Classic and Contemporary Poetry
LOSS, by AGNES MARY F. ROBINSON Poet's Biography First Line: Dead here in florence! Yes, she died Last Line: The mask fell off then. Yes, she died. Alternate Author Name(s): Duclaux, Madame Emile; Darmesteter, Mary; Robinson, A. Mary F. Subject(s): Death; Dead, The | ||||||||
DEAD here in Florence! Yes, she died. The prophesying doctors lied Who swore the South should save her life. But no, she died, my little wife. I brought her South; the whole long way, She was as curious and as gay As a young bird that tries its wing, And halts to look at everything. O sudden-turning little head, Dear eyes -- dear changing, wistful eyes -- Your love, your eager life, now lies Under this earth of Florence, dead. All of her dead except the Past -- The finished Past, that cannot grow -- But that, at least, will always last Mocking, consoling, Life-in-show. Will that fade too? Seven days ago She was alive and by my side, And yet I cannot now divide, The pallid, gasping girl who died From her I used to love and know. Only in moments lives the Past! One like a sunlit peak stands out Above the blurring mist and doubt That creep about our dead so fast. All night the train has rushed through France, I watch the shaken lamp-light dance About my darling's sleeping face. And now the engine slackens pace And staggers up the mountain side; And now the depths of night divide And let a lighter darkness through, A tangible, dim smoke of blue That lights the world, and is not Light Before the dawn, beyond the night. The vapour clings about the grass And makes its greenness very green, Through it the tallest pine-tops pass Into the night, and are not seen. A little wind begins to stir, The haze grows colourless and bright, Thicker and darker springs the fir, The train swings slowly up the height, Each mile more slowly swings the train, Before the mountains, past the plain. And through the light that is not day I feel her now as there she lay Close in my arms, and still asleep; Close in my arms, so dear, so dear; I hold her close, and warm, and near, Who sleeps where it is cold and deep. That is my boasted memory; That, -- the impression of a mood, Effects of light on grass and wood, Such things as I shall often see. But Her! God, I may try in vain, I shall never see her again -- She will never say one new word, Scarce echo one I often heard. Even in dreams she is not quite here -- Flitting, escaping still. I fear Her voice will go, her face be blurred Wholly, as long year follows year. Often enough I think I have got The turn of her head and neck, but not The face -- never the face that speaks. My mind goes seeking, and seeks and seeks. Sometimes, indeed, I feel her at hand, Sometimes feel sure she will understand, If only I do not look or think... Out of an empty cup I drink! Down Lung' Arno again to-day I went alone the self-same way I walked with her and heard her tell What she would do when she was well. All else the same. Upon the hill White Samminiato watching still Among its pointing cypresses. And that long, farthest Apennine Still lifts a dusky, reddish line Against the blue. How warm it is! And every tower and every bridge Stands crisp and sharp in the brilliant air; Only along the mountain ridge And on the hill-spurs everywhere The olives are a smoke of blue, Until upon the topmost height They pale into a livid white Against the intense, clear, salient hue Of that mid-heaven's azure light. This, for one day, my darling knew. We meant to rest here, passing through. How pleased she was with everything! But most that winter was away So soon, and birds began to sing; For all the streets were full of flowers, The sky so blue above the towers -- Just such a day as it is to-day, When in the sun it feels like May. So here I pace where the sun is warm, With no light weight dragging my arm, Here in the sun we hoped would save -- Oh, sunny portal of the grave, Florence, how well I know your trick! Lay all the walls with sunshine thick As paint; put colours in the air, Strange southern trees upon your slopes; And make your streets at Christmas fair With flourish of roses; fill with hopes And wonder all who gaze on you, Loveliest town earth ever knew! Then, presto! take them unaware With a blast from an open grave behind -- The icy blast of the wind -- a knife Thrust in one's back to take one's life. Oh, 'tis an excellent, cunning snare, For the flowers grow on and do not mind (Who sees, if the petals be thickened and pocked?) And the olive, and cypresses, and ilex grow on. It is only the confident heart that is mocked, It is only the delicate life that is gone! How I hate it, all this mask! Those beggars really seem to bask In this mock sunshine; even I Turn giddy in the blinding light. It is all a pretence -- it is all a lie -- Have I not seen my darling die? Those mocking, leering, thin-faced apes, Who twang their sharp guitars all night, They are but thin unreal shapes, The figures of a mirage-show. They do not really live, I know; But once I heard them swear and fight, "By God, the Assassin!" then they cried. The mask fell off then. Yes, she died. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...A FRIEND KILLED IN THE WAR by ANTHONY HECHT FOR JAMES MERRILL: AN ADIEU by ANTHONY HECHT TARANTULA: OR THE DANCE OF DEATH by ANTHONY HECHT CHAMPS D?ÇÖHONNEUR by ERNEST HEMINGWAY NOTE TO REALITY by TONY HOAGLAND AN ORCHARD AT AVIGNON by AGNES MARY F. ROBINSON |
|