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Classic and Contemporary Poetry


THE EVENING COMPANY by JAMES WHITCOMB RILEY

Poet Analysis

First Line: WITHIN THE SITTING-ROOM, THE COMPANY
Last Line: BUT TELL HIM ALL ABOUT RED RIDING-HOOD.
Subject(s): GUESTS; VISITING;

WITHIN the sitting-room, the company
Had been increased in number. Two or three
Young couples had been added: Emma King,
Ella and Mary Mathers -- all could sing
Like veritable angels -- Lydia Martin, too,
And Nelly Millikan. -- What songs they knew! --

@3"'Ever of thee -- wherever I may be,
Fondly I'm drea-m-ing ever of thee!'"@1

And with their gracious voices blend the grace
Of Warsaw Barnett's tenor; and the bass
Unfathomed of Wick Chapman -- Fancy still
Can @3feel,@1 as well as @3hear@1 it, thrill on thrill,
Vibrating plainly down the backs of chairs
And through the wall and up the old hall-stairs. --
Indeed, young Chapman's voice especially
Attracted @3Mr. Hammond.@1 -- For, said he,
Waiving the most Elysian sweetness of
The @3ladies'@1 voices -- altitudes above
The @3man's@1 for sweetness; -- @3but@1 -- as @3contrast,@1 would
Not Mr. Chapman be so very good
As, just now, to oblige @3all@1 with -- in fact,
Some sort of @3jolly@1 song, -- to counteract
In part, at least, the sad, pathetic trend
Of music @3generally@1. Which wish our friend
"The Noted Traveler" made second to
With heartiness -- and so each, in review,
Joined in -- until the radiant @3basso@1 cleared
His wholly unobstructed throat and peered
Intently at the ceiling -- voice and eye
As opposite indeed as earth and sky. --
Thus he uplifted his vast bass and let
It roam at large the memories booming yet:

"'Old Simon the Cellarer keeps a rare store
Of Malmsey and Malvoi-sie,
Of Cyprus, and who can say how many more? --
But a chary old soul is he-e-ee --
A chary old so-u-l is he!
Of hock and Canary he never doth fail;
And all the year round, there is brewing of ale; --
Yet he never aileth, he quaintly doth say,
While he keeps to his sober six flagons a day.'"

. . . And then the chorus -- the men's voices all
@3Warred@1 in it -- like a German Carnival. --
Even @3Mrs.@1 Hammond smiled, as in her youth,
Hearing her husband. -- And in veriest truth
"The Noted Traveler's" ever-present hat
Seemed just relaxed a little, after that,
As at conclusion of the Bacchic song
He stirred his "float" vehemently and long.
Then Cousin Rufus with his flute, and art
Blown blithely through it from both soul and heart --
Inspired to heights of mastery by the glad,
Enthusiastic audience he had
In the young ladies of a town that knew
No other flutist, -- nay, nor @3wanted@1 to,
Since they had heard @3his@1 "Polly Hopkins Waltz,"
Or "Rickett's Hornpipe," with its faultless faults,
As rendered solely, he explained, "by ear,"
Having but heard it once, Commencement Year,
At "Old Ann Arbor."
Little Maymie now
Seemed "friends" with @3Mr. Hammond@1 -- anyhow,
Was lifted to his lap -- where settled, she,
Enthroned thus, in her dainty majesty,
Gained @3universal@1 audience -- although
Addressing him alone: -- "I'm come to show
You my new Red-blue pencil; and @3she@1 says" --
(Pointing to @3Mrs.@1 Hammond) -- "that she guess'
You'll make a @3picture@1 fer me."
"And what @3kind@1
Of picture?" Mr. Hammond asked, inclined
To serve the child as bidden, folding square
The piece of paper she had brought him there, --
"I don't know," Maymie said -- "only ist make
A @3little dirl,@1 like me!"
He paused to take
A sharp view of the child, and then he drew --
A while with red, and then a while with blue --
The outline of a little girl that stood
In converse with a wolf in a great wood;
And she had on a hood and cloak of red --
As Maymie watched -- @3"Red Riding-Hood!"@1 she said.
"And who's @3'Red Riding-Hood'?"@1
"W'y, don't @3you@1 know?"
Asked little Maymie --
But the man looked so
All uninformed, that little Maymie could
But tell him @3all about@1 Red Riding-Hood.



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