Classic and Contemporary Poetry
ASYMMETRY OF THE UNIVERSE, by FABIO DOPLICHER First Line: In a thousandth of a second / the world was already made | ||||||||
In a thousandth of a second the world was already made. in matter's imbalance, the void was born within the unknown lawgiver. Vessel of time spent, I've loved the necessity of verse, mirror of energy. You're not just word, my word. Today he who lies with you, poetry, walks an odd tightrope of desire. It's seriousness I require, so that in the icy space untainted light may reach me with its long parabola. We are the useless, necessary mirror, ossuary-bound after alchemies of song. But seek for now the boundary of the thinkable and soar. Twisting a curl between ring-finger and pinky, you ask me where we're going. We're like verses, free, dispersed in buckets abrim with water. I don't want to see my reflection, a day's gnawing does not satisfy our clawing thirst, now grown calm. Happiness of thinking without goal, balm of music far away, anticrystals. A thief in yellow gloves, that's the poet, in the hotels of the cite bergere, forced into the rituals, the programes, the social duties, the bureaucratic forms. A different creation, shouts the imagination, masturbating, aged radical, as in vain two councilmen apply the chains. As in the passage from one plane to another a beam of light is broken, so poetry now seeks the briefest intervals. The pulsation has distant cycles; verse-builders orient their radar in the bog of the ordinary. In marshland, there's no choice: one must be God or a frog-hunter. A sense of the end reigns over all our senses. It names words, hides between thought and body, rocks them both. With empty pockets, altar boys of the ineffable whisper all in solitude within the monastery walls. Another wind, cosmic and distant, makes trepidation useless and laughable. To each his own downfall, Orpheus on the scales weighs the chances of the false logicians and the sham initiates to survive one another: if you're not prepared to die do not attempt the song. The ozone's ragged veil leaves us inescapably exposed to an alteration in the cycle. Art of thought you toil hard inside this intermediary age. At the peak of landslide, matter engulfs and you see no more. Slowly you subside, begin the game again: there's a breath of sea in this repeated seeking. Within the page's frame the verses idle and begin to dream. Scattered in ice, where the links of matter's chain radiate more broadly, our thoughts tune into solitude. There is no correspondence, not even with the source, and we, the embittered gamblers, we bet all our chips on balance though true song needs divine disharmony. White does not exist and yet, creatures of the page, we search beyond the margins -- the outskirts of poetry, occult visitress, sacred prostitute. If that passion is of no help to you seek no song or complaint. The spell of two persons in love, my friend, lies beyond the coupling. Into its matrix the old matter flows back, condenses. The goal's intense attraction leads everything back to this outermost space. Sated with bodies, ice-cold, the demon of thought draws near. He offers a black margin of incompleteness; but freedom does not attract: form is missing. As when on a clear night the sky reveals the imagination's openings and the simulation of the void takes us back to that net, so poetry's concern has now become the loving contemplation of the margins of the hopeless, of verses thought, years wasted in a ring. Alchemists of beauty with no touchstone, let us join hands, my girl, before Hadrian's nocturnal Canopus. Imitation doesn't count: from the pool of mercury we must raise up a new homunculus. And so along the way shall we test the word as we join hands toward the tower of Chia. Used by permission of Story Line Press. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...INTERLUDES; TO DIDEROT: 1 by FABIO DOPLICHER INTERLUDES; TO DIDEROT: 2 by FABIO DOPLICHER INTERLUDES; TO DIDEROT: 3 by FABIO DOPLICHER INTERLUDES; TO DIDEROT: 4 by FABIO DOPLICHER UNFINISHED EXILE by FABIO DOPLICHER SPOON RIVER ANTHOLOGY: HENRY PHIPPS by EDGAR LEE MASTERS THE CORNELIAN by GEORGE GORDON BYRON |
|