Classic and Contemporary Poetry
POPE AT TWICKENHAM, by WILLIAM CHARLES MARK KENT First Line: Beyond a hundred years and more Last Line: Love's wreath -- a crown of thorns. Alternate Author Name(s): Kent, Charles Subject(s): Poetry & Poets; Pope, Alexander (1688-1744) | ||||||||
BEYOND a hundred years and more, A garden lattice like a door Stands open in the sun, Admitting fitful winds that set Astir the fragrant mignonette In waves of speckled dun: Sweet waves, above whose odorous flow Red roses bud, red roses blow, In beds that gem the lawn -- Enamell'd rings and stars of flowers, By summer beams and vernal showers From earth nutritious drawn. Within the broad bay-window, there, Lo! huddled in his easy-chair, One hand upon his knee, A hand so thin, so wan, so frail, It tells of pains and griefs a tale, A small bent form I see. The day is fair, the hour is noon, From neighboring thicket thrills the boon The nuthatch yields in song: All drench'd with recent rains, the leaves Are dripping -- drip the sheltering eaves, The dropping notes among. And twinkling diamonds in the grass Show where the flitting zephyrs pass, That shake the green blades dry; And golden radiance fills the air And gilds the floating gossamer That glints and trembles by. Yet, blind to each familiar grace, Strange anguish on his pallid face, And eyes of dreamful hue, That lonely man sits brooding there, Still huddled in his easy-chair, With memories life will rue. Where bay might crown that honor'd head, A homely crumpled nightcap spread Half veils the careworn brows; In morning-gown of rare brocade His puny shrunken shape array'd His sorrowing soul avows: Avows in every dropping line Dejection words not thus define So eloquent of woe; Yet never to those mournful eyes, The heart's full-brimming fountains, rise Sweet tears to overflow. No token here of studied grief, But plainest signs that win belief, A simple scene and true. Beside the mourner's chair display'd, The matin meal's slight comforts laid Trimly the board bestrew. 'Mid silvery sheen of burnish'd plate, The chill'd and tarnish'd chocolate On snow-white damask stands; Untouch'd the trivial lures remain In dainty pink-tinged porcelain, Still ranged by usual hands. A drowsy bee above the cream Hums loitering in the sunny gleam That tips each rim with gold; A checker'd maze of light and gloom Floats in the quaintly-litter'd room With varying charms untold. Why sits that silent watcher there, Still brooding with that face of care, That gaze of tearless pain? What bonds of woe his spirit bind, What treasure lost can leave behind Such stings within his brain? He dreams of one who lies above, He never more in life can love -- That mother newly dead; He waits the artist-friend whose skill Shall catch the angel-beauty still Upon her features spread. A reverent sorrow fills the air, And makes a throne of grief the chair Where filial genius mourns: Death proving still, at direst need, Life's sceptre-wand -- a broken reed, Love's wreath -- a crown of thorns. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...CULTURAL EVOLUTION; AFTER POPE by CAROLYN KIZER IMITATION OF POPE: A COMPLIMENT TO THE LADIES by WILLIAM BLAKE IN ANSWER TO MR. POPE by ANNE FINCH ON THE DEATH OF DR. SWIFT by JONATHAN SWIFT MR. POPE by JOHN ORLEY ALLEN TATE EPITAPH by MARY WORTLEY MONTAGU VERSES ADDRESSED TO IMITATOR OF FIRST SATIRE OF HORACE by MARY WORTLEY MONTAGU ODES: BOOK 2: ODE 10. TO THOMAS EDWARDS, ON ... POPE'S WORKS by MARK AKENSIDE ODES: BOOK 2: ODE 10. TO THOMAS EDWARDS, ON ... POPE'S WORKS by MARK AKENSIDE YOUNG AMERICA - OLD ENGLAND by WILLIAM CHARLES MARK KENT TO KNOW IN REVERIE THE ONLY PHENOMENOLOGY OF THE ABSOLUTE by HAYDEN CARRUTH |
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