Classic and Contemporary Poetry
TO THE ANSWERER, by RUTH COMFORT MITCHELL Poet's Biography First Line: So now we are summoned together to worship and Last Line: The open road! Alternate Author Name(s): Young, Sanborn, Mrs. Subject(s): Poetry & Poets | ||||||||
So now we are summoned together to worship and set down our worshippings? You who "put things in their attitudes," what shall we say of you? How shall we say it? Pioneer, Emigrant, Seeker, and Trail Blazer, Voice of our time, -- In puny tunes, after your thunderings, In a thin tinkle of rhyme? We must come to you each in his fashion And make a Romanza; Some in red riots of wording and some in pale passion; There are those who are lyric and lovely And those who are ugly and strong; You -- having "the pass-key of hearts" -- will you weave us In a good pattern? -- "Eye-singers, head-singers, weird-singers" In a mosaic of song. There is Margaret Widdemer's lute; Its tone is as warm as her cheek; Amelia Josephine Burr will be calling and thralling you With the clear call of her flute; And Edgar Lee Masters shall come To make you grave music upon his bass viol And brave music, bleak and unbeautiful, on his bass drum. There is Edwin Arlington Robinson To build compositions Deep and difficult, brilliant, arresting, At the pianoforte, And Louis Ledoux's cool harmonies In the depth of the temple, In the high-ceiled Inner Court, And then Clement Wood shall pipe you away to the downs (Especially if it be April!) But you will come back to hear The perfect melody, poignant and pure and crystal-clear Of Sara Teasdale's harp, And William Rose Benet's blithe bugle, Very sweet, very sharp, Routing you out for the new things, the true things, And when you hear the bag-pipes Skirling, whirling, Calling men out of the bonds that bind them To dull days and drab ways, You will know Vachel Lindsay's behind them, And when you hear a delicate old rigadoon On a rosewood spinnet You'll think you know Sarah Cleghorn, but she may straightway blow A blast on a tremendous trumpet, And then you'll meet Mary Carolyn Davies with her happy little hurdy-gurdy Trundling tunes in every stuffy street Till they open windows and doors to the sun and air, -- Tunes to make you chuckle, tunes to make you grieve, And Amy Lowell, amazing, incredible craftsman, Technician, magician, Beating her brassy cymbals very loudly So you may not suspect the pipe-organ up her sleeve! And at last, at the end of the day, Witter Bynner will tuck his violin Under his chin Sitting cross-legged in the fire-light, And play the heart out of you (Even You, Answerer!) Play the heart in. "Ear-singers, love-singers, night-singers" Singing to make your romanza, Bringing you tribute, little or large, Never quite knowing you, Yet more nearly "strong and content" because of you; Needing and owing you, -- (Oh, the deep debt we have owed!) "Usual and near, removed from none . . ." More nearly able, because of you, To follow, "afoot and light-hearted," The "long brown path" before us -- The open road! | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...ENVY OF OTHER PEOPLE'S POEMS by ROBERT HASS THE NINETEENTH CENTURY AS A SONG by ROBERT HASS THE FATALIST: TIME IS FILLED by LYN HEJINIAN OXOTA: A SHORT RUSSIAN NOVEL: CHAPTER 192 by LYN HEJINIAN LET ME TELL YOU WHAT A POEM BRINGS by JUAN FELIPE HERRERA JUNE JOURNALS 6/25/88 by JUAN FELIPE HERRERA FOLLOW ROZEWICZ by JUAN FELIPE HERRERA HAVING INTENDED TO MERELY PICK ON AN OIL COMPANY, THE POEM GOES AWRY by HICOK. BOB THE NIGHT COURT by RUTH COMFORT MITCHELL |
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