Poetry Explorer- Classic Contemporary Poetry, READING HENRY FOWLER'S MODERN ENGLISH USAGE IN SALT LAKE CITY ..., by NATASHA SAJE


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Classic and Contemporary Poetry

READING HENRY FOWLER'S MODERN ENGLISH USAGE IN SALT LAKE CITY ..., by                     Poet's Biography
First Line: You note the one 'r' in iridescent
Subject(s): Fowler, Henry (1858-1933); Language; Words; Vocabulary


You note the one "r" in iridescent,
from the Greek, iris, rainbow, not the Latin,
irrideo, to laugh, and I smile

to think of your idiosyncrasy,
scrupulous care in life as well as work.
Today light streams in, the bright surprise

of it risible, as amazing to me
as sagebrush and pinions. First Western fall,
felicitous, pumpkin custard carrying

clove into the air as the cats quibble
over the patch of hottest sun. Gone:
Old house, old roads, old friends. Gone as well

that blue hour when lovers over
absinthe in cafes console themselves
for loss. That city's further than it's

ever been, differs toto caelo,
by the whole sky, from these nights of shooting
stars and sunny days that beam across

the floor like lace. If you were here, Henry,
you'd advise exactitude, tell me to love
the narrow difference between "broad"

and "wide": a distance that separates
the limits, an amplitude of what
connects them. Some words refuse wide,

admit broad: blade, spearhead, daylight.
And some allow them both: A wide door
open to miles of snowy peaks. The view

from where I am is wide and broad, and if
I lose myself in its expanse, will mountains
rein me in, or clouds, as volatile as grace?

First Published in The Kenyon Review, Volume 22#3 (Summer/Fall 2000).
http://kenyonreview.org/roth






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