The narrative moves to a relaxed Diane and Pete, who seems to be talking about the afternoon. This section introduces a theme of time, particularly the past, intruding into the present. Ashbery's use of surreal imagery, such as a fight with garbage, adds a layer of absurdity and unpredictability to the poem. The story continues with the return of Pete and others, including a dog named Rags. The mention of a "fuse" could symbolize a potential for explosive revelation or discovery. The mention of the crops and an abandoned silo hints at a rural setting, adding a touch of nostalgia and decay. The poem then delves into a sequence of images and scenes that seem to be disconnected yet are bound by a sense of mystery and anticipation. The mention of a pastel tent and flags suggests a festive or ceremonial occasion, while the reference to a flood washing over the day symbolizes a cleansing or transformative force. As the poem progresses, the narrative becomes increasingly abstract, with references to anagrams, messages in the stars, and scouts in corn shocks. These elements contribute to a sense of a larger, unseen force at work, guiding or influencing the characters' actions. The poem concludes with a shift to a more concrete scene of voting, indicating a communal decision-making process. The mention of closing a shaftway and a subway brings the narrative back to a more urban setting, contrasting with the earlier rural imagery. The closing lines, with the characters boarding a bus and entering a "dim place of curlicues and bas-reliefs," suggest a transition to a new phase or chapter, both literally and metaphorically. Overall, "Girls on the Run: 2" is a richly layered poem that blends surreal imagery with a sense of narrative progression. Ashbery's use of diverse characters, settings, and themes creates a tapestry of meaning that invites multiple interpretations, reflecting the complexity and ambiguity of human experience. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...GLORY OF WOMEN by SIEGFRIED SASSOON FIDELIA: 4. THE AUTHOR'S RESOLUTION IN A SONNET by GEORGE WITHER THE SECOND VOLUME by ROBERT MOWRY BELL ECCLESIASTES: THE LIGHT IS SWEET by OLD TESTAMENT BIBLE |