Classic and Contemporary Poetry
LAMENT FOR PABLO NERUDA, by THOMAS MCGRATH Poet's Biography First Line: We may well ask now: 'where are the lilacs?' yes Last Line: For the guerilla entering the plaza where defeated generals wait Subject(s): Activity; Chile; Guerrillas; Politics & Government; Socialism; Spain; Exercise | ||||||||
We may well ask now: "Where are the lilacs?" Yes . . . And where now are the "metaphysics covered with poppies?" There are vertical streets in Chile that end in the mankilling sea. Up these the salt is climbing like a mineral snake on the stairs Made from the bones of dead men. There are dead men too in the plaza, Under the salt of the moon where traitorous generals sit Sipping the wine of silence and crossing out names on a page . . . You have seen the dead in the square, Neruda, and you have known Those wounded lands where the poor are dying against the walls In the shadow of Administrations, in the shadow of Law, in the hollow Ministries where workers are murdered by the mere echoes of money And miners are abandoned in the black galleries. But hope is not lost For you also saw the International Brigade as it entered Madrid: "The thin and hard and ripe and ardent brigade of stone." I want to believe you, Neruda, old Commissar of roses! I hear your furious ghost calling in the midnight streets! I see your generous blood staining the dollar bills! And I long for the angry angel to rise over Machu Picchu, For the guerilla entering the plaza where defeated generals wait. Used with the permission of Copper Canyon Press, P.O. Box 271, Port Townsend, WA 98368-0271, www.cc.press.org | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...AGENDA AT 74 by HAYDEN CARRUTH SPIRITUAL EXERCISES by MADELINE DEFREES IF THIS IS PARADISE by DORIANNE LAUX DON'T SIGN ANYTHING by ROBERT CREELEY THE ART OF PRESERVING HEALTH: BOOK 3. EXERCISE by JOHN ARMSTRONG EMBLEMS OF LOVE: 15. RATHER DEEDS THAN WORDS by PHILIP AYRES TOM TWIST by WILLIAM ALLEN BUTLER ODE FOR THE AMERICAN DEAD IN ASIA by THOMAS MCGRATH |
|