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Classic and Contemporary Poetry
THE GOOD TOWN, by EDWIN MUIR Poet Analysis Poet's Biography First Line: Look at it well. This was the good town once Last Line: These thoughts we have, walking among our ruins. Subject(s): City & Town Life | |||
Look well. These mounds of rubble, And shattered piers, half-windows, broken arches And groping arms were once inwoven in walls Covered with saints and angels, bore the roof, Shot up the towering spire. These gaping bridges Once spanned the quiet river which you see Beyond that patch of raw and angry earth Where the new concrete houses sit and stare. Walk with me by the river. See, the poplars Still gather quiet gazing on the stream. The white road winds across the small green hill And then is lost. These few things still remain. Some of our houses too, though not what once Lived there and drew a strength from memory. Our prople have been scattered, or have come As strangers back to mingle with the strangers Who occupy our rooms where none can find The place he knew but settles where he can. No family now sits at the evening table; Father and son, mother and child are out, A quaint and obsolete fashion. In our houses Invaders speak their foreign tongues, informers Appear and disappear, chance whores, officials Humble or high, frightened, obsequious, Sit carefully in corners. My old friends (Friends ere these great disasters) are dispersed In parties, armies, camps, conspiracies. We avoid each other. If you see a man Who smiles good-day or waves a lordly greeting Be sure he's a policeman or a spy. We know them by their free and candid air. It was not time that brought these things upon us, But these two wars that trampled on us twice, Advancing and withdrawing, like a herd Of clumsy-footed beasts on a stupid errand Unknown to them or us. Pure chance, pure malice, Or so it seemed. And when, the first war over, The armies left and our own men came back From every point by many a turning road, Maimed, crippled, changed in body or in mind, It was a sight to see the cripples come Out on the fields. The land looked all awry, The roads ran crooked and the light fell wrong. Our fields were like a pack of cheating cards Dealt out at random - all we had to play In the bad game for the good stake, our life. We played; a little shrewdness scraped us through. Then came the second war, passed and repassed, And now you see our town, the fine new prison, The house-doors shut and barred, the frightened faces Peeping round corners, secret police, informers, And all afraid of all. How did it come? From outside, so it seemed, an endless source, Disorder inexhaustible, strange to us, Incomprehensible. Yet sometimes now We ask ourselves, we the old citizens: Could it have come from us? Was our peace peace? Our goodness goodness? That old life was easy And kind and comfortable; but evil is restless And gives no rest to the cruel or the kind. How could our town grow wicked in a moment? What is the answer? Perhaps no more than this, That once the good men swayed our lives, and those Who copied them took a while the hue of goodness, A passing loan; while now the bad are up, And we, poor ordinary neutral stuff, Not good nor bad, must ape them as we can, In sullen rage or vile obsequiousness. Say there's a balance between good and evil In things, and it's so mathematical, So finely reckoned that a jot of either, A bare preponderance will do all you need, Make a town good, or make it what you see. But then, you'll say, only that jot is wanting, That grain of virtue. No: when evil comes All things turn adverse, and we must begin At the beginning, heave the groaning world Back in its place again, and clamp it there. Then all is hard and hazardous. We have seen Good men made evil wrangling with the evil, Straight minds grown crooked fighting crooked minds. Our peace betrayed us; we betrayed our peace. Look at it well. This was the good town once.' These thoughts we have, walking among our ruins. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...SUMMER IN A SMALL TOWN by TONY HOAGLAND EVERYTHING'S A FAKE by FANNY HOWE ONE NIGHT IN BALTHAZAR by FANNY HOWE YOU CAN?ÇÖT WARM YOUR HANDS IN FRONT OF A BOOK BUT YOU CAN WARM YOUR HOPES THERE by FANNY HOWE PHOTO OF A MAN ON SUNSET DRIVE: 1914, 2008 by RICHARD BLANCO |
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