasel's probing eyes of fire, Leaps from her peaceful lair. This is the hour when the bold sun is sleeping On his last couch -- and here his lady comes, Cold as a cloud that will not melt to weeping, And breaks the flutes and muffles all the drums, And the last warmth benumbs. I know the road she walks to greet her lord By the strange rustle of her silken dress; Or do I hear the oak-tree's phantom horde Of dead leaves in distress? O troubadours of spring! O bards of gladness, Who in the scented gardens love to throng! So loath are ye to sing the hour of sadness When all the world is hungry for a song, And nights are strange and long, That I, in this pale hour, have called mine art To hymn that beauty, scorned of pen and tongue; For God Himself hath set my song apart To praise His worlds unsung. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...RETROSPECTION by GEORGIA DOUGLAS JOHNSON JULY IN GEORGY by JAMES WELDON JOHNSON THE UNDERGRADUATE KILLED IN BATTLE; OXFORD, 1915 by GEORGE SANTAYANA HYBRIDS OF WAR: A MORALITY POEM: 4. THE MORAL by KAREN SWENSON THE VIKING GRAVE AT LADBY by KAREN SWENSON |