Classic and Contemporary Poetry
NO ROSES, by ELLEN GLINES First Line: Drop down no roses for me, saint dorothy Last Line: The true-cut marble tetragon . , . Subject(s): Mathematics | ||||||||
I Drop down no roses for me, Saint Dorothy, Samples of a flower-pranked paradise; I'm tried of roses -- a perfumed courtesanry, All things to all men . . . ointment, and a bed, Love, joy, the last devotion to the dead . . . Refusers of seed, self-robed luxuriously: Only the wild little sister Keeps her unsterile innocency. Curled, crimpled, cockled, chamfered, point-devise, Twisted, shame colored, fragile, futile things, Sense-titillating, incapable of wings, Can paradise be full of such as you? My paradise is whole, white, true. II Space was, and Light, and Silence . . . Creation took a hammer, Smashed all to bits, made patterns . . . Creation wearied; patterns halted . . . Back into wholeness uncreated The bits returned. Creatures, caught into painful patterns, Crave nothing now But Space; Light; Silence. III I am tired of color and form; when the artist takes Palette or chisel, shattered Beauty screams; A sunset sprawling above ensanguined lakes Tortures chaste Beauty Like a madman in his dreams: Torn scraps of her skin, a connoisseur will name In gem and porcelain; these are Beauty's shame. I saw a rainbow climb a palm tree's height And seek a shining cloud; color in sheaves, Penitent, beautiful, holy, returning to White . . . So, broken forms -- In which the sight believes -- Cube, conoid, polygon, dislimn in the deep embrace Of her from whom they came -- the Virgin, Space. IV Mathematics are a gate Of the City of Refuge: Beyond Algebra They cannot be taken personally, Music and color seduce, Being partial and personal V For the sport of little Creators of patterns, God the Source Gave Space; Light; Silence. Some day God will laugh, and say: Put your toys away where they belong! All shall return; return Into Space; Light; Silence. VI Of love I am more weary than of any, For not one love of her own shape is found, Seeking no further, in herself complete, But soft, unsure, taking the form of many . . . Not one, not one into one shape is bound, Not one is whole and sweet. Love's broken to bits, to bits; who shall mend her? Gather the shards with care or blood will flow! Love Carnal -- who is brave? -- who will defend her? Love Mental bears no fruit at all -- ah, woe, Poor castrate! Here's a smug passion, claims completeness In spirit and body, innocent laughable mild Hermaphrodite, unconscient of effeteness! Shrill-edged shard the love of mother for child; Blunted chip, the love of child for mother, Faute de mieux -- the son must find another . . . Would you indeed he should burn as Aedipus burned? Soul gives God adoration -- quid pro quo -- And God, seeing the greedy eyes upturned, Feels his love sour to pity, grow heavy, run slow. VII Form, color, song, are only broken bits; They must go back To the Source whence they came: Broken likewise is Love, until Death knits All fires in his one flame! Love's broken, Death whole -- Alleluia! Sing glory, my soul, Make holiday; Who wills to come, may. Groping through dust to death Love creeps brokenly; Absorbing wind of Death, Take my broken breath. Take me. VIII I'll not be buried with roses, with marching teary chants. Let six deaf and dumb eunuchs carry me To the peak of a mountain; let me lie Under a blank and scentless and silent sky. Set a womb of marble whitely on A marble base, cut true to a tetragon, With no more ardent flowers graced Than indian-pipes, carved camelias where no scent is, Sacred smaragdine orchises, And candid plaques of moon-bloom, unutterably chaste. IX Here, none shall come to visit me ever . . . Not you, too horribly faithful; -- No, nor you, Soft eyes kissing me to death, Leaving cold lips with too much breath! Nor you, hurrying to forget; Nor you, who cannot -- yet . . . Crawl up, would you, peer over the edge, Flourishing some pied over-blown Blossom, to violate my sky? (Could the caryatid eunuchs talk, they should die!) X Globed in clear heaven, hard pure stone Holds these orts of flesh and bone In a clean smooth hollowed ovoid, resting whitely on The true-cut marble tetragon . , . | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...GEOMETRY IS THE MIND OF GOD by JAMES GALVIN ST. FRANCIS EINSTEIN OF THE DAFFODILS (FIRST VERSION) by WILLIAM CARLOS WILLIAMS CHANG MCTANG MCQUARTER CAT by JOHN CIARDI NOLI ME TANGERE by ELLEN GLINES |
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