Classic and Contemporary Poetry
SURFACES AND MASKS; 23, by CLARENCE MAJOR Poet Analysis Poet's Biography First Line: And the single reality | ||||||||
and the single reality of the closely lined buildings, casa after casa, reflected, like a young man's convictions (shaky, upside-down, blurred, like yellow-and-white flesh, are somehow steady and understood, sure as the hand of a housekeeper who has been with the family for nearly a century) is a reality uncelebrated except in bad photographs by determined tourists. That's how important the long dark point of this simplicity is. Is there progress? Do you mean, uh, toward recognition? Yes, eyes about to open to the occasion, and it is bending with the wind, where everything suddenly might be seen, as it breaks with a snap, and the joy of it, transformed as understanding, stays on clearly centered and smelling like sap from a young branch. Used with the permission of Copper Canyon Press, P.O. Box 271, Port Townsend, WA 98368-0271, www.cc.press.org | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THE SYNCOPATED CAKEWALK by CLARENCE MAJOR REVELATION AT CAP FERRAT by CLARENCE MAJOR SAND FLESH AND SKY by CLARENCE MAJOR A GUY I KNOW ON 47TH AND COTTAGE by CLARENCE MAJOR AGING TOGETHER by CLARENCE MAJOR AT THE ZOO IN SPAIN by CLARENCE MAJOR ATELIER CEZANNE by CLARENCE MAJOR BALLROOM DARK by CLARENCE MAJOR |
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