Classic and Contemporary Poetry
FAR AWAY, by JANE MILLER Poet's Biography First Line: There is weeping as is customary and good Last Line: Lover no children no poetry Subject(s): Cities; Grief; New York City; Urban Life; Sorrow; Sadness; Manhattan; New York, New York; The Big Apple | ||||||||
there is weeping as is customary and good the lively sitting on boxes inside the complex overlooking the bridge I shall have to sacrifice one of my few intakes of air to drag him into the coffin room and choose the right oak come ye hear the weeping in and of New Jersey the chosen bent earthward ransacking the woods unprepared for the tide and wind until I am like unto him American Jewish prosperous and free except for death the freeway below blasting and blowing us senseless over a meal mud-tongued I pray his soul be blessed and returned to work so that which is decent and innocent shall not be torn from me limb by limb as I dig deeper into debt and longing and thereafter despair holy the father and memorable his merciful acts of the hearth and household laboring fruitlessly in the unstocked and when stocked uncategoried warehouse the Bronx of our sorest complaint who shall be judged according to his deeds his thoughts and his offspring o especially those stock phrases and incantatory lines we represent on earth as we are in heaven rotten little verses transformed by the decent the good and the young into hymns of detonated twilights along toxic shores innocent songs about nothing nobody who lived nowhere and had no neighbor no lover no children no poetry | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...READY FOR THE CANNERY by BERTON BRALEY TRANTER IN AMERICA by AUGUST KLEINZAHLER MEETING YOU AT THE PIERS by KENNETH KOCH FEBRUARY EVENING IN NEW YORK by DENISE LEVERTOV ON 52ND STREET by PHILIP LEVINE THREE POEMS FOR NEW YORK by JOSEPHINE MILES NEW YORK SUBWAY by HILDA MORLEY A WINTER OF LOVE LETTERS AND A MORNING PRAYER: 5 by JANE MILLER A WINTER OF LOVE LETTERS AND A MORNING PRAYER: 7 by JANE MILLER |
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