"White Lilies" is a poem by Louise Elizabeth Glück, first published in her 1980 collection "Descending Figure." It is a meditation on the nature of love and its relationship to loss, set against the backdrop of a garden. Explanation: The poem opens with an image of white lilies in a garden, and the speaker's observation that they are already starting to wither, suggesting that they will not last long. This sets the tone for a meditation on the fleeting nature of love, and how it is inevitably bound up with loss. The speaker reflects on the paradox of love, which brings great joy but also great pain, as it is always vulnerable to loss. They suggest that love may be a form of madness, and that the beloved may be seen as an idealized projection rather than a real person. As the poem progresses, the speaker becomes increasingly introspective, exploring their own fears of loss and the need to protect themselves from it. They suggest that love may be a form of self-deception, and that the beloved may not truly exist outside of their own projections. The poem ends with a recognition that love is ultimately a mystery, beyond our understanding or control, and that it must be accepted as it is, with all its joys and sorrows. Poetic Elements:
Conclusion: "White Lilies" is a poignant meditation on the nature of love, loss, and the paradoxical nature of human emotion. Glück's use of vivid imagery and metaphor create a powerful sense of the transience of love, while the introspective tone invites the reader to reflect on their own experiences of love and loss. Ultimately, the poem suggests that love is a mystery beyond our understanding, but one that must be embraced and accepted as it is. Poem Snippet: "Only a garden, flawless and distinct for miles, stands between us: we are beings apart in the same world, a momentary epidemic of identity." | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...A BALLAD OF THE BOSTON TEA-PARTY [DECEMBER 16, 1773] by OLIVER WENDELL HOLMES OLD IRONSIDES by OLIVER WENDELL HOLMES BROWNING AT ASOLO by ROBERT UNDERWOOD JOHNSON BURNS by JOHN GREENLEAF WHITTIER FRIEND by MARJORIE DUGDALE ASHE THE LOVE SONNETS OF PROTEUS: 24, ASKING FOR HER HEART (2) by WILFRID SCAWEN BLUNT |